The Four Million. O. Henry

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СКАЧАТЬ would have Romeo's rickety ribs to the ounce. A lover may sigh, but he must not puff. To the train of Momus are the fat men remanded. In vain beats the faithfullest heart above a 52-inch belt. Avaunt, Hoover! Hoover, forty-five, flush and foolish, might carry off Helen herself; Hoover, forty-five, flush, foolish and fat is meat for perdition. There was never a chance for you, Hoover.

      As Mrs. Parker's roomers sat thus one summer's evening, Miss Leeson looked up into the firmament and cried with her little gay laugh:

      "Why, there's Billy Jackson! I can see him from down here, too."

      All looked up – some at the windows of skyscrapers, some casting about for an airship, Jackson-guided.

      "It's that star," explained Miss Leeson, pointing with a tiny finger. "Not the big one that twinkles – the steady blue one near it. I can see it every night through my skylight. I named it Billy Jackson."

      "Well, really!" said Miss Longnecker. "I didn't know you were an astronomer, Miss Leeson."

      "Oh, yes," said the small star gazer, "I know as much as any of them about the style of sleeves they're going to wear next fall in Mars."

      "Well, really!" said Miss Longnecker. "The star you refer to is Gamma, of the constellation Cassiopeia. It is nearly of the second magnitude, and its meridian passage is – "

      "Oh," said the very young Mr. Evans, "I think Billy Jackson is a much better name for it."

      "Same here," said Mr. Hoover, loudly breathing defiance to Miss Longnecker. "I think Miss Leeson has just as much right to name stars as any of those old astrologers had."

      "Well, really!" said Miss Longnecker.

      "I wonder whether it's a shooting star," remarked Miss Dorn. "I hit nine ducks and a rabbit out of ten in the gallery at Coney Sunday."

      "He doesn't show up very well from down here," said Miss Leeson. "You ought to see him from my room. You know you can see stars even in the daytime from the bottom of a well. At night my room is like the shaft of a coal mine, and it makes Billy Jackson look like the big diamond pin that Night fastens her kimono with."

      There came a time after that when Miss Leeson brought no formidable papers home to copy. And when she went out in the morning, instead of working, she went from office to office and let her heart melt away in the drip of cold refusals transmitted through insolent office boys. This went on.

      There came an evening when she wearily climbed Mrs. Parker's stoop at the hour when she always returned from her dinner at the restaurant. But she had had no dinner.

      As she stepped into the hall Mr. Hoover met her and seized his chance. He asked her to marry him, and his fatness hovered above her like an avalanche. She dodged, and caught the balustrade. He tried for her hand, and she raised it and smote him weakly in the face. Step by step she went up, dragging herself by the railing. She passed Mr. Skidder's door as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson) in his (unaccepted) comedy, to "pirouette across stage from L to the side of the Count." Up the carpeted ladder she crawled at last and opened the door of the skylight room.

      She was too weak to light the lamp or to undress. She fell upon the iron cot, her fragile body scarcely hollowing the worn springs. And in that Erebus of the skylight room, she slowly raised her heavy eyelids, and smiled.

      For Billy Jackson was shining down on her, calm and bright and constant through the skylight. There was no world about her. She was sunk in a pit of blackness, with but that small square of pallid light framing the star that she had so whimsically and oh, so ineffectually named. Miss Longnecker must be right; it was Gamma, of the constellation Cassiopeia, and not Billy Jackson. And yet she could not let it be Gamma.

      As she lay on her back she tried twice to raise her arm. The third time she got two thin fingers to her lips and blew a kiss out of the black pit to Billy Jackson. Her arm fell back limply.

      "Good-bye, Billy," she murmured faintly. "You're millions of miles away and you won't even twinkle once. But you kept where I could see you most of the time up there when there wasn't anything else but darkness to look at, didn't you?.. Millions of miles.. Good-bye, Billy Jackson."

      Clara, the coloured maid, found the door locked at 10 the next day, and they forced it open. Vinegar, and the slapping of wrists and burnt feathers proving of no avail, some one ran to 'phone for an ambulance.

      In due time it backed up to the door with much gong-clanging, and the capable young medico, in his white linen coat, ready, active, confident, with his smooth face half debonair, half grim, danced up the steps.

      "Ambulance call to 49," he said briefly. "What's the trouble?"

      "Oh, yes, doctor," sniffed Mrs. Parker, as though her trouble that there should be trouble in the house was the greater. "I can't think what can be the matter with her. Nothing we could do would bring her to. It's a young woman, a Miss Elsie – yes, a Miss Elsie Leeson. Never before in my house – "

      "What room?" cried the doctor in a terrible voice, to which Mrs. Parker was a stranger.

      "The skylight room. It – "

      Evidently the ambulance doctor was familiar with the location of skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker followed slowly, as her dignity demanded.

      On the first landing she met him coming back bearing the astronomer in his arms. He stopped and let loose the practised scalpel of his tongue, not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips down from a nail. Ever afterward there remained crumples in her mind and body. Sometimes her curious roomers would ask her what the doctor said to her.

      "Let that be," she would answer. "If I can get forgiveness for having heard it I will be satisfied."

      The ambulance physician strode with his burden through the pack of hounds that follow the curiosity chase, and even they fell back along the sidewalk abashed, for his face was that of one who bears his own dead.

      They noticed that he did not lay down upon the bed prepared for it in the ambulance the form that he carried, and all that he said was: "Drive like h–l, Wilson," to the driver.

      That is all. Is it a story? In the next morning's paper I saw a little news item, and the last sentence of it may help you (as it helped me) to weld the incidents together.

      It recounted the reception into Bellevue Hospital of a young woman who had been removed from No. 49 East – street, suffering from debility induced by starvation. It concluded with these words:

      "Dr. William Jackson, the ambulance physician who attended the case, says the patient will recover."

      A SERVICE OF LOVE

      When one loves one's Art no service seems too hard.

      That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the great wall of China.

      Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer.

      Delia Caruthers did things in six octaves so promisingly in a pine-tree СКАЧАТЬ