Blackwood's Edinburgh Magazine, Vol. 66 No.406, August 1849. Various

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СКАЧАТЬ There is no trace of verse, and the style is an outlandish garb, such as no man has ever seen elsewhere, either in prose or verse. Poor Lloyd was a lunatic patient! – on him no one would be severe; but why should an intelligent Serjeant, unless prompted by a sly malice against all mankind, persuade us to read his execrable stuff? The following is a fair specimen of the drug, and is, indeed, taken as the book opened. We add the two last lines of the preceding stanza, to give all possible help to the elucidation of the one we quote. The italics are all Mr Lloyd's: —

      "If you affirm grace irresistible,

      You must deny all liberty of will.

      "But you reply, grace irresistible

      Our creed admits not. I am sorry for't.

      Enough, or not enough, to bind the free will,

      Grace must be. Not enough? The dose falls short.

      This is of cause the prime condition still

      That it be operative. Yet divines exhort

      Us to deem grace sole source of all salvation,

      And if we're damned, blame but its application."

      But divinity of this kind, it may be said, though well calculated to display "the power of discriminating and distinguishing, carried to a pitch almost of painfulness," is not exactly favourable to flowing verse. Here is a specimen where a lady is the subject, and the verse should be smooth then, if ever.

      "I well remember her years, five-and-twenty,

      (Ah! now my muse is got into a gallop,)

      Longer perhaps! But time sufficient, plenty

      Of treasured offices of love to call up.

      She was then, as I recollect, quite dainty,

      And delicate, and seemed a fair envelope

      Of virgin sweetness and angelic goodness;

      That fate should treat her with such reckless rudeness!"

      The poor man seems to have had not the least appreciation of the power of language, so as to distinguish between the ludicrous and the pathetic. He must have read "Hudibras" with tears, not of laughter, in his eyes, and hence drawn his notion of tenderness of diction as well as harmony of verse. The most surprising thing about Lloyd is, that such a man should have chosen for his literary task to translate – Alfieri! And although he has performed the task very far from well, he has accomplished it in a manner that could not have been anticipated from his original compositions.

      After this specimen of Mr Talfourd's laudatory criticism, we need not be astonished at any amount of eulogy he bestows on such names as Hazlitt and others, which really have a certain claim on the respect of all men. And yet, even after this, we felt some slight surprise at hearing Mr Talfourd speak of "the splendid reputation" of Mr Harrison Ainsworth! Would Mr Talfourd have such a reputation, if it were offered him? Would he not rather have remained in complete obscurity than be distinguished by such "splendours" as the authorship of Jack Sheppard would have invested him with? Why should he throw about this indiscriminate praise, and make his good word of no possible value? Splendid reputation! Can trash be anything but trash, because a multitude of the idle and the ignorant, whom it exactly suits, read and admire? By-and-by they grow ashamed of their idol, when they find they have him all to themselves, and that sensible people are smiling at their enthusiasm; they then discard him for some new, untried, and unconvicted favourite. Such is the natural history of these splendid reputations.

      The second volume of the "Final Memorials" is in great part occupied with sketches of the literary friends and companions of Lamb. These Mr Talfourd introduces by a somewhat bold parallel between the banquets at the lordly halls of Holland House and the suppers in the dark and elevated chambers in the Inner Temple, whither Lamb had removed. We are by no means scandalised at such a comparison. Wit may flow, and wisdom too, as freely in the garret as in the saloon. To eat off plate, to be served assiduously by liveried attendants, may not give any more real zest to colloquial pleasure, to good hearty talking, than to attack without ceremony "the cold beef flanked with heaps of smoking potatoes, which Becky has just brought in." Nor do we know that claret in the flagon of beautifully cut glass, may be a more potent inspiration of wit than "the foaming pots of porter from the best tap in Fleet Street." We are not at all astonished that such a parallel should be drawn; what surprises us is, that, being in the humour to draw such comparisons, the Sergeant could find only one place in all London which could be brought into this species of contrast, and of rivalry, with Holland House. "Two circles of rare social enjoyment, differing as widely as possible in all external circumstances —but each superior in its kind to all others, were at the same time generously opened to men of letters." We, who have been admitted to neither, have perhaps no right to an opinion; but, judging by the bill of fare presented to us, we shrewdly suspect there were very many circles where we should have preferred the intellectual repast to that set out in Inner Temple Lane. We doubt not the Serjeant himself has assembled round his own table a society that we should greatly more have coveted the pleasure of joining. We have the name of Godwin, it is true, but Godwin never opened his mouth; – played whist all the evening. Had he not written his book? why should he talk? We have Hazlitt, – but by all accounts he was rarely in a tolerable humour, perpetually raving, with admirable consistency, in praise of republics and Bonaparte. Coleridge was too rarely a visitor to be counted in the list; and certain we are that we should have no delight in hearing Charles Lloyd "reason of fate, free-will, foreknowledge absolute," to Leigh Hunt. Some actors are named, of whose conversational powers we know nothing, and presume nothing very extraordinary. Lamb's "burly jovial brother, the Ajax Telamon of clerks," and a Captain Burney, of whom we are elsewhere told that he liked Shakspeare "because he was so much of a gentleman," promise little on the score of intellectual conversation; neither should we be particularly anxious to sit opposite a certain M. B., of whom Lamb said, "M., if dirt were trumps, what hands you would hold!"

      After this singular parallel, we are shown round a gallery of portraits. First we have George Dyer, who appears to be the counterpart of our old friend Dominie Sampson. But, indeed, we hold George Dyer to be a sort of myth, a fabulous person, the creation of Charles Lamb's imagination, and imposed as a reality on his friends. Such an absurdity as he is here represented to be could not have been bred, could not have existed, in these times, and in London. If we are to credit the stories told of him, his walking in broad day into the canal at Islington was one of the wisest things he did, or could possibly have done. Lamb tells him, in the strictest confidence, that the "Waverley Novels" are the works of Lord Castlereagh, just returned from the Congress of Sovereigns at Vienna! Off he runs, nor stops till he reaches Maida Hill, where he deposits his news in the ears of Leigh Hunt, who, "as a public man," he thinks ought to be possessed of the great fact. At another time Lamb gravely inquires of him, "Whether it was true, as was commonly reported, that he was to be made a lord?" "Oh dear, no! Mr Lamb," he responds with great earnestness, "I could not think of such a thing: it is not true, I assure you." "I thought not," replies the wit, "and I contradict it wherever I go; but the government will not ask your consent – they may raise you to the peerage without your even knowing it." "I hope not, Mr Lamb; indeed, indeed, I hope not; it would not suit me at all," repeats our modern Dominie, and goes away musing on the possibility of strange honours descending, whether he will or not, upon his brow. It goes to our heart to disturb a good story, but such a man as the George Dyer here represented never could have existed.

      We have rather a long account of Godwin, with some remarks not very satisfactory upon his intellectual character. That Mr Godwin was taciturn, that he conversed, when he did talk, upon trivial subjects, and in a small precise manner, and that he was especially fond of sleeping after dinner – all this we can easily understand. Mr Godwin's mental activity was absorbed in his authorship, and he was a very voluminous author. But we cannot so easily understand Mr Talfourd's explanations, nor why these habits should have any peculiar connexion with the intellectual qualities of the author of Caleb Williams, and a host of novels, as well as of the Political Justice, of the Life of Chaucer, and the СКАЧАТЬ