Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847.. Various

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СКАЧАТЬ and give completeness to their achievements, by carrying a corresponding measure through the American Congress. Till then, we must leave them to their responsibilities in "extending the area of freedom," which are, just now, too great to afford them an opportunity of doing as much for the area of copyright.

      Meantime, I may safely say, that public sentiment cannot but mature into an eager desire of the consummation: not because of its justice, but because of its policy. I should look for a triumph of principle, rather than of interest, were I not pained to observe how seldom political leaders in America are wont to address the conscience, and rest any cause upon abstract right. The fathers of the republic knew better than to leave the moral powers of the people unexercised; but their successors seem to lack such faculties themselves, or to doubt their existence in the people. The copyright measure, however, may be safely left to the national sense of expediency. America is beginning to feel the value of literary eminence, and must be pardoned, on this account, for absurdly overrating at times the little that she already possesses. You will be surprised to see in how many ways her literature suffers by her present laws, and how safely avenging justice may be trusted to repair its own injuries. Let me show you.

      The political theorist would say beforehand, that under the proposed copyright law the people would be deprived of cheap books; and this is one of the popular delusions that experience must dispel. The present laws do indeed make books very cheap, if cheapness is to be estimated only by the cost per copy, and if legibility, convenience, durability, and honesty are to go for nothing: and if the price which a whole nation pays for such books in many serious losses, is also to be excluded from the calculation. The present laws encourage the rapid manufacture of such books as will sell rapidly. Novels and light reading of all kinds are thus multiplied, to the exclusion of more valuable books, which sell slowly; and in consequence, an entire nation becomes infected with the depraved appetite of mawkish school-girls. But these novels must be printed at the lowest rate; for being unprotected, some one will bring them out as cheaply as possible, and he who does so command the market. Thus book-making becomes a mean and debased art; and books are crowded upon the public, at prices merely nominal; having much the appearance, and sharing the fate, of newspapers, which perish in the using. At the same time, these worthless books affect the prices of all books. Valuable works required for libraries must be printed with the least possible investment of capital, or not printed at all. If any one undertakes such publications, he must stint the editor, shave the papermaker, grind the printer, starve the stitchers, and make the binder slight his work. This is the kind of "living" which the report of Congress says is furnished to thousands of persons by the republishing of English works; and such it must be, where every publisher has to make books to sell. The books thus published are dear at any price; and the best works do not get before the public at all. No choice American editions can be found of Burke, of Gibbon, of Hume, or even of Robertson, the historian of the continent; but if one imports such an edition, he finds himself taxed at the Custom-house to pay for the miserable thing he refuses. You look in vain for an edition of Jeremy Taylor; and if you import that of Bishop Heber, you pay a guinea to the Customs to sustain the privilege of American publishers to publish it if they choose. The writings of Lord Clarendon cannot be had in an American edition; your importation is taxed, because at some future day it may be convenient for some one to get up the whole in one volume. The same is the case with the whole works of Milton, of Dryden, and many others quite as essential to libraries: but the case is still more provoking with the better class of modern works, such, for instance, as Alison's "History of Europe." Under a copyright law, it could be published in New York from the English plates, and sold almost as cheap as the poor affair now in the market, which cannot be better, because it would be immediately ruined by a less expensive rival reprint. Yet, if I import a copy, to save my eyesight, I must pay for refusing this. Thus every time an American buys a foreign book – and such books are bought by thousands – he is paying for the broad privilege of booksellers to make the books they import; a privilege which they do not in general care to use, except in the case of new and chiefly ephemeral works.

      Cheap books are now furnished, because the manufacturers dread competition; but better books, for the same money, will be readily supplied when the publisher has the market to himself, and fears no competitor. You remember the article on Copyright, which appeared in Blackwood in January 1842, in which it is noticed that Campbell's "Pleasures of Hope" sells at a shilling; that Moore, Wordsworth, and Southey, are handsomely published at three shillings and sixpence a volume; and that such a work as "Hallam's Middle Ages," is as cheap in the London market as books can be made: yet all these pay their authors, and are published in cheap editions, because they find it for their interest. Under a community of copyright, the plates of these very editions would be sent to New York, and the works would be in the market at a slight advance upon the cost of press-work and paper – the latter item being much less expensive here than in England.

      But the nation pays for its cheap books more dearly still, when you consider the effect of its present system upon its literary men. It forces this class of its citizens to "make brick without straw." For the reasons I have shown, the books from which authors collect their materials are not to be found at home, and can only be imported at an aggravated expense, and often with great delays and trouble. Think of my waiting ninety days in New York, to procure a work like "Lord Clarendon's History of the Rebellion!" Now, I hazard nothing in saying that many an American author has given up projected works of great importance, from the discouragement of similar delays; whilst proofs are manifold, that the chief defects of valuable works actually produced in America may be traced to such inconveniences. The patient author often confesses as much in his preface, without seeming to know that his country, in stimulating the almost exclusive, publication of trash, and taxing him to support such publications, is the fostering patron to which he owes his difficulties. Thus does America nip her young genius in the bud; and when it perchance comes to flower and fruit, she is not behind-hand with a blight. The unknown production of the American author is brought into a depressing competition with works which have been tried in England, and found certain of success in America. The popular British author, whom the public have long demanded, is furnished at the lowest price – while the yet unheard-of native aspirant, who can only hope for a limited patronage, an cannot dispense with his copyright, must of course be paid more. Whilst all the poems of Mr Tennyson, or his betters, maybe had for a dollar, the maiden effort of an American youth cannot be furnished for much less. Of course, his country has crushed her child, under the weight of an unnatural disadvantage; and in proportion as he is worth any thing, the chances are less that he will persevere against such odds. I know of a man of sterling genius, whose early writings attracted the notice of Maga, who has long since ceased to write for the public, in consequence of the evils I now depict. His country may thank herself that he has not taken rank with the first English authors of his class. But the same system which thus deprives American authors of natural patronage, destroys their chances abroad. Until their own country relieves them, by putting foreign works on a level with theirs as to chance of success, England gives them no copyright, and they cannot get aid from her as heretofore. Cooper and Irving were encouraged by England under a different state of things; and it is safe to say, that under present circumstances there will be no more Irvings and Coopers. I am surprised that American scholars submit with such equanimity to grievances under which genius must languish and emulation dies.

      I have now in my mind the case of a man of learning – whom I should rejoice to name – of whom this country might well be proud, but whom she hardly knows; a man, of whom I venture to say, that had he been born an Englishman, he would have bequeathed his country another immortal name. He would have done as much to ennoble his native land, had she known how to foster instead of depressing his early enthusiasm. With a mind fitted for the deepest and most accurate research, and an education, of which the perfection is attributable to his natural love of learning, he undertook, in the prime of life, to accomplish a certain literary work, still a desideratum. With untiring zeal and diligence under many discouragements, he devoted to his grand design the best years of his manhood. In the collection of materials – doubly difficult by reason of the evils of which I have spoken – he spent much time, and exhausted his patrimony. After gathering a noble store, and traversing the ocean to perfect his acquirements in foreign libraries, he at length completed his task, and laid before competent СКАЧАТЬ