Название: Bracebridge Hall, or The Humorists
Автор: Washington Irving
Издательство: Public Domain
Жанр: Зарубежная классика
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There was only one man left; a short-legged, long-bodied, plethoric fellow, with a very large, sandy head. He sat by himself, with a glass of port wine negus, and a spoon; sipping and stirring, and meditating and sipping, until nothing was left but the spoon. He gradually fell asleep bolt upright in his chair, with the empty glass standing before him; and the candle seemed to fall asleep too, for the wick grew long, and black, and cabbaged at the end, and dimmed the little light that remained in the chamber. The gloom that now prevailed was contagious. Around hung the shapeless, and almost spectral, box-coats of departed travellers, long since buried in deep sleep. I only heard the ticking of the clock, with the deep-drawn breathings of the sleeping topers, and the drippings of the rain, drop – drop – drop, from the eaves of the house. The church-bells chimed midnight. All at once the stout gentleman began to walk overhead, pacing slowly backwards and forwards. There was something extremely awful in all this, especially to one in my state of nerves. These ghastly greatcoats, these guttural breathings, and the creaking footsteps of this mysterious being. His steps grew fainter and fainter, and at length died away. I could bear it no longer. I was wound up to the desperation of a hero of romance. "Be he who or what he may," said I to myself, "I'll have a sight of him!" I seized a chamber candle, and hurried up to number 13. The door stood ajar. I hesitated – I entered: the room was deserted. There stood a large, broad-bottomed elbow chair at a table, on which was an empty tumbler, and a "Times" newspaper, and the room smelt powerfully of Stilton cheese.
The mysterious stranger had evidently but just retired. I turned off, sorely disappointed, to my room, which had been changed to the front of the house. As I went along the corridor, I saw a large pair of boots, with dirty, waxed tops, standing at the door of a bed-chamber. They doubtless belonged to the unknown; but it would not do to disturb so redoubtable a personage in his den; he might discharge a pistol, or something worse, at my head. I went to bed, therefore, and lay awake half the night in a terrible nervous state; and even when I fell asleep, I was still haunted in my dreams by the idea of the stout gentleman and his wax-topped boots.
I slept rather late the next morning, and was awakened by some stir and bustle in the house, which I could not at first comprehend; until getting more awake, I found there was a mail-coach starting from the door. Suddenly there was a cry from below, "The gentleman has forgot his umbrella! look for the gentleman's umbrella in No. 13!" I heard an immediate scampering of a chamber-maid along the passage, and a shrill reply as she ran, "Here it is! here's the gentleman's umbrella!"
The mysterious stranger then was on the point of setting off. This was the only chance I should ever have of knowing him. I sprang out of bed, scrambled to the window, snatched aside the curtains, and just caught a glimpse of the rear of a person getting in at the coach-door. The skirts of a brown coat parted behind, and gave me a full view of the broad disk of a pair of drab breeches. The door closed – "all right!" was the word – the coach whirled off: – and that was all I ever saw of the stout gentleman!
FOREST TREES
"A living gallery of aged trees."
One of the favourite themes of boasting with the Squire, is the noble trees on his estate, which, in truth, has some of the finest that I have seen in England. There is something august and solemn in the great avenues of stately oaks that gather their branches together high in air, and seem to reduce the pedestrians beneath them to mere pigmies. "An avenue of oaks or elms," the Squire observes, "is the true colonnade that should lead to a gentleman's house. As to stone and marble, any one can rear them at once – they are the work of the day; but commend me to the colonnades that have grown old and great with the family, and tell by their grandeur how long the family has endured."
The Squire has great reverence for certain venerable trees, gray with moss, which he considers as the ancient nobility of his domain. There is the ruin of an enormous oak, which has been so much battered by time and tempest, that scarce any thing is left; though he says Christy recollects when, in his boyhood, it was healthy and nourishing, until it was struck by lightning. It is now a mere trunk, with one twisted bough stretching up into the air, leaving a green branch at the end of it. This sturdy wreck is much valued by the Squire; he calls it his standard-bearer, and compares it to a veteran warrior beaten down in battle, but bearing up his banner to the last. He has actually had a fence built round it, to protect it as much as possible from further injury.
It is with great difficulty that the Squire can ever be brought to have any tree cut down on his estate. To some he looks with reverence, as having been planted by his ancestors; to others with a kind of paternal affection, as having been planted by himself; and he feels a degree of awe in bringing down, with a few strokes of the axe, what it has cost centuries to build up. I confess I cannot but sympathize, in some degree, with the good Squire on the subject. Though brought up in a country overrun with forests, where trees are apt to be considered mere encumbrances, and to be laid low without hesitation or remorse, yet I could never see a fine tree hewn down without concern. The poets, who are naturally lovers of trees, as they are of every thing that is beautiful, have artfully awakened great interest in their favour, by representing them as the habitations of sylvan deities; insomuch that every great tree had its tutelar genius, or a nymph, whose existence was limited to its duration. Evelyn, in his Sylva, makes several pleasing and fanciful allusions to this superstition. "As the fall," says he, "of a very aged oak, giving a crack like thunder, has often been heard at many miles' distance; constrained though I often am to fell them with reluctancy, I do not at any time remember to have heard the groans of those nymphs (grieving to be dispossessed of their ancient habitations) without some emotion and pity." And again, in alluding to a violent storm that had devastated the woodlands, he says, "Methinks I still hear, sure I am that I still feel, the dismal groans of our forests; the late dreadful hurricane having subverted so many thousands of goodly oaks, prostrating the trees, laying them in ghastly postures, like whole regiments fallen in battle by the sword of the conqueror, and crushing all that grew beneath them. The public accounts," he adds, "reckon no less than three thousand brave oaks in one part only of the forest of Dean blown down."
I have paused more than once in the wilderness of America, to contemplate the traces of some blast of wind, which seemed to have rushed down from the clouds, and ripped its way through the bosom of the woodlands; rooting up, shivering, and splintering the stoutest trees, and leaving a long track of desolation. There was something awful in the vast havoc made among these gigantic plants; and in considering their magnificent remains, so rudely torn and mangled, and hurled down to perish prematurely on their native soil, I was conscious of a strong movement of the sympathy so feelingly expressed by Evelyn. I recollect, also, hearing a traveller of poetical Temperament expressing the kind of horror which he felt on Beholding on the banks of the Missouri, an oak of prodigious size, which had been, in a manner, overpowered by an enormous wild grape-vine. The vine had clasped its huge folds round the trunk, and from thence had wound about every branch and twig, until the mighty tree had withered in its embrace. It seemed like Laocoon struggling ineffectually in the hideous coils of the monster Python. It was the lion of trees perishing in the embraces of a vegetable boa.
I am fond of listening to the conversation of English gentlemen on rural concerns, and of noticing with what taste and discrimination, and what strong, unaffected interest they will discuss topics, which, in other countries, are abandoned to mere woodmen, or rustic cultivators. I have heard a noble earl descant on park and forest scenery with the science and feeling of a painter. He dwelt on the shape and beauty of particular trees on his estate, with as much pride and technical precision as though he had been discussing the merits of statues in his collection I found that he had even gone considerable distances to examine trees which were celebrated СКАЧАТЬ