Название: War and the Future: Italy, France and Britain at War
Автор: Герберт Уэллс
Издательство: Public Domain
Жанр: История
isbn:
isbn:
One travelled through a choking dust under the blue sky, and above the steady incessant dusty succession of lorry, lorry, lorry, lorry that passed one by, one saw, looking up, the tree tops, house roofs, or the solid Venetian campanile of this or that wayside village. Once as we were coming out of the great grey portals of that beautiful old relic of a former school of fortification, Palmanova, the traffic became suddenly bright yellow, and for a kilometre or so we were passing nothing but Sicilian mule carts loaded with hay. These carts seem as strange among the grey shapes of modern war transport as a Chinese mandarin in painted silk would be. They are the most individual of things, all two-wheeled, all bright yellow and the same size it is true, but upon each there are they gayest of little paintings, such paintings as one sees in England at times upon an ice-cream barrow. Sometimes the picture will present a scriptural subject, sometimes a scene of opera, sometimes a dream landscape or a trophy of fruits or flowers, and the harness – now much out of repair – is studded with brass. Again and again I have passed strings of these gay carts; all Sicily must be swept of them.
Through the dust I came to Aquileia, which is now an old cathedral, built upon the remains of a very early basilica, standing in a space in a scattered village. But across this dusty space there was carried the head of the upstart Maximinus who murdered Alexander Severus, and later Aquileia brought Attila near to despair. Our party alighted; we inspected a very old mosaic floor which has been uncovered since the Austrian retreat. The Austrian priests have gone too, and their Italian successors are already tracing out a score of Roman traces that it was the Austrian custom to minimise. Captain Pirelli refreshed my historical memories; it was rather like leaving a card on Gibbon en route for contemporary history.
By devious routes I went on to certain batteries of big guns which had played their part in hammering the Austrian left above Monfalcone across an arm of the Adriatic, and which were now under orders to shift and move up closer. The battery was the most unobtrusive of batteries; its one desire seemed to be to appear a simple piece of woodland in the eye of God and the aeroplane. I went about the network of railways and paths under the trees that a modern battery requires, and came presently upon a great gun that even at the first glance seemed a little less carefully hidden than its fellows. Then I saw that it was a most ingenious dummy made of a tree and logs and so forth. It was in the emplacement of a real gun that had been located; it had its painted sandbags about it just the same, and it felt itself so entirely a part of the battery that whenever its companions fired t burnt a flash and kicked up a dust. It was an excellent example of the great art of camouflage which this war has developed.
I went on through the wood to a shady observation post high in a tree, into which I clambered with my guide. I was able from this position to get a very good idea of the lie of the Italian eastern front. I was in the delta of the Isonzo. Directly in front of me were some marshes and the extreme tip of the Adriatic Sea, at the head of which was Monfalcone, now in Italian hands. Behind Monfalcone ran the red ridge of the Carso, of which the Italians had just captured the eastern half. Behind this again rose the mountains to the east of the Isonzo which the Austrians still held. The Isonzo came towards me from out of the mountains, in a great westward curve. Fifteen or sixteen miles away where it emerged from the mountains lay the pleasant and prosperous town of Goritzia, and at the westward point of the great curve was Sagrado with its broken bridge. The battle of Goritzia was really not fought at Goritzia at all. What happened was the brilliant and bloody storming of Mounts Podgora and Sabotino on the western side of the river above Goritzia, and simultaneously a crossing at Sagrado below Goritzia and a magnificent rush up the plateau and across the plateau of the Carso. Goritzia itself was not organised for defence, and the Austrians were so surprised by the rapid storm of the mountains to the north-west of it and of the Carso to the south-east, that they made no fight in the town itself.
As a consequence when I visited it I found it very little injured – compared, that is, with such other towns as have been fought through. Here and there the front of a house has been knocked in by an Austrian shell, or a lamp-post prostrated. But the road bridge had suffered a good deal; its iron parapet was twisted about by shell bursts and interwoven with young trees and big boughs designed to screen the passer-by from the observation of the Austrian gunners upon Monte Santo. Here and there were huge holes through which one could look down upon the blue trickles of water in the stony river bed far below. The driver of our automobile displayed what seemed to me an extreme confidence in the margins of these gaps, but his confidence was justified. At Sagrado the bridge had been much more completely demolished; no effort had been made to restore the horizontal roadway, but one crossed by a sort of timber switchback that followed the ups and downs of the ruins.
It is not in these places that one must look for the real destruction of modern war. The real fight on the left of Goritzia went through the village of Lucinico up the hill of Podgora. Lucinico is nothing more than a heap of grey stones; except for a bit of the church wall and the gable end of a house one cannot even speak of it as ruins. But in one place among the rubble I saw the splintered top and a leg of a grand piano. Podgora hill, which was no doubt once neatly terraced and cultivated, is like a scrap of landscape from some airless, treeless planet. Still more desolate was the scene upon the Carso to the right (south) of Goritzia. Both San Martino and Doberdo are destroyed beyond the limits of ruination. The Carso itself is a waterless upland with but a few bushy trees; it must always have been a desolate region, but now it is an indescribable wilderness of shell craters, smashed-up Austrian trenches, splintered timber, old iron, rags, and that rusty thorny vileness of man’s invention, worse than all the thorns and thickets of nature, barbed wire. There are no dead visible; the wounded have been cleared away; but about the trenches and particularly near some of the dug-outs there was a faint repulsive smell…
Yet into this wilderness the Italians are now thrusting a sort of order. The German is a wonderful worker, they say on the Anglo-French front that he makes his trenches by way of resting, but I doubt if he can touch the Italian at certain forms of toil. All the way up to San Martino and beyond, swarms of workmen were making one of those carefully graded roads that the Italians make better than any other people. Other swarms were laying water-pipes. For upon the Carso there are neither roads nor water, and before the Italians can thrust farther both must be brought up to the front.
As we approached San Martino an Austrian aeroplane made its presence felt overhead by dropping a bomb among the tents of some workmen, in a little scrubby wood on the hillside near at hand. One heard the report and turned to see the fragments flying and the dust. Probably they got someone. And then, after a little pause, the encampment began to spew out men; here, there and everywhere they appeared among the tents, running like rabbits at evening-time, down the hill. Soon after and probably in connection with this signal, Austrian shells began to come over. They do not use shrapnel because the rocky soil of Italy makes that unnecessary. They fire a sort of shell that goes bang and releases a cloud of smoke overhead, and then drops a parcel of high explosive that bursts on the ground. The ground leaps into red dust and smoke. But these things are now to be seen on the cinema. Forthwith the men working on the road about us begin to down tools and make for the shelter trenches, a long СКАЧАТЬ