Название: Children of the Tenements
Автор: Jacob August Riis
Издательство: Public Domain
Жанр: Зарубежная классика
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Frands is long since in Florida, growing up with the country, and little Yette is a young woman. So long ago was it that the current which sucked her under cast her up again, that there lives not in the whole street any one who can recall her loss. I tried to find one only the other day, but all the old people were dead or had moved away, and of the young, who were very anxious to help me, scarcely one was born at that time. But still the maelstrom drags down its victims; and far away lies my Danish heath under the gray October sky, hidden behind the seas.
PAOLO'S AWAKENING
Paolo sat cross-legged on his bench, stitching away for dear life. He pursed his lips and screwed up his mouth into all sorts of odd shapes with the effort, for it was an effort. He was only eight, and you would scarcely have imagined him over six, as he sat there sewing like a real little tailor; only Paolo knew but one seam, and that a hard one. Yet he held the needle and felt the edge with it in quite a grown-up way, and pulled the thread just as far as his short arm would reach. His mother sat on a stool by the window, where she could help him when he got into a snarl,—as he did once in a while, in spite of all he could do,—or when the needle had to be threaded. Then she dropped her own sewing, and, patting him on the head, said he was a good boy.
Paolo felt very proud and big then, that he was able to help his mother, and he worked even more carefully and faithfully than before, so that the boss should find no fault. The shouts of the boys in the block, playing duck-on-a-rock down in the street, came in through the open window, and he laughed as he heard them. He did not envy them, though he liked well enough to romp with the others. His was a sunny temper, content with what came; besides, his supper was at stake, and Paolo had a good appetite. They were in sober earnest, working for dear life—Paolo and his mother.
"Pants" for the sweater in Stanton Street was what they were making; little knickerbockers for boys of Paolo's own age. "Twelve pants for ten cents," he said, counting on his fingers. The mother brought them once a week—a big bundle which she carried home on her head—to have the buttons put on, fourteen on each pair, the bottoms turned up, and a ribbon sewed fast to the back seam inside. That was called finishing. When work was brisk—and it was not always so since there had been such frequent strikes in Stanton Street—they could together make the rent money, and even more, as Paolo was learning and getting a stronger grip on the needle week by week. The rent was six dollars a month for a dingy basement room, in which it was twilight even on the brightest days, and a dark little cubbyhole where it was always midnight, and where there was just room for a bed of old boards, no more. In there slept Paolo with his uncle; his mother made her bed on the floor of the "kitchen," as they called it.
The three made the family. There used to be four; but one stormy night in winter Paolo's father had not come home. The uncle came alone, and the story he told made the poor home in the basement darker and drearier for many a day than it had yet been. The two men worked together for a padrone on the scows. They were in the crew that went out that day to the dumping-ground, far outside the harbor. It was a dangerous journey in a rough sea. The half-frozen Italians clung to the great heaps like so many frightened flies, when the waves rose and tossed the unwieldy scows about, bumping one against the other, though they were strung out in a long row behind the tug, quite a distance apart. One sea washed entirely over the last scow and nearly upset it. When it floated even again, two of the crew were missing, one of them Paolo's father. They had been washed away and lost, miles from shore. No one ever saw them again.
The widow's tears flowed for her dead husband, whom she could not even see laid in a grave which the priest had blessed. The good father spoke to her of the sea as a vast God's acre, over which the storms are forever chanting anthems in His praise to whom the secrets of its depths are revealed; but she thought of it only as the cruel destroyer that had robbed her of her husband, and her tears fell faster. Paolo cried, too: partly because his mother cried; partly, if the truth must be told, because he was not to have a ride to the cemetery in the splendid coach. Giuseppe Salvatore, in the corner house, had never ceased talking of the ride he had when his father died, the year before. Pietro and Jim went along, too, and rode all the way behind the hearse with black plumes. It was a sore subject with Paolo, for he was in school that day.
And then he and his mother dried their tears and went to work. Henceforth there was to be little else for them. The luxury of grief is not among the few luxuries which Mott Street tenements afford. Paolo's life, after that, was lived mainly with the pants on his hard bench in the rear tenement. His routine of work was varied by the household duties, which he shared with his mother. There were the meals to get, few and plain as they were. Paolo was the cook, and not infrequently, when a building was being torn down in the neighborhood, he furnished the fuel as well. Those were his off days, when he put the needle away and foraged with the other children, dragging old beams and carrying burdens far beyond his years.
The truant officer never found his way to Paolo's tenement to discover that he could neither read nor write, and, what was more, would probably never learn. It would have been of little use, for the public schools thereabouts were crowded, and Paolo could not have got into one of them if he had tried. The teacher from the Industrial School, which he had attended for one brief season while his father was alive, called at long intervals, and brought him once a plant, which he set out in his mother's window-garden and nursed carefully ever after. The "garden" was contained within an old starch box, which had its place on the window-sill since the policeman had ordered the fire-escape to be cleared. It was a kitchen-garden with vegetables, and was almost all the green there was in the landscape. From one or two other windows in the yard there peeped tufts of green; but of trees there was none in sight—nothing but the bare clothes-poles with their pulley-lines stretching from every window.
Beside the cemetery plot in the next block there was not an open spot or breathing-place, certainly not a playground, within reach of that great teeming slum that harbored more than a hundred thousand persons, young and old. Even the graveyard was shut in by a high brick wall, so that a glimpse of the greensward over the old mounds was to be caught only through the spiked iron gates, the key to which was lost, or by standing on tiptoe and craning one's neck. The dead there were of more account, though they had been forgotten these many years, than the living children who gazed so wistfully upon the little paradise through the barred gates, and were chased by the policeman when he came that way. Something like this thought was in Paolo's mind when he stood at sunset and peered in at the golden rays falling athwart the green, but he did not know it. Paolo was not a philosopher, but he loved beauty and beautiful things, and was conscious of a great hunger which there was nothing in his narrow world to satisfy.
Certainly not in the tenement. It was old and rickety and wretched, in keeping with the slum of which it formed a part. The whitewash was peeling from the walls, the stairs were patched, and the door-step long since worn entirely away. It was hard to be decent in such a place, but the widow did the best she could. Her rooms were as neat as the general dilapidation would permit. On the shelf where the old clock stood, flanked by the best crockery, most of it cracked and yellow with age, there was red and green paper cut in scallops very nicely. Garlic and onions hung in strings over the stove, and the red peppers that grew in the starch-box at the window gave quite a cheerful appearance to the room. In the corner, under a cheap print of the Virgin Mary with the Child, a small night-light in a blue glass was always kept burning. It was a kind of illumination in honor of the Mother of God, through which the widow's devout nature found expression. Paolo always looked upon it as a very solemn show. When he said his prayers, the sweet, patient eyes in the picture seemed to watch him with a mild look that made him turn over and go to sleep with a sigh of contentment. He felt then that he had not been altogether bad, and that he was quite safe in their keeping.
Yet Paolo's life was not wholly without its bright spots. Far from it. There were the occasional trips to the dump with Uncle Pasquale's dinner, where there was always sport to be had in chasing the rats that overran the place, fighting for the scraps and bones the trimmers had rescued from the scows. There were so many of them, and so bold СКАЧАТЬ