Search-Light Letters. Grant Robert

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СКАЧАТЬ heaven they are not as the masses are. They are charitable, they are sometimes generous, and invariably didactic, but they hold aloof from the common herd. They refuse to open the gates of sympathy, and sometimes it seems as though the gates will never be opened until they are broken down by the masses."

      My visitor suddenly stopped, and started to rise from his chair. Turning to investigate the cause of the interruption, I encountered my wife, Josephine, armed with a tray containing a brazier and the essentials for a midnight repast.

      "You will be able to talk better if you have something to eat," she exclaimed, affably.

      The ceremony of introduction having been performed successfully without causing our guest to notice that we did not know his name, I begged him to continue his address.

      "Yes, do," said Josephine, "while I cook the oysters. I could not help overhearing a little of your conversation, so I know the general drift."

      [Note.– That means she had been leaning over the banisters, listening.]

      "A lunch will taste very good," said the reporter.

      [Note.– Here he ran up against one of my pet prejudices, and for a moment I almost forgot that I was doing the honors of my own house. I almost said: "Speaking of democracy and culture, my dear sir, I should like to inquire if you have any authority for your use of the word 'lunch'? As employed by the appropriating and the arrogant it has long meant a meal or a bite between breakfast and dinner; but, as used by democracy, it seems to apply to afternoon tea or late supper equally well."]

      "We were speaking of the ideal," he continued, addressing my wife, "and I was just saying that only recently had the world of noblest thought and aims begun to recognize that an ideal life must necessarily include interest in and sympathy for common humanity, and that the mere aristocrat of religion, of culture, or of manners, has ceased to be the Sir Galahad of civilization."

      "Indeed it must be so," said Josephine, "and the idea is rapidly gaining ground. People used to be satisfied with making charitable donations; now they investigate facts and conditions and give themselves. But it isn't always easy for those who love beauty to avoid shrinking from people and things not beautiful. There is nothing which freezes a sensitive, artistic nature more quickly than dirt and ugliness, and yet the ideal modern soul does not turn away, but seeks to sympathize and to share. Might you not, dear (Josephine was now addressing me, not the reporter), say that the key-note of the ideal life is refined sympathy?"

      "It certainly is an indispensable attribute of it," I answered.

      "How much easier it is," mused Josephine, as she stirred the oysters in the melting butter, "to wrap one's self in one's own aesthetic aspirations and to let the common world shift for itself. It was possible, once, to do that and believe one's self a saint, but that day has passed forever. It's very hard, though, sometimes, Mr. Reporter. Constant contact with the common world is liable to make one terribly discouraged unless one has abiding faith in the future of democracy."

      "I know it; I know it," he replied, eagerly. "We're a depressing lot – many of us. Don't you suppose I understand how the sensitive soul must suffer when it has to deal with some of us? Take the cheap, ignorant, mercenary, city politician, such as disgraces the aldermanic chair of our large cities – there's a discouraging monster for you. There is a host of others; the shallow, self-sufficient, impertinent type of shop-girl, whose sole concern is her finery and her 'fellow'; the small dealer of a certain sort, who adulterates his wares, lies to maintain his cause, and will not hesitate to burn his stock in order to obtain the insurance money; the sordid number who seek to break the wills of their relations who have devised the property to others; the many, too, who make a mess of marriage, and leave wife or husband on the paltriest pleas. I know them well; they are the people, they are humanity, and they can no longer be ignored and loftily set aside as 'the uneducated mass' by those whose finer instincts cause them to live free from these sins. Hard? Of course it's hard, but the best hope for the improvement of society lies in the education and enlightenment of that mass; and this can be compassed only through the efforts and sympathy of the intelligent and refined."

      Just then the clock struck midnight. "Bless me!" he exclaimed, every one will be in bed, and what will become of my telegram on the Czar of Russia? Instead of getting three thousand words from you, I have been giving you that number on your own topic."

      "For once, then, I have got the better of a reporter," said I.

      "But before I give you any supper, Mr. Reporter," said Josephine, "you must acknowledge, too, that the movement is gaining ground, and that the refined and educated are changing their point of view. Think of the hospitals, think of the museums, think of the colleges, think of the model tenements, the schools for manual training and cooking."

      "I do acknowledge it; it is grand and inspiring. I have been merely calling attention to the fact that in the search for the ideal their new point of view must become permanent and extend still farther. To counterbalance your facts I could cite others. Think of the doings of the multi-millionaires, their modern palaces, their extravagant entertainments, their steam-yachts, their home-desecrating wives – a lot of third-class passengers, with no more claim to be considered first-class than the alderman and the shop-girl and the other democrats of whom we were speaking a moment ago. Nothing of the ideal there, and they had such a grand chance! Yes, yes, I do admit, madam, that the efforts and progress of the refined and intelligent during the last quarter of a century have been notable and stirring, but democracy has been neglected for so many centuries that it may prove a little ungrateful at first. And here am I, Mr. Philosopher, keeping your train in three sections waiting all this time."

      "The oysters are cooked," said Josephine.

      "Five minutes for lunch!" cried the reporter.

      [Note.– Confound the man! Why should he call my supper a lunch?]

      To A Young Man or Woman in Search of the Ideal. IV

      That beatific mental condition associated by my midnight visitor, the reporter, with people of alleged cultivation and æsthetic tastes, when in the presence of the beauties or marvels of nature, like sunset, mountain scenery, ocean calm and ocean storm, is doubtless a familiar experience to you. The wonder book of nature is constantly being held up by poet and painter as the source of human ideality, and all the traditions of civilization urge you to attain that degree of artistic development under the white light of which the seals of that book become loosened, and you are able to read in the evening star and the mountain torrent lessons of inspiration and truth. Next to nature in their æsthetic potency are her hand-maids, music, sculpture, letters and painting – briefly, the civilized arts, the medium by which mortals seek to woo and hold fast to beauty. We listen to the gorgeous anthems of the world's most famous composers, and our souls thrill and vibrate with emotion; life seems grand and everything possible. We stand before the greatest marbles and canvasses, and we seem to have truth within our grasp and nature almost subjugated. How exquisitely falls on the senses the sublimity of the lines

      Fair as a star, when only one

      Is shining in the sky.

      We catch a glimpse there of what we call heaven. Is there any more satisfactory occupation for a thirsty soul than to scan the fairness of the twilight heavens when the evening star shines alone and the saffron or purple glories of the departing day irradiate the west?

      Noi andavam per lo vespero attenti

      Oltre, quanto potean gli occhi allungarsi,

      Contro i raggi serotini e lucenti.

      So wrote Dante in immortal verse, to portray the æsthetic value of a kindred experience.

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