The Letters of Charles Dickens. Vol. 3, 1836-1870 . Чарльз Диккенс

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      My dear Lady Blessington,

      Appearances are against me. Don't believe them. I have written you, in intention, fifty letters, and I can claim no credit for anyone of them (though they were the best letters you ever read), for they all originated in my desire to live in your memory and regard. Since I heard from Count D'Orsay, I have been beset in I don't know how many ways. First of all, I went to Marseilles and came back to Genoa. Then I moved to the Peschiere. Then some people, who had been present at the Scientific Congress here, made a sudden inroad on that establishment, and overran it. Then they went away, and I shut myself up for a month, close and tight, over my little Christmas book, "The Chimes." All my affections and passions got twined and knotted up in it, and I became as haggard as a murderer, long before I wrote "The End." When I had done that, like "The man of Thessaly," who having scratched his eyes out in a quickset hedge, plunged into a bramble-bush to scratch them in again, I fled to Venice, to recover the composure I had disturbed. From thence I went to Verona and to Mantua. And now I am here – just come up from underground, and earthy all over, from seeing that extraordinary tomb in which the dead saint lies in an alabaster case, with sparkling jewels all about him to mock his dusty eyes, not to mention the twenty-franc pieces which devout votaries were ringing down upon a sort of sky-light in the cathedral pavement above, as if it were the counter of his heavenly shop. You know Verona? You know everything in Italy, I know. The Roman Amphitheatre there delighted me beyond expression. I never saw anything so full of solemn ancient interest. There are the four-and-forty rows of seats, as fresh and perfect as if their occupants had vacated them but yesterday – the entrances, passages, dens, rooms, corridors, the numbers over some of the arches. An equestrian troop had been there some days before, and had scooped out a little ring at one end of the arena, and had their performances in that spot. I should like to have seen it, of all things, for its very dreariness. Fancy a handful of people sprinkled over one corner of the great place (the whole population of Verona wouldn't fill it now); and a spangled cavalier bowing to the echoes, and the grass-grown walls! I climbed to the topmost seat, and looked away at the beautiful view for some minutes; when I turned round, and looked down into the theatre again, it had exactly the appearance of an immense straw hat, to which the helmet in the Castle of Otranto was a baby; the rows of seats representing the different plaits of straw, and the arena the inside of the crown. I had great expectations of Venice, but they fell immeasurably short of the wonderful reality. The short time I passed there went by me in a dream. I hardly think it possible to exaggerate its beauties, its sources of interest, its uncommon novelty and freshness. A thousand and one realisations of the Thousand and one Nights, could scarcely captivate and enchant me more than Venice.

      Your old house at Albaro – Il Paradiso – is spoken of as yours to this day. What a gallant place it is! I don't know the present inmate, but I hear that he bought and furnished it not long since, with great splendour, in the French style, and that he wishes to sell it. I wish I were rich and could buy it. There is a third-rate wine shop below Byron's house, and the place looks dull and miserable, and ruinous enough. Old – is a trifle uglier than when I first arrived. He has periodical parties, at which there are a great many flowerpots and a few ices – no other refreshments. He goes about, constantly charged with extemporaneous poetry, and is always ready, like tavern dinners, on the shortest notice and the most reasonable terms. He keeps a gigantic harp in his bedroom, together with pen, ink, and paper, for fixing his ideas as they flow, a kind of profane King David, but truly good-natured and very harmless.