Название: Cuckoo: A haunting psychological thriller you need to read this Christmas
Автор: Sophie Draper
Издательство: HarperCollins
Жанр: Сказки
isbn: 9780008311292
isbn:
But meeting and getting to know Harriet had made me think. She wasn’t afraid to start again. To brave a new life, to put the past behind her. Leaving the noise and traffic of London felt to me like a snake shedding its old dead skin. I’d packed up everything I had, handed in Harriet’s keys, and here I was, on my way to Derbyshire. I had a new commission to work on as well as the house clearance and, for the moment at least, it was to be my new home.
I lifted my back, flicking on the windscreen wipers as sleet began to slap against the car windows.
Eventually, I turned onto the dual carriageway that led into Derby. The sleet and rain had stopped and there was a break in the clouds through which the sun shone, lighting up the roofs of the houses. The city was a tangle of incomprehensible ring roads and roadworks, but twenty minutes later I was free of it, heading down country lanes, chasing the shadows of the growing dusk.
The village of Larkstone was quiet, a few rainbow Christmas lights blinking on the street. I drove slowly, looking for the right turning back into the countryside. A couple of pedestrians dived across the road, heads bowed against the wind. It was even colder now that the brief sun was lower in the sky.
Someone beeped from behind. A man in a muddy jeep. He was far too close. He beeped again. I touched the brake pedal, enough to trigger the lights. It had the desired effect. In the mirror, I saw his hands gripping the steering wheel, his face scowling. A woman on the street stopped as our two cars drove past. Her expression was fierce, it took me aback, until she broke into a smile, waving at the man in the jeep. I carried on. I felt a surge of satisfaction as the jeep was forced to follow me out of the village, tailing me for a couple of miles until I slowed for the house. The jeep growled up a gear, swerving around me as it accelerated away and down the lane.
The house was at the end of a track, on a hill overlooking the valley. Tall chimneys stood proud against an unexpected blazing sunset sky. I peered through the windscreen, my teeth catching on my lower lip.
It was a tall building, hewn from thick Derbyshire stone, part farmhouse, part fortified manor house. The second-floor windows were tucked in under the eaves and one small attic window peeped out from the tiles above. All the windows were an empty black, save for a glint of red at the top where the last rays of the sun reflected off the glass. A low wall enclosed the front courtyard and two semi-derelict outbuildings sheltered behind. I drove the car forward the last few metres, its wheels skidding over the gravel, spitting stones as it came to a halt.
I sat in my seat, watching the last of the daylight playing on the colours in the stone. Already a picture was forming in my head: the house inked out in black lines on its hill, angry colours exploding in the background, windows like bullet holes peppering the walls. My fingers itched to draw. I felt a strange kind of lift. The house, its history, its memories, it was like I needed this. Elizabeth’s death was a fresh start, for me and Steph, and the house.
I slammed the car door shut and searched in my handbag for the key the lawyers had sent.
Something soft touched my ankles. I yelped in surprise. It was a cat, her head rubbing against my legs. I reached down and she seemed content to let me draw my fingers through her fur.
‘Hello there, Puss.’
She was small and black, save for a single white sock on her front paw. Half-starved by the look of her. I made to pick her up but that was too much. She skittered away, jumping onto the wall to look at me reproachfully.
‘Okay, fair enough,’ I said, fingers finding the keys.
I swung round towards the house. Water stained the front step and dripped from the leaves of the shrubbery around me. A security light bounced on as I stepped up to the door and the key turned smoothly in the lock. The house, it seemed, didn’t know whether I was friend or foe.
It smelt stale as I entered. I snapped the switch on the wall. The hallway was instantly familiar, the smell, the clock, the objects around me. The walls were lined with paintings, scenes of rural Derbyshire, the crags at Mam Tor, a pheasant stalking a field; it was all as I remembered, except somehow different. There was a space on the wall marked by a dirty grey outline where a picture had once hung and the hall table with its two drawers was thick with dust – even the cut-glass bowl that sat on top was grimy with dirt. How long had it been like that? Longer than the six or seven weeks since Elizabeth’s death in the middle of October. The house mouldered in genteel neglect and I felt a prickle of unease; my stepmother had been fastidious in her housekeeping when I was younger.
Two rooms led from each side of the hall and a wide staircase hugged the back elevation. A tall window overlooked the stairwell and my eyes were drawn to the banister above. Its richly polished wood curved up to the first and second floors. A patterned rug sprawled on the stone floor beneath, a rust-red stain at its centre. I felt my chest contract. Why hadn’t someone taken it away? It was a stark reminder of the manner of my stepmother’s death.
I wondered how she’d fallen. With a piercing scream, or a silent thud? They’d said it had been an accident. Had it been a sleepless night blundering in the dark? No, hadn’t they said morning? I couldn’t imagine how someone could fall over a banister. They’d also said there’d been signs of excess alcohol in her system. When had Elizabeth started to drink? I tried to feel sympathy for her, gawping at the stain, fascination and horror holding me still, the rug a simple testament to Elizabeth’s death.
I moved forwards, snapping on all the switches I could find, flooding the house with light, determined to chase away the ghosts.
An hour later the Aga in the kitchen creaked as heat seeped into its old bones. A table dominated the room, perfect for painting. I slung my last box onto the wooden worktop. Fishing out the contents – tubes, brushes, small tins and cloths – I lined them up like precious toys, spacing out each item. Next came the laptop, phone, dongle and printer, juggling cables until they trailed across to the sockets and my emails filled the screen. A welcome connection to the outside world. Not quite so alone.
I returned to the hall. All my possessions stood in pathetic isolation, dwarfed by the grandeur of the house and the triple-height ceiling over the stairs.
In the sitting room I found Laura Ashley florals, scented candles and a TV. This was where my stepmother sat, on the big sofa, her favourite blanket neatly folded on its arm. I snatched it up, striding from the house to dump it in the bin. Adrenalin fired in my veins. I swept through the entire ground floor, harvesting photos, magazines and papers, soap and towels, even a stray cardigan from the kitchen, still smelling of her – I held it between my fingers and dropped it into a black bin bag as if it were contaminated.
I had to drag the rug from the hall out the front door. It was a heavy wool and felt as if a body were rolled up inside. The thought was almost comical, except it made me nauseous. I felt guilty, as if it were my fault, as if I’d killed Elizabeth myself and was now removing the evidence. It made no sense, but the feeling was there, with every item that I found, soiled by her touch, her scent, her sweat, her very blood.
The purge had only started, but it was enough for now. The rest, including upstairs, would have to wait. I scrubbed my hands, ate the remains of a pot of salad, fetched my duvet and climbed onto the sofa. I tried to sleep, lying there too aware of the size of the house, the emptiness of the rooms above my head, the wind whistling at the windows СКАЧАТЬ