Original Short Stories – Volume 01. Guy de Maupassant

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СКАЧАТЬ Flaubert slashed, pulverized, the awkward attempts of his pupil whose success remained uncertain.

      Suddenly, in a flight of spontaneous perfection, he wrote Boule de Suif. His master's joy was great and overwhelming. He died two months later.

      Until the end Maupassant remained illuminated by the reflection of the good, vanished giant, by that touching reflection that comes from the dead to those souls they have so profoundly stirred. The worship of Flaubert was a religion from which nothing could distract him, neither work, nor glory, nor slow moving waves, nor balmy nights.

      At the end of his short life, while his mind was still clear: he wrote to a friend: "I am always thinking of my poor Flaubert, and I say to myself that I should like to die if I were sure that anyone would think of me in the same manner."

      During these long years of his novitiate Maupassant had entered the social literary circles. He would remain silent, preoccupied; and if anyone, astonished at his silence, asked him about his plans he answered simply: "I am learning my trade." However, under the pseudonym of Guy de Valmont, he had sent some articles to the newspapers, and, later, with the approval and by the advice of Flaubert, he published, in the "Republique des Lettres," poems signed by his name.

      These poems, overflowing with sensuality, where the hymn to the Earth describes the transports of physical possession, where the impatience of love expresses itself in loud melancholy appeals like the calls of animals in the spring nights, are valuable chiefly inasmuch as they reveal the creature of instinct, the fawn escaped from his native forests, that Maupassant was in his early youth. But they add nothing to his glory. They are the "rhymes of a prose writer" as Jules Lemaitre said. To mould the expression of his thought according to the strictest laws, and to "narrow it down" to some extent, such was his aim. Following the example of one of his comrades of Medan, being readily carried away by precision of style and the rhythm of sentences, by the imperious rule of the ballad, of the pantoum or the chant royal, Maupassant also desired to write in metrical lines. However, he never liked this collection that he often regretted having published. His encounters with prosody had left him with that monotonous weariness that the horseman and the fencer feel after a period in the riding school, or a bout with the foils.

      Such, in very broad lines, is the story of Maupassant's literary apprenticeship.

      The day following the publication of "Boule de Suif," his reputation began to grow rapidly. The quality of his story was unrivalled, but at the same time it must be acknowledged that there were some who, for the sake of discussion, desired to place a young reputation in opposition to the triumphant brutality of Zola.

      From this time on, Maupassant, at the solicitation of the entire press, set to work and wrote story after story. His talent, free from all influences, his individuality, are not disputed for a moment. With a quick step, steady and alert, he advanced to fame, a fame of which he himself was not aware, but which was so universal, that no contemporary author during his life ever experienced the same. The "meteor" sent out its light and its rays were prolonged without limit, in article after article, volume on volume.

      He was now rich and famous… He is esteemed all the more as they believe him to be rich and happy. But they do not know that this young fellow with the sunburnt face, thick neck and salient muscles whom they invariably compare to a young bull at liberty, and whose love affairs they whisper, is ill, very ill. At the very moment that success came to him, the malady that never afterwards left him came also, and, seated motionless at his side, gazed at him with its threatening countenance. He suffered from terrible headaches, followed by nights of insomnia. He had nervous attacks, which he soothed with narcotics and anesthetics, which he used freely. His sight, which had troubled him at intervals, became affected, and a celebrated oculist spoke of abnormality, asymmetry of the pupils. The famous young man trembled in secret and was haunted by all kinds of terrors.

      The reader is charmed at the saneness of this revived art and yet, here and there, he is surprised to discover, amid descriptions of nature that are full of humanity, disquieting flights towards the supernatural, distressing conjurations, veiled at first, of the most commonplace, the most vertiginous shuddering fits of fear, as old as the world and as eternal as the unknown. But, instead of being alarmed, he thinks that the author must be gifted with infallible intuition to follow out thus the taints in his characters, even through their most dangerous mazes. The reader does not know that these hallucinations which he describes so minutely were experienced by Maupassant himself; he does not know that the fear is in himself, the anguish of fear "which is not caused by the presence of danger, or of inevitable death, but by certain abnormal conditions, by certain mysterious influences in presence of vague dangers," the "fear of fear, the dread of that horrible sensation of incomprehensible terror."

      How can one explain these physical sufferings and this morbid distress that were known for some time to his intimates alone? Alas! the explanation is only too simple. All his life, consciously or unconsciously, Maupassant fought this malady, hidden as yet, which was latent in him.

      As his malady began to take a more definite form, he turned his steps towards the south, only visiting Paris to see his physicians and publishers. In the old port of Antibes beyond the causeway of Cannes, his yacht, Bel Ami, which he cherished as a brother, lay at anchor and awaited him. He took it to the white cities of the Genoese Gulf, towards the palm trees of Hyeres, or the red bay trees of Antheor.

      After several tragic weeks in which, from instinct, he made a desperate fight, on the 1st of January, 1892, he felt he was hopelessly vanquished, and in a moment of supreme clearness of intellect, like Gerard de Nerval, he attempted suicide. Less fortunate than the author of Sylvia, he was unsuccessful. But his mind, henceforth "indifferent to all unhappiness," had entered into eternal darkness.

      He was taken back to Paris and placed in Dr. Meuriot's sanatorium, where, after eighteen months of mechanical existence, the "meteor" quietly passed away.

      BOULE DE SUIF

      For several days in succession fragments of a defeated army had passed through the town. They were mere disorganized bands, not disciplined forces. The men wore long, dirty beards and tattered uniforms; they advanced in listless fashion, without a flag, without a leader. All seemed exhausted, worn out, incapable of thought or resolve, marching onward merely by force of habit, and dropping to the ground with fatigue the moment they halted. One saw, in particular, many enlisted men, peaceful citizens, men who lived quietly on their income, bending beneath the weight of their rifles; and little active volunteers, easily frightened but full of enthusiasm, as eager to attack as they were ready to take to flight; and amid these, a sprinkling of red-breeched soldiers, the pitiful remnant of a division cut down in a great battle; somber artillerymen, side by side with nondescript foot-soldiers; and, here and there, the gleaming helmet of a heavy-footed dragoon who had difficulty in keeping up with the quicker pace of the soldiers of the line. Legions of irregulars with high-sounding names "Avengers of Defeat," "Citizens of the Tomb," "Brethren in Death" – passed in their turn, looking like banditti. Their leaders, former drapers or grain merchants, or tallow or soap chandlers – warriors by force of circumstances, officers by reason of their mustachios or their money – covered with weapons, flannel and gold lace, spoke in an impressive manner, discussed plans of campaign, and behaved as though they alone bore the fortunes of dying France on their braggart shoulders; though, in truth, they frequently were afraid of their own men – scoundrels often brave beyond measure, but pillagers and debauchees.

      Rumor had it that the Prussians were about to enter Rouen.

      The members of the National Guard, who for the past two months had been reconnoitering with the utmost caution in the neighboring woods, occasionally shooting their own sentinels, and making ready for fight whenever a rabbit rustled in the undergrowth, had now returned to their homes. Their arms, their uniforms, all the death-dealing paraphernalia with which they had terrified all the milestones along the highroad for eight miles round, had suddenly and marvellously disappeared.

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