The Black Dwarf. Вальтер Скотт

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СКАЧАТЬ to her father’s family, as it was in his nature to show to any, yet they were always obliged to be very cautious in their deportment towards him. One day, having gone to visit him with another lady, he took them through his garden, and was showing them, with much pride and good-humour, all his rich and tastefully assorted borders, when they happened to stop near a plot of cabbages which had been somewhat injured by the caterpillars. Davie, observing one of the ladies smile, instantly assumed his savage, scowling aspect, rushed among the cabbages, and dashed them to pieces with his KENT, exclaiming, ‘I hate the worms, for they mock me!’

      “Another lady, likewise a friend and old acquaintance of his, very unintentionally gave David mortal offence on a similar occasion. Throwing back his jealous glance as he was ushering her into his garden, he fancied he observed her spit, and exclaimed, with great ferocity, ‘Am I a toad, woman! that ye spit at me – that ye spit at me?’ and without listening to any answer or excuse, drove her out of his garden with imprecations and insult. When irritated by persons for whom he entertained little respect, his misanthropy displayed itself in words, and sometimes in actions, of still greater rudeness; and he used on such occasions the most unusual and singularly savage imprecations and threats.” [SCOTS MAGAZINE, vol. lxxx. p.207.]

      Nature maintains a certain balance of good and evil in all her works; and there is no state perhaps so utterly desolate, which does not possess some source of gratification peculiar to itself, This poor man, whose misanthropy was founded in a sense on his own preternatural deformity, had yet his own particular enjoyments. Driven into solitude, he became an admirer of the beauties of nature. His garden, which he sedulously cultivated, and from a piece of wild moorland made a very productive spot, was his pride and his delight; but he was also an admirer of more natural beauty: the soft sweep of the green hill, the bubbling of a clear fountain, or the complexities of a wild thicket, were scenes on which he often gazed for hours, and, as he said, with inexpressible delight. It was perhaps for this reason that he was fond of Shenstone’s pastorals, and some parts of PARADISE LOST. The author has heard his most unmusical voice repeat the celebrated description of Paradise, which he seemed fully to appreciate. His other studies were of a different cast, chiefly polemical. He never went to the parish church, and was therefore suspected of entertaining heterodox opinions, though his objection was probably to the concourse of spectators, to whom he must have exposed his unseemly deformity. He spoke of a future state with intense feeling, and even with tears. He expressed disgust at the idea, of his remains being mixed with the common rubbish, as he called it, of the churchyard, and selected with his usual taste a beautiful and wild spot in the glen where he had his hermitage, in which to take his last repose. He changed his mind, however, and was finally interred in the common burial-ground of Manor parish.

      The author has invested Wise Elshie with some qualities which made him appear, in the eyes of the vulgar, a man possessed of supernatural power. Common fame paid David Ritchie a similar compliment, for some of the poor and ignorant, as well as all the children, in the neighbourhood, held him to be what is called uncanny. He himself did not altogether discourage the idea; it enlarged his very limited circle of power, and in so far gratified his conceit; and it soothed his misanthropy, by increasing his means of giving terror or pain. But even in a rude Scottish glen thirty years back, the fear of sorcery was very much out of date.

      David Ritchie affected to frequent solitary scenes, especially such as were supposed to be haunted, and valued himself upon his courage in doing so. To be sure he had little chance of meeting anything more ugly than himself. At heart, he was superstitious, and planted many rowans (mountain ashes) around his hut, as a certain defence against necromancy. For the same reason, doubtless, he desired to have rowan-trees set above his grave.

      We have stated that David Ritchie loved objects of natural beauty. His only living favourites were a dog and a cat, to which he was particularly attached, and his bees, which he treated with great care. He took a sister, latterly, to live in a hut adjacent to his own, but he did not permit her to enter it. She was weak in intellect, but not deformed in person; simple, or rather silly, but not, like her brother, sullen or bizarre. David was never affectionate to her; it was not in his nature; but he endured her. He maintained himself and her by the sale of the product of their garden and bee-hives; and, latterly, they had a small allowance from the parish. Indeed, in the simple and patriarchal state in which the country then was, persons in the situation of David and his sister were sure to be supported. They had only to apply to the next gentleman or respectable farmer, and were sure to find them equally ready and willing to supply their very moderate wants. David often received gratuities from strangers, which he never asked, never refused, and never seemed to consider as an obligation. He had a right, indeed, to regard himself as one of Nature’s paupers, to whom she gave a title to be maintained by his kind, even by that deformity which closed against him all ordinary ways of supporting himself by his own labour. Besides, a bag was suspended in the mill for David Ritchie’s benefit; and those who were carrying home a melder of meal, seldom failed to add a GOWPEN [Handful] to the alms-bag of the deformed cripple. In short, David had no occasion for money, save to purchase snuff, his only luxury, in which he indulged himself liberally. When he died, in the beginning of the present century, he was found to have hoarded about twenty pounds, a habit very consistent with his disposition; for wealth is power, and power was what David Ritchie desired to possess, as a compensation for his exclusion from human society.

      His sister survived till the publication of the tale to which this brief notice forms the introduction; and the author is sorry to learn that a sort of “local sympathy,” and the curiosity then expressed concerning the Author of WAVERLEY and the subjects of his Novels, exposed the poor woman to enquiries which gave her pain. When pressed about her brother’s peculiarities, she asked, in her turn, why they would not permit the dead to rest? To others, who pressed for some account of her parents, she answered in the same tone of feeling.

      The author saw this poor, and, it may be said, unhappy man, in autumn 1797 being then, as he has the happiness still to remain, connected by ties of intimate friendship with the family of the venerable Dr. Adam Fergusson, the philosopher and historian, who then resided at the mansion-house of Halyards, in the vale of Manor, about a mile from Ritchie’s hermitage, the author was upon a visit at Halyards, which lasted for several days, and was made acquainted with this singular anchorite, whom Dr. Fergusson considered as an extraordinary character, and whom he assisted in various ways, particularly by the occasional loan of books. Though the taste of the philosopher and the poor peasant did not, it may be supposed, always correspond, [I remember David was particularly anxious to see a book, which he called, I think, LETTERS TO ELECT LADIES, and which, he said, was the best composition he had ever read; but Dr. Fergusson’s library did not supply the volume.] Dr. Fergusson considered him as a man of a powerful capacity and original ideas, but whose mind was thrown off its just bias by a predominant degree of self-love and self-opinion, galled by the sense of ridicule and contempt, and avenging itself upon society, in idea at least, by a gloomy misanthropy.

      David Ritchie, besides the utter obscurity of his life while in existence, had been dead for many years, when it occurred to the author that such a character might be made a powerful agent in fictitious narrative. He, accordingly, sketched that of Elshie of the Mucklestane-Moor. The story was intended to be longer, and the catastrophe more artificially brought out; but a friendly critic, to whose opinion I subjected the work in its progress, was of opinion, that the idea of the Solitary was of a kind too revolting, and more likely to disgust than to interest the reader. As I had good right to consider my adviser as an excellent judge of public opinion, I got off my subject by hastening the story to an end, as fast as it was possible; and, by huddling into one volume, a tale which was designed to occupy two, have perhaps produced a narrative as much disproportioned and distorted, as the Black Dwarf who is its subject.

      III. THE BLACK DWARF

      CHAPTER I

PRELIMINARY

      Hast any philosophy in thee, Shepherd? – AS YOU LIKE IT.

      It was a fine April morning (excepting that it had snowed hard the night СКАЧАТЬ