The Tatler, Volume 3. Джозеф Аддисон
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Название: The Tatler, Volume 3

Автор: Джозеф Аддисон

Издательство: Public Domain

Жанр: Зарубежная классика

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СКАЧАТЬ committed; and as they stood in judgment before the tyrant, each of them strove who should be the criminal, that he might save the life of his friend. Amidst the vehemence of each asserting himself to be the offender, the Roman audience gave a thunder of applause, and by that means, as the author hints, approved in others what they would have done themselves on the like occasion. Methinks, a people of so much virtue were deservedly placed at the head of mankind: But alas! pleasures of this nature are not frequently to be met with on the English stage.

      The Athenians, at a time when they were the most polite, as well as the most powerful, government in the world, made the care of the stage one of the chief parts of the administration: and I must confess, I am astonished at the spirit of virtue which appeared in that people upon some expressions in a scene of a famous tragedy; an account of which we have in one of Seneca's epistles.33 A covetous person is represented speaking the common sentiments of all who are possessed with that vice in the following soliloquy, which I have translated literally:

      Let me be called a base man, so I am called a rich one. If a man is rich, who asks if he is good? The question is, How much we have; not from whence, or by what means, we have it. Every one has so much merit as he has wealth. For my own part, let me be rich, O ye gods! or let me die. The man dies happily, who dies increasing his treasure. There is more pleasure in the possession of wealth, than in that of parents, children, wife, or friends."

      The audience were very much provoked by the first words of this speech; but when the actor came to the close of it, they could bear no longer. In short, the whole assembly rose up at once in the greatest fury, with a design to pluck him off the stage, and brand the work itself with infamy. In the midst of the tumult, the author came out from behind the scenes, begging the audience to be composed for a little while, and they should see the tragical end which this wretch should come to immediately. The promise of punishment appeased the people, who sat with great attention and pleasure to see an example made of so odious a criminal. It is with shame and concern that I speak it; but I very much question, whether it is possible to make a speech so impious, as to raise such a laudable horror and indignation in a modern audience. It is very natural for an author to make ostentation of his reading, as it is for an old man to tell stories; for which reason I must beg the reader will excuse me, if I for once indulge myself in both these inclinations. We see the attention, judgment, and virtue of a whole audience, in the foregoing instances. If we would imitate the behaviour of a single spectator, let us reflect upon that of Socrates, in a particular which gives me as great an idea of that extraordinary man, as any circumstance of his life; or what is more, of his death. This venerable person often frequented the theatre, which brought a great many thither, out of a desire to see him; on which occasions it is recorded of him, that he sometimes stood to make himself the more conspicuous, and to satisfy the curiosity of the beholders. He was one day present at the first representation of a tragedy of Euripides, who was his intimate friend, and whom he is said to have assisted in several of his plays. In the midst of the tragedy, which had met with very great success, there chanced to be a line that seemed to encourage vice and immorality.

      This was no sooner spoken, but Socrates rose from his seat, and without any regard to his affection for his friend, or to the success of the play, showed himself displeased at what was said, and walked out of the assembly. I question not but the reader will be curious to know what the line was that gave this divine heathen so much offence. If my memory fails me not, it was in the part of Hippolitus, who when he is pressed by an oath, which he had taken to keep silence, returned for answer, that he had taken the oath with his tongue, but not with his heart. Had a person of a vicious character made such a speech, it might have been allowed as a proper representation of the baseness of his thoughts: but such an expression out of the mouth of the virtuous Hippolitus, was giving a sanction to falsehood, and establishing perjury by a maxim.

      Having got over all interruptions, I have set apart tomorrow for the closing of my vision.34

No. 123

[Addison.From Thursday, Jan. 19, to Saturday, Jan. 21, 1709-10

      Audire, atque togam jubeo componere, quisquis

      Ambitione malâ, aut argenti pallet amore.

Hor., 2 Sat. iii. 77.
From my own Apartment, January 20 A Continuation of the Vision. 35

      With much labour and difficulty I passed through the first part of my vision, and recovered the centre of the wood, from whence I had the prospect of the three great roads. I here joined myself to the middle-aged party of mankind, who marched behind the standard of Ambition. The great road lay in a direct line, and was terminated by the Temple of Virtue. It was planted on each side with laurels, which were intermixed with marble trophies, carved pillars, and statues of lawgivers, heroes, statesmen, philosophers, and poets. The persons who travelled up this great path, were such whose thoughts were bent upon doing eminent services to mankind, or promoting the good of their country. On each side of this great road were several paths, that were also laid out in straight lines, and ran parallel with it. These were most of them covered walks, and received into them men of retired virtue, who proposed to themselves the same end of their journey, though they chose to make it in shade and obscurity. The edifices at the extremity of the walk were so contrived, that we could not see the Temple of Honour by reason of the Temple of Virtue, which stood before it. At the gates of this temple we were met by the goddess of it, who conducted us into that of Honour, which was joined to the other edifice by a beautiful triumphal arch, and had no other entrance into it. When the deity of the inner structure had received us, she presented us in a body to a figure that was placed over the high altar, and was the emblem of eternity. She sat on a globe in the midst of a golden zodiac, holding the figure of a sun in one hand, and a moon in the other. Her head was veiled, and her feet covered. Our hearts glowed within us as we stood amidst the sphere of light which this image cast on every side of it.

      Having seen all that happened to this band of adventurers, I repaired to another pile of buildings that stood within view of the Temple of Honour, and was raised in imitation of it, upon the very same model; but at my approach to it, I found that the stones were laid together without mortar, and that the whole fabric stood upon so weak a foundation, that it shook with every wind that blew. This was called the Temple of Vanity. The goddess of it sat in the midst of a great many tapers, that burned day and night, and made her appear much better than she would have done in open daylight. Her whole art was to show herself more beautiful and majestic than she really was. For which reason, she had painted her face, and wore a cluster of false jewels upon her breast: but what I more particularly observed, was, the breadth of her petticoat, which was made altogether in the fashion of a modern farthingale. This place was filled with hypocrites, pedants, freethinkers, and prating politicians; with a rabble of those who have only titles to make them great men. Female votaries crowded the temple, choked up the avenues of it, and were more in number than the sand upon the seashore. I made it my business in my return towards that part of the wood from whence I first set out, to observe the walks which led to this temple; for I met in it several who had begun their journey with the band of virtuous persons, and travelled some time in their company: but upon examination I found, that there were several paths which led out of the great road into the sides of the wood, and ran into so many crooked turns and windings, that those who travelled through them often turned their backs upon the Temple of Virtue, then crossed the straight road, and sometimes marched in it for a little space, till the crooked path which they were engaged in again led them into the wood. The several alleys of these wanderers had their particular ornaments: one of them I could not but take notice of, in the walk of the mischievous pretenders to politics, which had at every turn the figure of a person, whom by the inscription I found to be Machiavel, pointing out the way with an extended finger like a Mercury.

      I was now returned in the same manner as before, with a design to observe carefully everything that passed in the region of Avarice, and the occurrences in that assembly, which was made up of СКАЧАТЬ



<p>33</p>

L. A. Senecæ Opera, Lips., 1741, ii. 520.

<p>34</p>

See Nos. 120, 123.

<p>35</p>

See No. 120.