Поэтика мифа. Е. М. Мелетинский
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СКАЧАТЬ Motifs in Literature / Ed. by D. I. Burrows, F. R. Lapides. New York, 1973. Основные теоретические труды см. в прим. 110.

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      Frye N. Anatomy of Criticism. Princeton, 1957. P. 109; Vickery J. B. The Golden Bough: Impact and Archetype // Myth and Symbol (далее – MS). Lincoln, 1963. P. 174–196.

      90

      Murray G. The Rise of the Greek Epic. Oxford, 1907.

      91

      Carpenter R. Folk-Tale, Fiction and Saga in the Homeric Epics. Berkeley; Los Angeles, 1946.

      92

      Mireaux E. Les poèmes homériques et I’histoire grecque. Paris, 1948. T. 1–2.

      93

      Autran Ch. Homère et les origines sacerdotales de l’épopée grecque. Paris, 1943; Idem. L’épopée indoue. Paris, 1946.

      94

      Levy G. R. The Sword from the Rock. An Investigation into Origins of Epic Literature. London; New York, 1953.

      95

      Phillpotts В. The Elder Edda and Ancient Scandinavian Drama. Oxford, 1920.

      96

      Dumézil G. Loki. Paris, 1948; Ström F. Loki. Ein mythologisches Problem. Götteborg, 1956.

      97

      Мелетинский E. Теории эпоса в современной зарубежной науке // ВЛ. 1957. № 3. С. 94–112; Он же. Происхождение героического эпоса. Ранние формы и архаические памятники. М., 1963 (Введение).

      98

      Saintyves P. Les contes de Perrault et les récits parallels. Paris, 1923.

      99

      Weston J. From Ritual to Romance. London, 1920.

      100

      Spears J. Sir Gawain and the Green Knight // Scrutiny. 1949. XVI. P. 244–300; Zimmer H. The King and the Corpse. New York, 1948; Moorman Ch. Myth and Medieval Literature. Sir Gawain and the Green Knight // Medieval Studies. Toronto, 1956. Vol. XVIII. P. 158–172 (перепечатана в сб.: ML. P. 171–186).

      101

      Murray G. The Classical Tradition in Poetry. Cambridge; Mass., 1927.

      102

      Weisinger H. The Myth and Ritual Approach to Shakespearian Tragedy // ML. P. 149–160; Idem. An Examination of Myth and Ritual Approach to Shakespeare // MM. P. 132–140; Fergusson F. Idea of a Theatre. Princeton, 1949; Watts H. H. Myth and Drama // ML. P. 75–85; Lagardia E. Chastity, Regeneration and World Order in «All’s Well that Ends Wells» // MS. P. 119–132; Frye N. Natural Perspective. New York, 1965; Idem. Fools of Time. Toronto, 1967. Ср. совпадения с идеями Л. С. Выготского в его ранних работах о Гамлете; см.: Выготский Л. С. Психология искусства. М., 1968. С. 339–496.

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