Название: Studies in the Theory of Descent, Volume II
Автор: Weismann August
Издательство: Public Domain
Жанр: Зарубежная классика
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One point remained for a long time inexplicable to me, viz., the change of the light green into dark grey-green which appeared in the last stage in connection with a total change of the black marking.
Supposing that new characters are actually acquired only in the last stage, and that from this they are transferred to the younger stages, we should expect to find completely developed in the last stage the same colouring and markings as are possessed more or less incompletely in the fourth stage. Now since the developmental tendency to the removal of black and to the predominance of green – if we may thus venture to express it – is obvious in the fourth stage, we may expect to find in the fifth stage a bright green ground-colour, either without any mixture of black or with such black spots and streaks as were retained in the fourth stage as residues of the original ground-colour. But instead of this the fifth stage shows a dark green colour, and a more or less developed black marking which cannot in any way be derived from that of the fourth stage.
The Genoese local form observed last year first gave me an explanation to the extent that in this form the last stage is actually only the potential penultimate stage, or, more correctly expressed, that the same characters which at present distinguish the last stage of this form, are already more or less completely transferred to the penultimate stage.
The apparently paradoxical behaviour of the German form can be explained by supposing that before the pure bright green had become completely transferred to the penultimate stage a further change appeared in the last stage, the green ground-colour becoming darker, and black transverse bands being formed. The marking of the last stage would then be regarded as the reverse of that of the preceding stage; the absence of black would be the older, simple black spots at the base of the warts the next in succession, and a connected black transverse band the most advanced state of the development.
Whether this explanation is correct, and if so, what causes have produced the second change, may perhaps be learnt at some future time by a comparison with the ontogeny of other Saturniidæ; in the meantime this explanation receives support from another side by the behaviour of the Genoese local form. If the last stage of the German form has actually commenced to be again re-modelled, then this variety is further advanced in phyletic development than the Genoese form; and this corresponds entirely with the theory that in the former the light colour (the orange considered as preliminary to the transformation into green) has already been carried down into the second stage, whilst in the Genoese variety even in the fourth stage only the first rudiments of the colour-transformation show themselves.
The Genoese form is to a certain extent intermediate between the German form of Saturnia Carpini and the nearly related S. Spini, a species inhabiting East Germany. In this latter the larvæ, even in the adult state, are completely black with yellow warts. This form of caterpillar must therefore be regarded as phyletically the oldest, and this very well agrees with the character of the moth, which differs essentially from S. Carpini only in not being sexually dimorphic. In Carpini the male possesses a far more brilliant colouring than the female, the latter agreeing so completely with the female of Spini that it can hardly be distinguished therefrom, especially in the case of the somewhat larger South European specimens of the last species. Now as the more simple colouring of the female must in any case be regarded as the original form, we must consider Spini, both sexes of which possess this colouring, to be phyletically the older form, and Carpini, the male of which has become differently coloured, must be considered as the younger type. This completely accords with the characters of the larvæ.
I must here mention that I have also asked myself the question whether the variations of the different larval stages are connected together as cause and effect – whether the lightest specimens of the fifth stage may perhaps not also have been the lightest individuals of the third and fourth stages.
Such relationship is only apparent between the third and fourth stages; the darkest larvæ of the third stage become the darker varieties of the fourth stage, although it is true that the lighter forms of the third sometimes also become dark varieties in the fourth stage. Between the fourth and fifth stages there is scarcely any connection of this kind to be recognized. Thus, the darkest varieties of the fourth stage sometimes become the lightest forms of the fifth stage, whilst in other cases from the lightest individuals of the fourth stage there arise all the possible modifications of the fifth stage. Further details may be omitted: the negative result cannot cause any surprise, as it is a necessary consequence of the continued crossing that must take place.
We thus see that the three chief stages of development (larva, pupa, and imago) actually change in colour independently of each other, the single stages of the larval development being however in greater dependence upon one another, and being connected indeed in such a manner that a new character cannot be added to the last stage without being transferred in the course of time to the preceding stage, and at a later period from this again even to the youngest stage, supposing it not to be previously delayed in the course of its transference by unknown opposing forces. On this last point, however, the facts at present available do not admit of any certain decision.
But why do the individual larval stages behave in this respect so very differently to the chief stages of the whole development? why are the former so exactly correlated whilst the latter are not? If new characters have a general tendency to become transferred to the younger ontogenetic stages, why are not new imaginal characters first transferred to the pupa, and finally to the larva?
The answer to these questions is not far to find. The wider two stages of a species differ in structure, the less does correlation become possible; the nearer the two stages are morphologically related, the more powerful does the action of correlation become. It is readily conceivable that the more widely two succeeding stages deviate in structure and mode of life, the less possible does it become for characters to be transferred from one to the other. How is it possible, for example, that a new character in the proboscis or on the wings of a butterfly can be transferred to the caterpillar? If such correlation existed it could only manifest itself by some other part of the caterpillar changing in correspondence with the change of the proboscis or wings of the butterfly. That this is not the case has, in my opinion, been conclusively shown by all the foregoing considerations respecting the independent variability of the chief stages of the metamorphosis.
There are, moreover, an endless number of facts which prove the independence of the individual stages of development – I refer to the multitudinous phenomena presented by metamorphosis itself. The existence of that form of development which we designate as metamorphosis is alone sufficient to prove incontestably that the single stages are able to change independently of one another to a most remarkable extent.
If we now ask the question: how has the so-called “complete” metamorphosis of insects arisen? the answer can only be: through the gradual adaptation of the different stages of development to conditions of life which have continually deviated more and more widely from each other.5
But if individual stages of the post-embryonic development can finally attain to such complete diversity of structure as that of the larva and imago through gradual adaptations to continually diverging conditions of life, this shows that the characters acquired by the single stages are always only transferred to the same stages of the following generation, whilst the other stages remain uninfluenced thereby. This depends upon that form of heredity designated by Darwin “inheritance at corresponding periods of life,” and by Haeckel “homochronic heredity.”
II. Does the Form-relationship of the Larva coincide with that of the Imago?
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