The Voyage Out. Virginia Woolf

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      "It shortens one's life; but I'm afraid, Mrs. Ambrose, we politicians must make up our minds to that at the outset. We've got to burn the candle at both ends, or – "

      "You've cooked your goose!" said Helen brightly.

      "We can't make you take us seriously, Mrs. Ambrose," he protested. "May I ask how you've spent your time? Reading – philosophy?" (He saw the black book.) "Metaphysics and fishing!" he exclaimed. "If I had to live again I believe I should devote myself to one or the other." He began turning the pages.

      "'Good, then, is indefinable,'" he read out. "How jolly to think that's going on still! 'So far as I know there is only one ethical writer, Professor Henry Sidgwick, who has clearly recognised and stated this fact.' That's just the kind of thing we used to talk about when we were boys. I can remember arguing until five in the morning with Duffy – now Secretary for India – pacing round and round those cloisters until we decided it was too late to go to bed, and we went for a ride instead. Whether we ever came to any conclusion – that's another matter. Still, it's the arguing that counts. It's things like that that stand out in life. Nothing's been quite so vivid since. It's the philosophers, it's the scholars," he continued, "they're the people who pass the torch, who keep the light burning by which we live. Being a politician doesn't necessarily blind one to that, Mrs. Ambrose."

      "No. Why should it?" said Helen. "But can you remember if your wife takes sugar?"

      She lifted the tray and went off with it to Mrs. Dalloway.

      Richard twisted a muffler twice round his throat and struggled up on deck. His body, which had grown white and tender in a dark room, tingled all over in the fresh air. He felt himself a man undoubtedly in the prime of life. Pride glowed in his eye as he let the wind buffet him and stood firm. With his head slightly lowered he sheered round corners, strode uphill, and met the blast. There was a collision. For a second he could not see what the body was he had run into. "Sorry." "Sorry." It was Rachel who apologised. They both laughed, too much blown about to speak. She drove open the door of her room and stepped into its calm. In order to speak to her, it was necessary that Richard should follow. They stood in a whirlpool of wind; papers began flying round in circles, the door crashed to, and they tumbled, laughing, into chairs. Richard sat upon Bach.

      "My word! What a tempest!" he exclaimed.

      "Fine, isn't it?" said Rachel. Certainly the struggle and wind had given her a decision she lacked; red was in her cheeks, and her hair was down.

      "Oh, what fun!" he cried. "What am I sitting on? Is this your room? How jolly!" "There – sit there," she commanded. Cowper slid once more.

      "How jolly to meet again," said Richard. "It seems an age. Cowper's Letters?.. Bach?.. Wuthering Heights?.. Is this where you meditate on the world, and then come out and pose poor politicians with questions? In the intervals of sea-sickness I've thought a lot of our talk. I assure you, you made me think."

      "I made you think! But why?"

      "What solitary icebergs we are, Miss Vinrace! How little we can communicate! There are lots of things I should like to tell you about – to hear your opinion of. Have you ever read Burke?"

      "Burke?" she repeated. "Who was Burke?"

      "No? Well, then I shall make a point of sending you a copy. The Speech on the French Revolution—The American Rebellion? Which shall it be, I wonder?" He noted something in his pocket-book. "And then you must write and tell me what you think of it. This reticence – this isolation – that's what's the matter with modern life! Now, tell me about yourself. What are your interests and occupations? I should imagine that you were a person with very strong interests. Of course you are! Good God! When I think of the age we live in, with its opportunities and possibilities, the mass of things to be done and enjoyed – why haven't we ten lives instead of one? But about yourself?"

      "You see, I'm a woman," said Rachel.

      "I know – I know," said Richard, throwing his head back, and drawing his fingers across his eyes.

      "How strange to be a woman! A young and beautiful woman," he continued sententiously, "has the whole world at her feet. That's true, Miss Vinrace. You have an inestimable power – for good or for evil. What couldn't you do – " he broke off.

      "What?" asked Rachel.

      "You have beauty," he said. The ship lurched. Rachel fell slightly forward. Richard took her in his arms and kissed her. Holding her tight, he kissed her passionately, so that she felt the hardness of his body and the roughness of his cheek printed upon hers. She fell back in her chair, with tremendous beats of the heart, each of which sent black waves across her eyes. He clasped his forehead in his hands.

      "You tempt me," he said. The tone of his voice was terrifying. He seemed choked in fright. They were both trembling. Rachel stood up and went. Her head was cold, her knees shaking, and the physical pain of the emotion was so great that she could only keep herself moving above the great leaps of her heart. She leant upon the rail of the ship, and gradually ceased to feel, for a chill of body and mind crept over her. Far out between the waves little black and white sea-birds were riding. Rising and falling with smooth and graceful movements in the hollows of the waves they seemed singularly detached and unconcerned.

      "You're peaceful," she said. She became peaceful too, at the same time possessed with a strange exultation. Life seemed to hold infinite possibilities she had never guessed at. She leant upon the rail and looked over the troubled grey waters, where the sunlight was fitfully scattered upon the crests of the waves, until she was cold and absolutely calm again. Nevertheless something wonderful had happened.

      At dinner, however, she did not feel exalted, but merely uncomfortable, as if she and Richard had seen something together which is hidden in ordinary life, so that they did not like to look at each other. Richard slid his eyes over her uneasily once, and never looked at her again. Formal platitudes were manufactured with effort, but Willoughby was kindled.

      "Beef for Mr. Dalloway!" he shouted. "Come now – after that walk you're at the beef stage, Dalloway!"

      Wonderful masculine stories followed about Bright and Disraeli and coalition governments, wonderful stories which made the people at the dinner-table seem featureless and small. After dinner, sitting alone with Rachel under the great swinging lamp, Helen was struck by her pallor. It once more occurred to her that there was something strange in the girl's behaviour.

      "You look tired. Are you tired?" she asked.

      "Not tired," said Rachel. "Oh, yes, I suppose I am tired."

      Helen advised bed, and she went, not seeing Richard again. She must have been very tired for she fell asleep at once, but after an hour or two of dreamless sleep, she dreamt. She dreamt that she was walking down a long tunnel, which grew so narrow by degrees that she could touch the damp bricks on either side. At length the tunnel opened and became a vault; she found herself trapped in it, bricks meeting her wherever she turned, alone with a little deformed man who squatted on the floor gibbering, with long nails. His face was pitted and like the face of an animal. The wall behind him oozed with damp, which collected into drops and slid down. Still and cold as death she lay, not daring to move, until she broke the agony by tossing herself across the bed, and woke crying "Oh!"

      Light showed her the familiar things: her clothes, fallen off the chair; the water jug gleaming white; but the horror did not go at once. She felt herself pursued, so that she got up and actually locked her door. A voice moaned for her; eyes desired her. All night long barbarian men harassed the ship; СКАЧАТЬ