Under One Flag. Marsh Richard

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      "Is it possible that he is known to you under some different name? Tell me, what friends have you?"

      The singularity of the request did not seem to occur to Lizzie. The reply came as promptly as if the question had been a commonplace.

      "Friends? Do you mean fellows? The only fellow that ever was a friend to me, and he's only a sort of a one, is Joe Mason, what's carpenter up at the theatre; he's no earl. Ask yourself the question-do I look the sort of girl an earl would take up with?"

      Miss Graham felt that she did not-had felt so all along; not although the earl was possessed of such peculiar tastes as was the one in question.

      "You might look different on the stage-one can make oneself look like anything there."

      "I might and I mightn't. As far as I know no one ever took me for a beauty even on the stage, not even Joe Mason."

      The girl's eyes twinkled with laughter, as if the bare possibility of such a thing struck her as comical. Her visitor returned to the fireplace. She made a little troubled movement with her hands.

      "I wish you would be frank with me. You must know something of him, even if you don't know him, else how came your name and address to be in his pocket, and why should he claim your acquaintance?"

      "It beats me fair, it does. I never gave it him, that's certain. There's a muddle somewhere."

      "Is there anyone else of your name at the theatre?"

      "If there is I never heard of it, and I've been there now getting on for two years. There's no one else of that name in the ballet, that I do know."

      "Have you ever acted for him as a go-between? Just think! I'll tell you what he looks like. He's quite young, only twenty-two; short, rather stout, light hair parted on the side, no moustache, red face, blue eyes; and when he's at all excited he speaks as if he had a plum in his mouth."

      Lizzie shook her head.

      "If he's like what you say he's not a beauty, but, so far as I know, I never set eyes on him; and as for being a go-between, either for him or for anybody else, I'd scorn to do it."

      Agnes Graham's glance returned to the empty grate. She seemed to be reflecting.

      "I believe you. You sound honest, and you look it. But that there's a mystery somewhere I'm persuaded. I'm in a desperate strait, and I want you to do something for me. I'll pay you for it well."

      "I don't want your pay."

      The other went on unheeding.

      "I want you to use your eyes, and to find out who it is at the Cerulean he is after. That there is someone I have the best of reasons for knowing. When you have found out I want you to tell me. And if you won't do it for pay, do it out of kindness."

      Lizzie hesitated.

      "I'm not fond of spying, and I'm not fond of them as is, but as he don't seem to be using you well, if I do find out who he's playing it off with-though, mind you, I don't see how I'm going to-still, as I say, if I should happen to find out, why, I'll tell you, straight!"

      "Thank you."

      Agnes Graham held out her hand, in order that, by grasping it, the girl might ratify the bargain. And she did.

      When she was again alone, Liz Emmett was lost in wonder. As she had said, she also was a dreamer and, as became a dreamer, had her heroes and her heroines. Theatrical heroines hers, for the most part, were; not, that is, the creations of the dramatist's fancy, but their flesh-and-blood enactors. The popular actress was the ideal creature of her waking visions. Who, on the contemporary stage, was more popular, in her own line, than Agnes Graham? There was a time when Lizzie had been more than half inclined to bate her voice when uttering her name. Even to this hour she had regarded her with a kind of reverence. Now this idol, whom the public voice had set upon such a lofty pedestal, had actually been to visit her; had come unceremoniously into her room and filled it with her presence, with, for purpose, such an errand.

      The errand was not the least strange part of this strange happening. Agnes Graham, famous as she was beautiful, in the theatrical firmament a bright particular star, had supposed that she, Lizzie Emmett, was her rival for the heart, and possibly the hand, of an earl; a belted earl, as she remembered to have seen it printed somewhere. The thing was most confounding. How could such a notion have got into the air?

      Lizzie, taking down the oblong shilling mirror from the nail on which it hung, surveyed her face in it relentlessly. She was conscious of her imperfections, and indifferent to them. She had supple limbs, was fairly quick upon her feet, sufficiently smart at rehearsals, equal to the average figurante. She was aware that, when so much was said, about all was said. She had neither good looks nor cleverness, was no scholar, nor wished to be, had a rough tongue, a quick temper, and a clumsy, if a willing, hand. And Agnes Graham had imagined that she had out-distanced her in the affections of a belted earl! Was ever idea more ludicrous? As the ridiculous side struck Lizzie she began to laugh; she continued laughing till her merriment threatened to become hysterical.

      As it approached a climax she caught sight of the package which she had thrown upon the bed. She checked herself.

      "Then there was that foreign bloke. I wonder what rubbish is in that paper of his."

      Putting down the looking-glass, she took up the parcel. She cut it open with her scissors with a contemptuous air. Inside was a leather case. She paused to examine it. She had seen others like it in the windows of jewellers' shops. Pressing a spring, the top flew open. As it did so she gave a sort of gasp. On a bed of satin reposed a necklace of shimmering crystals. They gleamed and glistened like drops of dew. The pupils of her eyes dilated. She spoke in a whisper.

      "Diamonds? They can't be diamonds?" She had seen diamonds in shop windows and on other women. "They can't be real."

      Suddenly she gave utterance to an exclamation which the squeamish would have called an oath and a vulgarity. Presently she joined to it a snatch from the slang of the streets.

      "This cops the biscuit."

      She was staring, with wide-open eyes, at a strip of pasteboard which was in the centre of the necklace, so that it was surrounded by a stream of light. It was a gentleman's visiting-card. On it was engraved "Earl of Bermondsey." She glared at it, as if she fancied that her seeing sense must be playing her tricks. Her voice, when she spoke, was vibrant; in it there was a curious ringing.

      "Well, if this don't take the blooming barrowful, straight it does. 'Earl of Bermondsey'! If that ain't the bloke she was a-talking of. If this ain't a case of Queer Street, I'm a daisy!"

      She picked the card up between her finger and thumb gingerly, as if she was afraid it might burn her. She turned it over; on the reverse something was scribbled in pencil. Not being skilled in reading illegible handwriting, it was with difficulty she deciphered it: "With Mr Jack Smith's compliments."

      "And who may Mr Jack Smith be, I'd like to know, when he's at home. Anyhow, one thing's certain sure, this little lot ain't meant for me. I don't know nothing about no Jack Smith, nor yet about no Earl of Bermondsey neither, and I don't want to; and as for oily foreigners, I can't abide 'em. I'll just take the entire boiling to Miss Graham. Perhaps she'll be able to twig the bloke's little lay; it's more than I can."

      II

      Lizzie Emmett had already departed some time when fresh visitors made an unceremonious СКАЧАТЬ