"La femme libre," in quest of whom the young Saint-Simonians preached a crusade, must be a woman of reflection and intellect who, having meditated on the fate of her "sisters," knowing the wants of women, and having sounded those feminine capacities which man has never completely penetrated, shall give forth the confession of her sex, without restriction or reserve, in such a manner as to furnish the indispensable elements for formulating the rights and duties of woman. Saint Simon had asked Madame de Staël to undertake this rôle, but she failed to respond. When George Sand published her first novels, one Guéroult was commissioned to ascertain if the author of Lélia would undertake this important service. He found a badly dressed woman who was using her talents to gain a living, but was by no means anxious to become the high priestess of a new religion. Even after his disappointment Enfantin looked eagerly forward to the publication of George Sand's Histoire de ma Vie, hoping that at last the great revelation was coming, and he was again disillusioned. But before this Emile Barrault had arisen and declared that in the East, in the solitude of the harem, "la femme libre" would be found in the person of some odalisque. The "mission of the mother" was formed, and with Barrault at the head it set out for Constantinople. All were dressed in white as an indication of the vow of chastity they had taken before leaving Paris, and on the road they begged in the name of the Mother. They arrived at Constantinople and preached the faith of Saint-Simon to the Turks in French. But "la femme libre" seemed as far off as ever, and they resolved to go to Rotourma in Oceana, there to establish the religion of Saint-Simon and a perfect Government which might serve as a model to the States of Europe. First, however, they felt it a duty to make certain that the Mother was not hiding somewhere in Russia, and they went therefore to Odessa, but the Governor, who was wanting in sympathy, speedily turned them out, and having realized that Rotourma was some distance off, the mission broke up, most of the members going to Egypt to rejoin Enfantin, whom the Arabs, struck by his beauty, had called Abu-l-dhunieh, the Father of the World. (This account of the movement is based on that given by Maxime du Camp, in his Souvenirs Littéraires)
67
Studies in the Psychology of Sex, Vol. VI, "Sex in Relation to Society," chap. x.
68
It is worth noting that a Frenchwoman has been called "the mother of modern feminism." Marie de Gournay, who died in 1645 at the age of eighty, is best known as the adopted daughter of Montaigne, for whom she cherished an enthusiastic reverence, becoming the first editor of his essays. Her short essay, Egalité des Hommes et des Femmes, was written in 1622. See e.g. M. Schiff, La Fille d'Alliance de Montaigne.
69
See especially Sidney Lee, "Ovid and Shakespeare's Sonnets," Quarterly Review, April, 1909.
70
Montaigne, Essais, Book III, chap. V.
71
See e.g. Mrs. Fraser, World's Work and Play, December, 1906.
72
A more modern feeling for love and marriage begins to emerge, however, at a much earlier period, with Menander and the New Comedy. E.F.M. Benecke, in his interesting little book on Antimachus of Colophon and the Position of Women in Greek Poetry, believes that the romantic idea (that is to say, the idea that a woman is a worthy object for a man's love, and that such love may well be the chief, if not the only, aim of a man's life) had originally been propounded by Antimachus at the end of the fifth century B.C. Antimachus, said to have been the friend of Plato, had been united to a woman of Lydia (where women, we know, occupied a very high position) and her death inspired him to write a long poem, Lyde, "the first love poem ever addressed by a Greek to his wife after death." Only a few lines of this poem survive. But Antimachus seems to have greatly influenced Philetas (whom Croiset calls "the first of the Alexandrians") and Asclepiades of Samos, tender and exquisite poets whom also we only know by a few fragments. Benecke's arguments, therefore, however probable, cannot be satisfactorily substantiated.
73
As I have elsewhere pointed out (Studies in the Psychology of Sex, Vol. VI, "Sex in Relation to Society," chap. ix), most modern authorities—Friedländer, Dill, Donaldson, etc.—consider that there was no real moral decline in the later Roman Empire; we must not accept the pictures presented by satirists, pagan or Christian, as of general application.
74
I have discussed this phase of early Christianity in the sixth volume of Studies in the Psychology of Sex, "Sex in Relation to Society," chap. V.
75
Ulrich von Lichtenstein, in the thirteenth century, is the typical example of this chivalrous erotomania. His account of his own adventures has been questioned, but Reinhold Becker (Wahrheit und Dichtung in Ulrich von Lichtenstein's Frauendienst, 1888) considers that, though much exaggerated, it is in substance true.
76
Léon Gautier, La Chevalerie, pp. 236-8, 348-50.
77
The chief source of information on these Courts is André le Chapelain's De Arte Amatoria. Boccaccio made use of this work, though without mentioning the author's name, in his own Dialogo d' Amore.
78
A. Méray, La Vie au Temps des Cours d'Amour, 1876.
