Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875. Various

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      When he doth gaze on earth and sky?

      Behold, I grow more bold:

      I hold

      Full powers from Nature manifold.

      I speak for each no-tonguèd tree

      That, spring by spring, doth nobler be,

      And dumbly and most wistfully

      His mighty prayerful arms outspreads

      Above men's oft-unheeding heads,

      And his big blessing downward sheds.

      I speak for all-shaped blooms and leaves,

      Lichens on stones and moss on eaves,

      Grasses and grains in ranks and sheaves;

      Broad-fronded ferns and keen-leaved canes,

      And briery mazes bounding lanes,

      And marsh-plants, thirsty-cupped for rains,

      And milky stems and sugary veins;

      For every long-armed woman-vine

      That round a piteous tree doth twine;

      For passionate odors, and divine

      Pistils, and petals crystalline;

      All purities of shady springs,

      All shynesses of film-winged things

      That fly from tree-trunks and bark-rings;

      All modesties of mountain-fawns

      That leap to covert from wild lawns,

      And tremble if the day but dawns;

      All sparklings of small beady eyes

      Of birds, and sidelong glances wise

      Wherewith the jay hints tragedies;

      All piquancies of prickly burs,

      And smoothnesses of downs and furs

      Of eiders and of minevers;

      All limpid honeys that do lie

      At stamen-bases, nor deny

      The humming-birds' fine roguery,

      Bee-thighs, nor any butterfly;

      All gracious curves of slender wings,

      Bark-mottlings, fibre-spiralings,

      Fern-wavings and leaf-flickerings;

      Each dial-marked leaf and flower-bell

      Wherewith in every lonesome dell

      Time to himself his hours doth tell;

      All tree-sounds, rustlings of pine-cones,

      Wind-sighings, doves' melodious moans,

      And night's unearthly undertones;

      All placid lakes and waveless deeps,

      All cool reposing mountain-steeps,

      Vale-calms and tranquil lotos-sleeps;

      Yea, all fair forms, and sounds, and lights,

      And warmths, and mysteries, and mights,

      Of Nature's utmost depths and heights,—

      —These doth my timid tongue present,

      Their mouthpiece and lead instrument

      And servant, all love-eloquent.

      I heard, when 'All for love' the violins cried:

      Nature through me doth take their human side.

      That soul is like a groom without a bride

      That ne'er by Nature in great love hath sighed.

      Much time is run, and man hath changed his ways,

      Since Nature, in the antique fable-days,

      Was hid from man's true love by proxy fays,

      False fauns and rascal gods that stole her praise.

      The nymphs, cold creatures of man's colder brain,

      Chilled Nature's streams till man's warm heart was fain

      Never to lave its love in them again.

      Later, a sweet Voice Love thy neighbor said;

      Then first the bounds of neighborhood outspread

      Beyond all confines of old ethnic dread.

      Vainly the Jew might wag his covenant head:

      'All men are neighbors,' so the sweet Voice said.

      So, when man's arms had measure as man's race,

      The liberal compass of his warm embrace

      Stretched bigger yet in the dark bounds of space;

      With hands a-grope he felt smooth Nature's grace,

      Drew her to breast and kissed her sweetheart face:

      His heart found neighbors in great hills and trees

      And streams and clouds and suns and birds and bees,

      And throbbed with neighbor-loves in loving these.

      But oh, the poor! the poor! the poor!

      That stand by the inward-opening door

      Trade's hand doth tighten ever more,

      And sigh with a monstrous foul-air sigh

      For the outside heaven of liberty,

      Where Nature spreads her wild blue sky

      For Art to make into melody!

      Thou Trade! thou king of the modern days!

      Change thy ways,

      Change thy ways;

      Let the sweaty laborers file

      A little while,

      A little while,

      Where Art and Nature sing and smile.

      Trade! is thy heart all dead, all dead?

      And hast thou nothing but a head?

      I'm all for heart," the flute-voice said,

      And into sudden silence fled,

      Like as a blush that while 'tis red

      Dies to a still, still white instead.