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      "I am very glad to hear it," said the Minor Canon, with his usual politeness.

      "I am not at all sure that you would be," said the Griffin, "if you thoroughly understood the state of the case, but we will not consider that now. If some things were different, other things would be otherwise. I have been so enraged by discovering the manner in which you have been treated that I have determined that you shall at last enjoy the rewards and honors to which you are entitled. Lie down and have a good sleep, and then I will take you back to the town."

      As he heard these words, a look of trouble came over the young man's face.

      "You need not give yourself any anxiety," said the Griffin, "about my return to the town. I shall not remain there. Now that I have that admirable likeness of myself in front of my cave, where I can sit at my leisure, and gaze upon its noble features and magnificent proportions, I have no wish to see that abode of cowardly and selfish people."

      The Minor Canon, relieved from his fears, lay back, and dropped into a doze; and when he was sound asleep the Griffin took him up, and carried him back to the town. He arrived just before daybreak, and putting the young man gently on the grass in the little field where he himself used to rest, the monster, without having been seen by any of the people, flew back to his home.

      When the Minor Canon made his appearance in the morning among the citizens, the enthusiasm and cordiality with which he was received were truly wonderful. He was taken to a house which had been occupied by one of the vanished high officers of the place, and every one was anxious to do all that could be done for his health and comfort. The people crowded into the church when he held services, so that the three old women who used to be his week-day congregation could not get to the best seats, which they had always been in the habit of taking; and the parents of the bad children determined to reform them at home, in order that he might be spared the trouble of keeping up his former school. The Minor Canon was appointed to the highest office of the old church, and before he died, he became a bishop.

      During the first years after his return from the dreadful wilds, the people of the town looked up to him as a man to whom they were bound to do honor and reverence; but they often, also, looked up to the sky to see if there were any signs of the Griffin coming back. However, in the course of time, they learned to honor and reverence their former Minor Canon without the fear of being punished if they did not do so.

      But they need never have been afraid of the Griffin. The autumnal equinox day came round, and the monster ate nothing. If he could not have the Minor Canon, he did not care for any thing. So, lying down, with his eyes fixed upon the great stone griffin, he gradually declined, and died. It was a good thing for some people of the town that they did not know this.

      If you should ever visit the old town, you would still see the little griffins on the sides of the church; but the great stone griffin that was over the door is gone.

       BIOGRAPHY

      Frank Richard Stockton, one of America's foremost story-tellers and humorists, was born in Philadelphia in 1834. His father was a Presbyterian minister who devoutly wished that his son might study medicine. This wish was shattered early, for the son showed symptoms of being a writer while yet in the Central High School of Philadelphia. In competition with many of his schoolmates for a prize offered for the best story, young Stockton won easily.

      After finishing his high school course, he adopted the profession of wood-engraver. Although he earned his living for several years by carving wood, he never lost his desire to write, and practised, at every spare moment, his favorite avocation. It was this careful and patient training during his apprenticeship that finally made him the expert story-teller that he is. It is very interesting to any one who cares for the acquirement of an excellent style to note how all the authors contained in this text have had to work with almost a superhuman force to reach the heights of successful short-story writing.

      His first important publication, Kate, appeared in the Southern Literary Messenger in 1859. He then joined the staff of the Philadelphia Morning Post, where he did regular newspaper work and contributed to the Riverside Magazine and Hearth and Home. In 1872 his Stephen Skarridge's Christmas appeared in Scribner's Monthly. Dr. J.G. Holland, editor of Scribner's, was so impressed with the story that he made Mr. Stockton an assistant editor and persuaded him to move to New York. In 1873 he joined the staff of the St. Nicholas Magazine. His publication of the Rudder Grange series in Scribner's Monthly in 1878 made him famous. In 1882 he resigned all editorial work and spent his entire time in literary composition.

      Mr. Stockton possessed a frail body and very little physical endurance. In spite of this physical handicap he was very vivacious and gay. He was a genial and companionable man, loved by all who knew him. He was very modest, even to the point of shyness, exceptionally sincere, and quaintly humorous. He established homes in New Jersey and West Virginia, where he spent the greater part of his time from 1882 until his death in 1902.

       BIOGRAPHICAL REFERENCES

       Famous Authors (107-122), B.F. Harkness.

       American Authors (59-73), F.W. Halsey.

      "Character Sketch," Book-Buyer, 24:355-357.

      "Home at Claymont," Current Literature, 30:221.

      "Sketch," Outlook, 70: 1000-1001,

      "Stockton and his Work," Atlantic Monthly, 87:136-138.

       CRITICISMS

      The writings of Frank R. Stockton are excellent representatives of the man himself. How closely allied writer and writings are is very well stated by Hamilton W. Mabie in the Book-Buyer for June, 1902, "His talk had much of the quality of his writing; it was full of quaint conceits, whimsicalities, impossible suggestions offered with perfect gravity. He was always perfectly natural; he never attempted to live up to his part; in talk, at least, he never forced the note. His attitude toward himself was slightly tinged with humor, and he knew how to foil easily and pleasantly too great a pressure of praise."

      His tales are extravagantly impossible but extremely realistic in effect, filled with humorous situations and singular plots, and peopled with eccentric characters that afford amusement on every page. His most successful writing is done when he explains contrivances upon which his story depends. He is an original and inventive expert juggler who moves with careless ease to the most effective ends. His characters are little more than pieces of mechanism that act when he pulls the string. They have little emotion and even in their love-making they show their emotion mostly for the sake of the reader's amusement. His negro characters are exceptions to his general treatment and are true to life. He inveigles the reader into believing the most extravagant incidents by having a reliable witness narrate them.

      Stockton never stoops to the burlesque, cynic, or vulgar phases of life to secure amusement. He is grotesque and droll in his manner, and above all always restrained. His literary life is full of sprites and gnomes that frolic before young children and once before mature people. The Griffin and the Minor Canon is a beautiful fairy story lifted from childhood's thought and diction into a mature realm. His humor is plain and simple, cool and keenly calculating. A friendly critic has said of one of his stories, "With a gentle, ceaseless murmur of amusement, and a flickering twinkle of smiles, the story moves steadily on in the calm triumph of its assured and unassailable absurdity, to its logical and indisputable impossibility." This observation is very largely true of all his stories.

       GENERAL REFERENCES

       Frank R. Stockton, A.T.Q. Couch.

      "Stockton's СКАЧАТЬ