Sketches by Boz, Illustrative of Every-Day Life and Every-Day People. Чарльз Диккенс

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СКАЧАТЬ sat down by the head of the sofa, but said nothing, for we saw the breath of life was passing gently but rapidly from the young form before us. At every respiration, his heart beat more slowly.

      The boy placed one hand in ours, grasped his mother’s arm with the other, drew her hastily towards him, and fervently kissed her cheek. There was a pause. He sunk back upon his pillow, and looked long and earnestly in his mother’s face.

      ‘William, William!’ murmured the mother, after a long interval, ‘don’t look at me so – speak to me, dear!’

      The boy smiled languidly, but an instant afterwards his features resolved into the same cold, solemn gaze.

      ‘William, dear William! rouse yourself; don’t look at me so, love – pray don’t! Oh, my God! what shall I do!’ cried the widow, clasping her hands in agony – ‘my dear boy! he is dying!’ The boy raised himself by a violent effort, and folded his hands together – ‘Mother! dear, dear mother, bury me in the open fields – anywhere but in these dreadful streets. I should like to be where you can see my grave, but not in these close crowded streets; they have killed me; kiss me again, mother; put your arm round my neck – ’

      He fell back, and a strange expression stole upon his features; not of pain or suffering, but an indescribable fixing of every line and muscle.

      The boy was dead.

      SCENES

      CHAPTER I – THE STREETS – MORNING

      The appearance presented by the streets of London an hour before sunrise, on a summer’s morning, is most striking even to the few whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, cause them to be well acquainted with the scene. There is an air of cold, solitary desolation about the noiseless streets which we are accustomed to see thronged at other times by a busy, eager crowd, and over the quiet, closely-shut buildings, which throughout the day are swarming with life and bustle, that is very impressive.

      The last drunken man, who shall find his way home before sunlight, has just staggered heavily along, roaring out the burden of the drinking song of the previous night: the last houseless vagrant whom penury and police have left in the streets, has coiled up his chilly limbs in some paved comer, to dream of food and warmth. The drunken, the dissipated, and the wretched have disappeared; the more sober and orderly part of the population have not yet awakened to the labours of the day, and the stillness of death is over the streets; its very hue seems to be imparted to them, cold and lifeless as they look in the grey, sombre light of daybreak. The coach-stands in the larger thoroughfares are deserted: the night-houses are closed; and the chosen promenades of profligate misery are empty.

      An occasional policeman may alone be seen at the street corners, listlessly gazing on the deserted prospect before him; and now and then a rakish-looking cat runs stealthily across the road and descends his own area with as much caution and slyness – bounding first on the water-butt, then on the dust-hole, and then alighting on the flag-stones – as if he were conscious that his character depended on his gallantry of the preceding night escaping public observation. A partially opened bedroom-window here and there, bespeaks the heat of the weather, and the uneasy slumbers of its occupant; and the dim scanty flicker of the rushlight, through the window-blind, denotes the chamber of watching or sickness. With these few exceptions, the streets present no signs of life, nor the houses of habitation.

      An hour wears away; the spires of the churches and roofs of the principal buildings are faintly tinged with the light of the rising sun; and the streets, by almost imperceptible degrees, begin to resume their bustle and animation. Market-carts roll slowly along: the sleepy waggoner impatiently urging on his tired horses, or vainly endeavouring to awaken the boy, who, luxuriously stretched on the top of the fruit-baskets, forgets, in happy oblivion, his long-cherished curiosity to behold the wonders of London.

      Rough, sleepy-looking animals of strange appearance, something between ostlers and hackney-coachmen, begin to take down the shutters of early public-houses; and little deal tables, with the ordinary preparations for a street breakfast, make their appearance at the customary stations. Numbers of men and women (principally the latter), carrying upon their heads heavy baskets of fruit, toil down the park side of Piccadilly, on their way to Covent-garden, and, following each other in rapid succession, form a long straggling line from thence to the turn of the road at Knightsbridge.

      Here and there, a bricklayer’s labourer, with the day’s dinner tied up in a handkerchief, walks briskly to his work, and occasionally a little knot of three or four schoolboys on a stolen bathing expedition rattle merrily over the pavement, their boisterous mirth contrasting forcibly with the demeanour of the little sweep, who, having knocked and rung till his arm aches, and being interdicted by a merciful legislature from endangering his lungs by calling out, sits patiently down on the door-step, until the housemaid may happen to awake.

      Covent-garden market, and the avenues leading to it, are thronged with carts of all sorts, sizes, and descriptions, from the heavy lumbering waggon, with its four stout horses, to the jingling costermonger’s cart, with its consumptive donkey. The pavement is already strewed with decayed cabbage-leaves, broken hay-bands, and all the indescribable litter of a vegetable market; men are shouting, carts backing, horses neighing, boys fighting, basket-women talking, piemen expatiating on the excellence of their pastry, and donkeys braying. These and a hundred other sounds form a compound discordant enough to a Londoner’s ears, and remarkably disagreeable to those of country gentlemen who are sleeping at the Hummums for the first time.

      Another hour passes away, and the day begins in good earnest. The servant of all work, who, under the plea of sleeping very soundly, has utterly disregarded ‘Missis’s’ ringing for half an hour previously, is warned by Master (whom Missis has sent up in his drapery to the landing-place for that purpose), that it’s half-past six, whereupon she awakes all of a sudden, with well-feigned astonishment, and goes down-stairs very sulkily, wishing, while she strikes a light, that the principle of spontaneous combustion would extend itself to coals and kitchen range. When the fire is lighted, she opens the street-door to take in the milk, when, by the most singular coincidence in the world, she discovers that the servant next door has just taken in her milk too, and that Mr. Todd’s young man over the way, is, by an equally extraordinary chance, taking down his master’s shutters. The inevitable consequence is, that she just steps, milk-jug in hand, as far as next door, just to say ‘good morning’ to Betsy Clark, and that Mr. Todd’s young man just steps over the way to say ‘good morning’ to both of ’em; and as the aforesaid Mr. Todd’s young man is almost as good-looking and fascinating as the baker himself, the conversation quickly becomes very interesting, and probably would become more so, if Betsy Clark’s Missis, who always will be a-followin’ her about, didn’t give an angry tap at her bedroom window, on which Mr. Todd’s young man tries to whistle coolly, as he goes back to his shop much faster than he came from it; and the two girls run back to their respective places, and shut their street-doors with surprising softness, each of them poking their heads out of the front parlour window, a minute afterwards, however, ostensibly with the view of looking at the mail which just then passes by, but really for the purpose of catching another glimpse of Mr. Todd’s young man, who being fond of mails, but more of females, takes a short look at the mails, and a long look at the girls, much to the satisfaction of all parties concerned.

      The mail itself goes on to the coach-office in due course, and the passengers who are going out by the early coach, stare with astonishment at the passengers who are coming in by the early coach, who look blue and dismal, and are evidently under the influence of that odd feeling produced by travelling, which makes the events of yesterday morning seem as if they had happened at least six months ago, and induces people to wonder with considerable gravity whether the friends and relations they took leave of a fortnight before, have altered much since they have left them. The coach-office is all alive, and СКАЧАТЬ