Blackwood's Edinburgh Magazine, Volume 62, No. 386, December, 1847. Various

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СКАЧАТЬ built up, whose more equal culture, and whose more sober opinions, one might prefer to have, – this is not the question, – but in that highest department of reflective genius, where the power is given to impart new insights into truth, or make old truths look new, he stands hitherto unrivalled in his country; he has no equal and no second.

      Very popular he perhaps never may become; but we figure to ourselves that, a century hence, he will be recognised as one of those old favourite writers whom the more thoughtful spirits read, not so much as teachers, but as noble-minded companions and friends, whose aberrations have been long ago conceded and forgiven. Men will read him then, not for his philosophy, – they will not care two straws for his idealism or his pantheism: they will know that they are there, and there they will leave them, – but they will read him for those genuine confessions of one spirit to another, that are often breathed in his writings; for those lofty sentiments to which all hearts respond; for those truths which make their way through all systems, and in all ages.

      HOW I CAME TO BE A SLOVEN

      A pretty question this, my dear Eusebius, – and that the question comes from you, who at no time of your life were a "Beau Nash," is rather extraordinary. It is after the fashion of most of your movements, however, and so far should not be thought extraordinary in you. For as you do not walk in the track that other men's shoes have made, nor dress your thoughts in other men's draperies; but both walk and think as few other men do, I ought not to wonder that you turn suddenly round upon me, eye me from head to foot, and ask me this curious question, How I came to be a sloven. Now, I can easily imagine your own slovenly attitude and attire when you wrote me this precious letter, and how fantastically conceited you fancied yourself standing before me, ωστε Ζωγραφης – like a painter, as says Hecuba, when she bad her rags and misery be looked at, – and thought to put me out of countenance with your own perfections. Perfections, indeed! Why, your whole wardrobe would not be worth exporting in charity to the land of Ne'erdo-weels – and I doubt not that the loss of a single suit, bad as it may be, would leave you in some small respects as bare as when you came into the world. You have been reading, you tell me, the "Ãsthetics of Dress," as you term them, those very amusing papers in Maga – from which you mean to cull materials for the history of the art, and to write a treatise on "The Philosophy of Tailors," wherein you intend to set forth upon what principles of the "Fitness of things" it is that nine tailors make a man. It is a whimsical notion of yours that the game of nine-pins was set up in honour of these nine worthies – "Knights of the thimble" – signifying how weakly they stand upon their pins, and how they go by the board at the very breath of a ball. You affect to think that the Templars were but the imitators of a more honourable cross-legged company – and that their antiquity is shown prior to the invention of Heraldry, for that the very term, the coat of arms, must have come from them. You say they can show parchments with the oldest companies and families, and cut to shivereens the longest pedigrees, and yet never go beyond their own measure.

      What would a parliament be without them? They not only make their man, but seat him. Indeed, man is no man, till he is made one by these Novemviri, and hath been invested by them, as of old, with the toga virilis; and now-a-days (we vulgarise every thing even in the nomenclature) the first advance to manhood is to be "breeched: " – that first step when, with the dignity of newly assumed and duly authorised manhood, the dressed youth puts his best foot foremost, on the first step of the ladder of life, and is not ashamed, while ascending, to turn his back, and show what stuff he is made of.

      It is said, that when a man marries he enters into a bond with society for his future good behaviour – but of what consequence is this, in comparison with that previous bottomry bond, to use a mercantile word suitable to these our mercantile days, that every man has entered into and given the surety of nine men besides, without which, whatever bottom he may show in the fight, the greatest hero would be but a sans culotte. Heroes! why, are not tailors the very models after which men should dress themselves? They have made, in all senses, the best regiments. And what a large slice of this globe is governed and commanded by the Board in Threadneedle Street.

      Thread and thimble do wonders to make a man – rig him out with the best materials – no devil's dust, disdaining dishonest "thimble-riggery."

      The son of Japetus admired not more his man-invention, than does the tailor. The fleshly life which he condescends to stuff into his manufacture, is with him but a secondary consideration; and it must be confessed he is often not very choice in these his human materials. Any thing that way will do to adorn the real "man of shreds and patches." Pegs and lay figures would answer the purpose quite as well as these, pattern-humanities, if they would but walk. Bad, however, as they are, as specimens per se, they are made so much of by the adornments, that their painted effigies and portraits, as they are exhibited in tailors' laboratories, saloons, and establishments, excite the envy and wonder of a gaping population. They are set forth, to show what the worst man may be made – to portray vividly the excellence of the art, and to "give the world assurance of a man," even built and fabricated out of next to nothing but his dress. It is no longer "Ex pede Herculem." The boot-maker has been defeated – Hoby dethroned – you may have a Hercules or an Apollo only according to cloth measure. Then will the proud artificer hold the mirror up to Nature to show her how vastly she is improved, even though it be by the slandered hands of "Nature's journeymen." Then, so various in its powers is the art, that the real professors will at the shortest notice turn the shopman into the esquire, and, if need be, the thief into an archdeacon. They will fit you with any character, fit or unfit: – will send you most genteelly to the court or to the gallows. Vain is the conceit of the scoffing world of fashion that affect to scorn the craft that makes them what they are; – nay, a great deal better, and to look what they are not. Let them try to set up for themselves, what sorry figures they would be – perfectly ridiculous, to be kicked out of Fop's Alley, and whipped by the beadle!! worse clad than Prince Vortigern in that despicable and invisible slip of a vestment,

      "Which from a naked Pict his grandsire won

      But that can never be to any extent. What man in his senses would enter upon this stage of the world, rushing in like a wild man of the woods, a general wonder, and without the introductory aid of his proper master of the ceremonies; when, too, at a trifling cost, he can take his ticket of admission, and go boldly certificated by the sign-manual of a Doudney or a Moses? No man dares to walk entirely out of rules sartorial, nor utterly to despise the images which it pleaseth the tailors to set up. Not that their laws are like those of the Medes and Persians, which alter not – their very principle is change – and every change is suitable. The seasons change not fast enough for them. Is a man to be married? – even then he is in the tailor's hands – he must have a new suit – nay, he must wait for it, he dare not appear without it. Is he to be hanged? – he must have a new suit; nay, before condemnation he is tried in his best, as if he were to be judged as much by appearance as evidence. The public, the real thinking public, take more notice of his appearance than of his crimes. Every journal is full of accurate detail, not of his doings, but of his looks and of his dress. The Pictorials present the very cut of his coat, and pattern on his waistcoat; and what the graver cannot, they supply in words, so that you may see not only the shape but the colour. Blue is the favourite colour at the altar of Hymen, – a suit of black on the platform of the hangman – but that is a compliment to the clergy – or a malice, that folk may think most who go out of the world that way are of the cloth – and that is what they call giving the culprit "the benefit of clergy."

      Really man should be defined "a dressing animal." – Were all the powers of the earth to meet together to consult upon their everlasting interests, the previous question would be, in what are they to appear; and the first announcement of the great congress of the gentlemen of the press would be what they wore, – what they said, would be slurred over as of less importance. Thus, for example, the Roman historian is particular when he describes the great ambassador before the senate of the Carthagenains, making a fold of his robe, as if it alone were worthy to contain the fate and fortunes of empires, asking them which they would СКАЧАТЬ