Inspector Alleyn 3-Book Collection 10: Last Ditch, Black As He’s Painted, Grave Mistake. Ngaio Marsh

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      ‘Who looks after that?’ he tossed at the youth. ‘The basement?’

      ‘Yar,’ said the youth.

      (‘He hadn’t the faintest idea,’ thought Mr Whipplestone.)

      The youth had opened the front door and now stood back for Mr Whipplestone to enter.

      The little hall and stairway were carpeted in cherry red, the glossy walls were an agreeable oyster-white. This scheme was continued in a quite sizeable drawing-room. The two bow windows curtained in red and white stripes were large and the whole interior remarkably light for a London room. For some twenty years he had vaguely regretted the murkiness of his service flat.

      Without warning he was overtaken by an experience that a less sophisticated man might have been tempted to call hallucinatory. He saw, with the utmost clarity, his own possessions occupying this light-hearted room. The Chippendale wall-desk, the crimson sofa with its companion table, the big red glass goblet, the Agatha Troy landscape, the late Georgian bookcase: all were harmoniously accommodated. When the youth opened double-doors into a small dining-room, Mr Whipplestone saw at a glance that his chairs were of precisely the right size and character.

      He dismissed these visions. ‘The partition folds back,’ he said with a brave show of indifference, ‘to form one room, I suppose?’

      ‘Yar,’ said the youth and folded it back. He opened red and white striped curtains in the rear wall and revealed a courtyard and tub-garden.

      ‘Lose the sun,’ Mr Whipplestone sneered, keeping his head, ‘Get none in the winter.’

      It was, however, receiving its full quota now.

      ‘Damp,’ persisted Mr Whipplestone defiantly. ‘Extra expense. Have to be kept up.’ And he thought: ‘I’d do better to hold my tongue.’

      The kitchen was on the left of the dining-room. It was a modernized affair with a service hatch. ‘Cramped!’ Mr Whipplestone thought of saying but his heart was not in it.

      The stairs were steep which ought to have been a comfort. Awkward for trays and luggage and suppose one died how would they get one out of it? He said nothing.

      The view from the master-bedroom through the french windows embraced in its middle distance the Square with the Sun in Splendour on the left and – more distantly on the right – the dome of the Basilica. In the foreground was the Walk with foreshortened views of pedestrians, parked cars and an intermittent passage of traffic. He opened a french window. They were ringing the bells in the Basilica. Twelve o’clock. Some service or another, he supposed. But you couldn’t say the house was noisy.

      The bells stopped. Somewhere, out of sight, a voice was raised in a reiterated, rhythmical shout. He couldn’t distinguish the sense of it but it came nearer. He went out on one of the two little balconies.

      ‘Air-eye-awf,’ shouted the voice, and round the far corner of the Square came a horse-drawn cart, nodding with tulips and led by a red-faced man. He passed No. 1 and looked up.

      ‘Any time. All fresh,’ he bawled directly at Mr Whipplestone who hastily withdrew.

       (His big red glass goblet in the bow window, filled with tulips.)

      Mr Whipplestone was a man who did not indulge in histrionics but under the lash of whatever madness now possessed him he did, as he made to leave the window, flap the air with two dismissive palms. The gesture brought him face to face with a couple, man and woman.

      ‘I beg your pardon,’ they all said and the small man added. ‘Sorry, sir. We just heard the window open and thought we’d better see.’ He glanced at the youth. ‘Order to view?’ he asked.

      ‘Yar.’

      ‘You,’ said Mr Whipplestone, dead against his will, ‘must be the – the upstairs – ah – the –’

      ‘That’s right, sir,’ said the man. His wife smiled and made a slight bob. They were rather alike, being round-faced, apple-cheeked and blue-eyed and were aged, he thought, about forty-five.

      ‘You are – I understand – ah – still – ah –’

      ‘We’ve stayed on to set things to rights, sir, Mr Sheridan’s kindly letting us remain until the end of the week. Gives us a chance to find another place, sir, if we’re not wanted here.’

      ‘I understand you would be – ah –’

      ‘Available, sir?’ they both said quickly and the man added, ‘We’d be glad to stay on if the conditions suited. We’ve been here with the outgoing tenant six years, sir, and very happy with it. Name of Chubb, sir, references on request and the owner, Mr Sheridan, below, would speak for us.’

      ‘Quite, quite quite!’ said Mr Whipplestone in a tearing hurry. ‘I – ah – I’ve come to no conclusion. On the contrary. Idle curiosity, really. However. In the event – the remote event of my – be very glad – but so far – nothing decided.’

      ‘Yes, sir, of course. If you’d care to see upstairs, sir?’

      ‘What!’ shouted Mr Whipplestone as if they’d fired a gun at him. ‘Oh. Thank you. Might as well, perhaps. Yes.’

      ‘Excuse me, sir. I’ll just close the window.’

      Mr Whipplestone stood aside. The man laid his hand on the french window. It was a brisk movement but it stopped as abruptly as if a moving film had turned into a still. The hand was motionless, the gaze was fixed, the mouth shut like a trap.

      Mr Whipplestone was startled. He looked down into the street and there, returning from his constitutional and attended by his dog and his bodyguard, was the Ambassador for Ng’ombwana. It was at him that the man, Chubb, stared. Something impelled Mr Whipplestone to look at the woman. She had come close and she too, over her husband’s shoulder, stared at the Ambassador.

      The next moment the figures animated. The window was shut and fastened and Chubb turned to Mr Whipplestone with a serviceable smile.

      ‘Shall I show the way, sir?’ asked Chubb.

      The upstairs flat was neat, clean and decent. The little parlour was a perfectly respectable and rather colourless room, except perhaps for an enlarged photograph of a round-faced girl of about sixteen which attracted attention on account of its being festooned in black ribbon and flanked on the table beneath it by two vases of dyed immortelles. Some kind of china medallion hung from the bottom edge of the frame. Another enlarged photograph of Chubb in uniform and Mrs Chubb in bridal array, hung on the wall.

      All the appointments on this floor, it transpired, were the property of the Chubbs. Mr Whipplestone was conscious that they watched him anxiously. Mrs Chubb said: ‘It’s home to us. We’re settled like. It’s such a nice part, the Capricorns.’ For an unnerving moment he thought she was going to cry.

      He left the Chubbs precipitately, followed by the youth. It was a struggle not to re-enter the drawing-room but he triumphed and shot out of the front door to be immediately involved in another confrontation.

      ‘Good morning,’ said a man on the area steps. ‘You’ve been looking at my house, I think? My name is СКАЧАТЬ