Название: Jack Sheppard
Автор: Ainsworth William Harrison
Издательство: Public Domain
Жанр: Европейская старинная литература
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Through this confusion the carpenter struggled on;—now ascending, now descending the different mountains of rubbish that beset his path, at the imminent peril of his life and limbs, until he arrived in Fleet Street. The hurricane appeared to have raged in this quarter with tenfold fury. Mr. Wood scarcely knew where he was. The old aspect of the place was gone. In lieu of the substantial habitations which he had gazed on overnight, he beheld a row of falling scaffoldings, for such they seemed.
It was a dismal and depressing sight to see a great city thus suddenly overthrown; and the carpenter was deeply moved by the spectacle. As usual, however, on the occasion of any great calamity, a crowd was scouring the streets, whose sole object was plunder. While involved in this crowd, near Temple Bar,—where the thoroughfare was most dangerous from the masses of ruin that impeded it,—an individual, whose swarthy features recalled to the carpenter one of his tormentors of the previous night, collared him, and, with bitter imprecations accused him of stealing his child. In vain Wood protested his innocence. The ruffian's companions took his part. And the infant, in all probability, would have been snatched from its preserver, if a posse of the watch (sent out to maintain order and protect property) had not opportunely arrived, and by a vigorous application of their halberts dispersed his persecutors, and set him at liberty.
Mr. Wood then took to his heels, and never once looked behind him till he reached his own dwelling in Wych Street. His wife met him at the door, and into her hands he delivered his little charge.
EPOCH THE SECOND.
1715.
THAMES DARRELL
CHAPTER I.
The Idle Apprentice
Twelve years! How many events have occurred during that long interval! how many changes have taken place! The whole aspect of things is altered. The child has sprung into a youth; the youth has become a man; the man has already begun to feel the advances of age. Beauty has bloomed and faded. Fresh flowers of loveliness have budded, expanded, died. The fashions of the day have become antiquated. New customs have prevailed over the old. Parties, politics, and popular opinions have changed. The crown has passed from the brow of one monarch to that of another. Habits and tastes are no longer the same. We, ourselves, are scarcely the same we were twelve years ago.
Twelve years ago! It is an awful retrospect. Dare we look back upon the darkened vista, and, in imagination retrace the path we have trod? With how many vain hopes is it shaded! with how many good resolutions, never fulfilled, is it paved! Where are the dreams of ambition in which, twelve years ago, we indulged? Where are the aspirations that fired us—the passions that consumed us then? Has our success in life been commensurate with our own desires—with the anticipations formed of us by others? Or, are we not blighted in heart, as in ambition? Has not the loved one been estranged by doubt, or snatched from us by the cold hand of death? Is not the goal, towards which we pressed, further off than ever—the prospect before us cheerless as the blank behind?—Enough of this. Let us proceed with our tale.
Twelve years, then, have elapsed since the date of the occurrences detailed in the preceding division of this history. At that time, we were beneath the sway of Anne: we are now at the commencement of the reign of George the First. Passing at a glance over the whole of the intervening period; leaving in the words of the poet,
—The growth untried
Of that wide gap—
we shall resume our narrative at the beginning of June, 1715.
One Friday afternoon, in this pleasant month, it chanced that Mr. Wood, who had been absent on business during the greater part of the day, returned (perhaps not altogether undesignedly) at an earlier hour than was expected, to his dwelling in Wych Street, Drury Lane; and was about to enter his workshop, when, not hearing any sound of labour issue from within, he began to suspect that an apprentice, of whose habits of industry he entertained some doubt, was neglecting his employment. Impressed with this idea, he paused for a moment to listen. But finding all continue silent, he cautiously lifted the latch, and crept into the room, resolved to punish the offender in case his suspicions should prove correct.
The chamber, into which he stole, like all carpenters' workshops, was crowded with the implements and materials of that ancient and honourable art. Saws, hammers, planes, axes, augers, adzes, chisels, gimblets, and an endless variety of tools were ranged, like a stand of martial weapons at an armoury, in racks against the walls. Over these hung levels, bevels, squares, and other instruments of measurement. Amid a litter of nails without heads, screws without worms, and locks without wards, lay a glue-pot and an oilstone, two articles which their owner was wont to term "his right hand and his left." On a shelf was placed a row of paint-jars; the contents of which had been daubed in rainbow streaks upon the adjacent closet and window sill. Divers plans and figures were chalked upon the walls; and the spaces between them were filled up with an almanack for the year; a godly ballad, adorned with a rude wood-cut, purporting to be "The History of Chaste Susannah;" an old print of the Seven Golden Candlesticks; an abstract of the various Acts of Parliament against drinking, swearing, and all manner of profaneness; and a view of the interior of Doctor Daniel Burgess's Presbyterian meeting-house in Russell Court, with portraits of the reverend gentleman and the principal members of his flock. The floor was thickly strewn with sawdust and shavings; and across the room ran a long and wide bench, furnished at one end with a powerful vice; next to which three nails driven into the boards served, it would appear from the lump of unconsumed tallow left in their custody, as a substitute for a candlestick. On the bench was set a quartern measure of gin, a crust of bread, and a slice of cheese. Attracted by the odour of the latter dainty, a hungry cat had contrived to scratch open the paper in which it was wrapped, displaying the following words in large characters:—"THE HISTORY OF THE FOUR KINGS, OR CHILD'S BEST GUIDE TO THE GALLOWS." And, as if to make the moral more obvious, a dirty pack of cards was scattered, underneath, upon the sawdust. Near the door stood a pile of deal planks, behind which the carpenter ensconced himself in order to reconnoitre, unobserved, the proceedings of his idle apprentice.
Standing on tiptoe, on a joint-stool, placed upon the bench, with his back to the door, and a clasp-knife in his hand, this youngster, instead of executing his appointed task, was occupied in carving his name upon a beam, overhead. Boys, at the time of which we write, were attired like men of their own day, or certain charity-children of ours; and the stripling in question was dressed in black plush breeches, and a gray drugget waistcoat, with immoderately long pockets, both of which were evidently the cast-off clothes of some one considerably his senior. Coat, on the present occasion, he had none, it being more convenient, as well as agreeable to him, to pursue his avocations in his shirtsleeves; but, when fully equipped, he wore a large-cuffed, long-skirted garment, which had once been the property of his master.
In concealing himself behind the timber, Mr. Wood could not avoid making a slight shuffling sound. The noise startled the apprentice, who instantly suspended his labour, and gazed anxiously in the direction whence he supposed it proceeded. His face was that of a quick, intelligent-looking boy, with fine hazel eyes, and a clear olive complexion. His figure was uncommonly slim even for his age, which could not be more than thirteen; and the looseness of his garb made him appear thinner than he was in reality. But if his frame was immature, his looks were not so. He seemed to possess a penetration and cunning beyond his years—to hide a man's judgment under a boy's mask. The glance, which he threw at the door, was singularly expressive of his character: it was СКАЧАТЬ