The Pocket Bible; or, Christian the Printer: A Tale of the Sixteenth Century. Эжен Сю

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СКАЧАТЬ through the calumnies that Compaign had circulated. But Melar Lebrenn was not yet discouraged. He explained to Estienne circumstantially the reason of Compaign's hatred, and offered Estienne to serve him on trial. The offer was accepted, and Melar Lebrenn soon acquitted himself so well both as a typesetter and a reader of proof, that Master Henry Estienne, judging from the falseness of the accusations concerning Melar Lebrenn's skill at his trade, concluded he was equally wronged in his private character. From that time on, Estienne took a deep interest in Melar and was soon singularly attached to him, as much by reason of his skill, as for the probity of his character and the kindness of his heart.

      The two daughters of Melar Lebrenn were carried away by the pest that swept over Paris in 1512; his wife survived them only a short time; and Melar himself died in 1519. His only surviving child, Christian, married Bridget Ardouin, an embroiderer in gold and silver thread. Christian entered the printing establishment of Henry Estienne as an apprentice at his twelfth year. After the death of the venerated Henry Estienne, Christian remained under the employ of Robert Estienne, his father's heir in virtue and his superior in scientific acquirements. The editions that Robert Estienne issued of the old Greek, Hebrew or Latin authors are the admiration of the learned by the correctness of the text, the beauty of the type, and the perfection of the printing. Among other things he published a pocket edition of the New Testament, translated into French, a veritable masterpiece of typography. The bonds that united Master Robert Estienne and his workman Christian Lebrenn became of the closest.

      Three children were born of the marriage of Christian Lebrenn with Bridget Ardouin – a boy, born in 1516, and at the commencement of this history eighteen years of age; a girl in 1518, and a boy in 1520. The latter is named Odelin; he is an apprentice in the establishment of Master Raimbaud, one of the most celebrated armorers of Paris. The eldest son is named Hervé, in memory of his mother's father, and he follows his father Christian's profession of printer. The girl is named Hena in remembrance of the Virgin of the Isle of Sen.

      CHAPTER I.

      THE THEFT

      It was one evening towards the middle of the month of August of 1534. Christian Lebrenn occupied a modest house situated at about the center of the Exchange Bridge. Almost all the other bridges thrown over the two arms of the Seine are, like this one, lined with houses and constitute a street under which the river flows. The kitchen, where the meals were taken, was on the first floor, even with the street; behind this room, the door and window of which opened upon the public thoroughfare, was a smaller one, used for bed chamber by Hervé, Christian's eldest son, and the younger brother Odelin, the apprentice at Master Raimbaud's. At the time, however, when this narrative opens, Odelin was absent from Paris, traveling in Italy with his master, who had gone to Milan in order to study the process by which the Milanese armors, as celebrated as those of Toledo, were manufactured. The upper floor of Christian's house consisted of two rooms. One of these he occupied himself with his wife Bridget; his daughter Hena occupied the other. Finally, a garret that served as storeroom for winter provisions, topped the house and had a window that opened upon the river.

      On this evening Christian was in an animated conversation with his wife. It was late. The children were both asleep. A lamp lighted the room of the husband and wife. Near the window, with its small lozenge-shaped panes fastened between ribs of lead, lay the embroideries at which Bridget and Hena had been at work. In the rear of this rather spacious chamber stood the conjugal bed, surmounted with its canopy and enclosed by its curtains of orange serge. A little further away was a little book-case containing in neat rows the volumes in the printing of which Christian and his father contributed at the printing establishment of Masters Henry and Robert Estienne. In the same case Christian kept under lock his family legends and relics, together with whatever else that he attached special value to. Above the case an old cross-bow and battle axe hung from the wall. It was always well to have some arms in the house in order to repel the attacks of bandits who had of late grown increasingly bold. Two flat leather covered coffers for clothes and a few stools completed the humble furnishings of the room. Christian seemed greatly troubled in mind. Bridget, looking no less concerned than her husband, dropped the work that she expected to finish by lamp-light, and stepped towards her husband. With his eyes fixed upon the ground, his elbows upon his knees and his head in his hands, the latter observed:

      "There can be no doubt. The person who stole the money, here, in this room, out of that case, and without breaking the lock, must be familiar with our house."

      "I can assure you, Christian, since yesterday when we discovered the theft, I have been in a continuous fever."

      "None but we and our children enter this room."

      "No, excepting our customers or their employees. But as I am well aware that the Barbets are bold and wily enough to put on the disguise of honest merchants, whenever occasion demands it, in order to gain access to a house and steal, and that they might play that trick upon me under the pretext of bringing an order for some embroidery, neither Hena nor I ever leave the room when a stranger is with us."

      "I am ransacking my mind for the intimate acquaintance who could have entered the room," the printer proceeded as if communing with himself with painful anxiety. "Occasionally, Lefevre spends an evening with us; I have come up into this room with him several times when he requested me to read some of our family legends to him."

      "But, my friend, it is a long time since we have seen Lefevre; you yourself were wondering the other day what may have become of him; moreover, it is out of all question to suspect your friend, a man of austere morals, always wrapt in science."

      "God prevent my suspecting him! I was only going over the extremely small number of persons who visit us familiarly."

      "Then there is my brother. The fellow is, true enough, a soldier of adventure; he has his faults, grave faults, but – "

      "Ah, Bridget, Josephin has for you and our children so tender a love, so touching – I hold him capable of doing almost anything in a hostile country, as is customary with people of his vocation; but he, who almost every day sits at our hearth – he, commit a theft in our house? Such a thought never crossed my mind – and never will!"

      "Oh, I thank you for these words! I thank you!"

      "And did you suppose that I suspected your brother? No! A thousand times, no!"

      "What shall I say? The vagabond life that he has led since his early youth – the habits of violence and rapine with which the 'Franc-Taupins,' the 'Pendards,' and the other soldiers of adventure who are my brother's habitual companions are so justly reproached, might have caused suspicion to rise in some prejudiced mind, and – but my God – Christian – what ails you, tell me what ails you?" cried Bridget, seeing her husband hide his face between his hands in utter despair, and then suddenly rise and pace the room, as if pursued by a thought from which he sought to flee. "My friend," insisted Bridget, "what sudden thought has struck and afflicts you? There are tears in your eyes. Your face is strangely distorted. Answer me, I pray you!"

      "I take heaven to witness," cried the artisan, raising his hands heavenward with a face that betrayed the tortures of his heart, "the loss of the twenty gold crowns, that we gathered so laboriously, is a serious matter to me; it was our daughter's dower; but that loss is as nothing beside – "

      "Beside what? Let me know!"

      "No. Oh, no! It is too horrible!"

      "Christian, what have you in mind?"

      "Leave me! Leave me!" but immediately regretting the involuntary rudeness, the artisan took Bridget's hands in his own, and said to her in a deeply moved voice: "Excuse me, poor, dear wife. You see, when I think of this affair I lose my head. When, at the printing shop, to-day, the horrible suspicion flashed through my mind, I feared it would drive me crazy! I struggled against it all I could – but a СКАЧАТЬ