Blackwood's Edinburgh Magazine, Volume 68, No. 421, November 1850. Various

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СКАЧАТЬ silber gros; the which miscellany Mr Leslie magniloquently called "his coins," and had left in his will as a family heir-loom. There were many other curiosities of congenial nature and equal value – "quænunc describere longum est." Mr Leslie was engaged at this time in what is termed "putting things to rights" – an occupation he performed with exemplary care once a-week. This was his day; and he had just counted his coins, and was slowly tying them up again, when Frank's knock reached his ears.

      Mr Maunder Slugge Leslie paused, shook his head as if incredulously, and was about to resume his occupation, when he was seized with a fit of yawning which prevented the bag being tied for full two minutes.

      While such the employment of the study – let us turn to the recreations in the drawing-room, or rather parlour. A drawing-room there was on the first floor, with a charming look-out, not on the dreary fir-trees, but on the romantic undulating forest-land; but the drawing-room had not been used since the death of the last Mrs Leslie. It was deemed too good to sit in, except when there was company; there never being company, it was never sate in. Indeed, now the paper was falling off the walls with the damp, and the rats, mice, and moths – those "edaces rerum" – had eaten, between them, most of the chair-bottoms and a considerable part of the floor. Therefore the parlour was the sole general sitting-room; and being breakfasted in, dined and supped in, and, after supper, smoked in by Mr Leslie to the accompaniment of rum and water, it is impossible to deny that it had what is called "a smell" – a comfortable wholesome family smell – speaking of numbers, meals, and miscellaneous social habitation. There were two windows: one looked full on the fir-trees; the other on the farm-yard, with the pigsty closing the view. Near the fir-tree window sate Mrs Leslie; before her, on a high stool, was a basket of the children's clothes that wanted mending. A work-table of rosewood inlaid with brass, which had been a wedding present, and was a costly thing originally, but in that peculiar taste which is vulgarly called "Brumagem," stood at hand: the brass had started in several places, and occasionally made great havoc on the children's fingers and Mrs Leslie's gown; in fact, it was the liveliest piece of furniture in the house, thanks to that petulant brass-work, and could not have been more mischievous if it had been a monkey. Upon the work-table lay a housewife and thimble, and scissors and skeins of worsted and thread, and little scraps of linen and cloth for patches. But Mrs Leslie was not actually working – she was preparing to work; she had been preparing to work for the last hour and a half. Upon her lap she supported a novel, by a lady who wrote much for a former generation, under the name of "Mrs Bridget Blue Mantle." She had a small needle in her left hand, and a very thick piece of thread in her right; occasionally she applied the end of the said thread to her lips, and then – her eyes fixed on the novel – made a blind vacillating attack at the eye of the needle. But a camel would have gone through it with quite as much ease. Nor did the novel alone engage Mrs Leslie's attention, for ever and anon she interrupted herself to scold the children; to inquire "what o'clock it was;" to observe that "Sarah would never suit," and to wonder why Mr Leslie would not see that the work-table was mended. Mrs Leslie had been rather a pretty woman. In spite of a dress at once slatternly and economical, she has still the air of a lady – rather too much so, the hard duties of her situation considered. She is proud of the antiquity of her family on both sides; her mother was of the venerable stock of the Daudlers of Daudle Place, a race that existed before the Conquest. Indeed, one has only to read our earliest chronicles, and to glance over some of those long-winded moralising poems which delighted the thanes and ealdermen of old, in order to see that the Daudles must have been a very influential family before William the First turned the country topsy-turvy. While the mother's race was thus indubitably Saxon, the father's had not only the name but the peculiar idiosyncrasy of the Normans, and went far to establish that crotchet of the brilliant author of Sybil, or the Two Nations, as to the continued distinction between the conquering and conquered populations. Mrs Leslie's father boasted the name of Montfydget; doubtless of the same kith and kin as those great barons Montfichet, who once owned such broad lands and such turbulent castles. A high-nosed, thin, nervous, excitable progeny, those same Montfydgets, as the most troublesome Norman could pretend to be. This fusion of race was notable to the most ordinary physiognomist in the physique and in the morale of Mrs Leslie. She had the speculative blue eye of the Saxon, and the passionate high nose of the Norman; she had the musing do-nothingness of the Daudlers, and the reckless have-at-every-thingness of the Montfydgets. At Mrs Leslie's feet, a little girl with her hair about her ears, (and beautiful hair it was too) was amusing herself with a broken-nosed doll. At the far end of the room, before a high desk, sate Frank's Eton schoolfellow, the eldest son. A minute or two before Frank's alarum had disturbed the tranquillity of the household, he had raised his eyes from the books on the desk, to glance at a very tattered copy of the Greek Testament, in which his brother Oliver had found a difficulty that he came to Randal to solve. As the young Etonian's face was turned to the light, your first impression, on seeing it, would have been melancholy but respectful interest – for the face had already lost the joyous character of youth – there was a wrinkle between the brows; and the lines that speak of fatigue, were already visible under the eyes and about the mouth; the complexion was sallow, the lips were pale. Years of study had already sown, in the delicate organisation, the seeds of many an infirmity and many a pain; but if your look had rested longer on that countenance, gradually your compassion might have given place to some feeling uneasy and sinister, a feeling akin to fear. There was in the whole expression so much of cold calm force, that it belied the debility of the frame. You saw there the evidence of a mind that was cultivated, and you felt that in that cultivation there was something formidable. A notable contrast to this countenance, prematurely worn and eminently intelligent, was the round healthy face of Oliver, with slow blue eyes, fixed hard on the penetrating orbs of his brother, as if trying with might and main to catch from them a gleam of that knowledge with which they shone clear and frigid as a star.

      At Frank's knock, Oliver's slow blue eyes sparkled into animation, and he sprang from his brother's side. The little girl flung back the hair from her face, and stared at her mother with a look which spoke wonder and fright.

      The young student knit his brows, and then turned wearily back to the books on his desk.

      "Dear me," cried Mrs Leslie, "who can that possibly be? Oliver, come from the window, sir, this instant, you will be seen! Juliet, run – ring the bell – no, go to the stairs, and say, 'not at home.' Not at home on any account," repeated Mrs Leslie nervously, for the Montfydget blood was now in full flow.

      In another minute or so, Frank's loud boyish voice was distinctly heard at the outer door.

      Randal slightly started.

      "Frank Hazeldean's voice," said he; "I should like to see him, mother."

      "See him," repeated Mrs Leslie in amaze, "see him! – and the room in this state!"

      Randal might have replied that the room was in no worse state than usual; but he said nothing. A slight flush came and went over his pale face; and then he leant his cheek on his hand, and compressed his lips firmly.

      The outer door closed with a sullen inhospitable jar, and a slip-shod female servant entered with a card between her finger and thumb.

      "Who is that for? – give it to me, Jenny," cried Mrs Leslie.

      But Jenny shook her head, laid the card on the desk beside Randal, and vanished without saying a word.

      "Oh look, Randal, look up," cried Oliver, who had again rushed to the window; "such a pretty gray pony!"

      Randal did look up; nay, he went deliberately to the window, and gazed a moment on the high-mettled pony, and the well-dressed high-spirited rider. In that moment changes passed over Randal's countenance more rapidly than clouds over the sky in a gusty day. Now envy and discontent, with the curled lip and the gloomy scowl; now hope and proud self-esteem, with the clearing brow, and the lofty smile; and then all again became cold, firm, and close, as he walked back to his books, seated himself resolutely, and said half-aloud, —

      "Well, СКАЧАТЬ