The Continental Monthly, Vol. 1, No. 2, February, 1862. Various
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'Mes habitudes de dîner chez les restaurants,' says a Parisian philosopher, 'ont été pour moi une source intarrissable de surprises, de decouvertes, et de revelations sur l'humanité.'

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The very description of her enthusiastic admirers suggests that such were the original traits and the special character of Rachel. At first we are told by the patron who earliest recognized her genius, 'a delirious popularity surrounded the young tragedienne, and with her the antique tragedy which she had revived.' How different from the original relation of Kemble, Kean, or Siddons to the Shaksperian drama! Then the manner in which she prepared herself for artistic triumph is equally suggestive of the artificial and the conventional: 'Elle se drape,' we are told, 'avec un art merveilleux; au theatre elle fait preuve d'études intelligentes de la statuaire antique.' It was in the external form rather than by sympathetic emotion that she wooed the tragic muse. Véron compares her to Thiers. 'C'est la même netteté de vues, la même ardeur, les mêmes ruses vigéreuses, la même fecondité d'expedients, la même tableau phllosophique que ne la comprend ni la vengeance ni les haines, qui se contente de negocier avec les inimities, d'apaiser les rancunes et de conquerir toutes les influences, toutes les amitiés qui peuvent devenir utiles.'

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Hon. Daniel S. Dickinson.

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