Название: Toby Tyler: or, Ten Weeks with a Circus
Автор: Otis James
Издательство: Public Domain
Жанр: Зарубежная классика
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Just at this point, as if in answer to the question, the monkey stood up on his hind-feet, and reached out his paw to the boy, who seemed to think this was his way of being more emphatic in saying "Yes."
Toby took the paw in his hand, shook it again earnestly, and said, as he released it, "I was pretty sure you felt just about the same way I did, Mr. Stubbs, when I passed you this noon. Look here" – and Toby took the money from his pocket which had been given him – "I got all that this afternoon, an' I'll try an' stick it out somehow till I get as much as ten dollars, an' then we'll run away some night, an' go 'way off as far as – as – as out West; an' we'll stay there too."
The monkey, probably tired with remaining in one position so long, started toward the top of the cage, chattering and screaming, joining the other monkeys, who had gathered in a little group in one of the swings.
"Now see here, Mr. Stubbs," said Toby, in alarm, "you mustn't go to telling everybody about it, or Mr. Lord will know, an' then we'll be dished, sure."
The monkey sat quietly in the swing, as if he felt reproved by what the boy had said; and Toby, considerably relieved by his silence, said, as he started toward the door, "That's right – mum's the word; you keep quiet, an' so will I, an' pretty soon we'll get away from the whole crowd."
All the monkeys chattered; and Toby, believing that everything which he had said had been understood by the animals, went out of the door to meet his other taskmaster.
Chapter VI.
A TENDER-HEARTED SKELETON
"Now, then, lazy-bones," was Mr. Lord's warning cry as Toby came out of the tent, "if you've fooled away enough of your time, you can come here an' tend shop for me while I go to supper. You crammed yourself this noon, an' it'll teach you a good lesson to make you go without anything to eat to-night; it'll make you move round more lively in future."
Instead of becoming accustomed to such treatment as he was receiving from his employers, Toby's heart grew more tender with each brutal word, and this last punishment – that of losing his supper – caused the poor boy more sorrow than blows would. Mr. Lord started for the hotel as he concluded his cruel speech; and poor little Toby, going behind the counter, leaned his head upon the rough boards and cried as if his heart would break.
All the fancied brightness and pleasure of a circus life had vanished, and in its place was the bitterness of remorse that he had repaid Uncle Daniel's kindness by the ingratitude of running away. Toby thought that if he could only nestle his little red head on the pillows of his little bed in that rough room at Uncle Daniel's, he would be the happiest and best boy, in the future, in all the great wide world.
While he was still sobbing away at a most furious rate he heard a voice close at his elbow, and, looking up, saw the thinnest man he had ever seen in all his life. The man had flesh-colored tights on, and a spangled red velvet garment – that was neither pants, because there were no legs to it, nor a coat, because it did not come above his waist – made up the remainder of his costume. Because he was so wonderfully thin, because of the costume which he wore, and because of a highly colored painting which was hanging in front of one of the small tents, Toby knew that the Living Skeleton was before him, and his big brown eyes opened all the wider as he gazed at him.
"What is the matter, little fellow?" asked the man, in a kindly tone. "What makes you cry so? Has Job been up to his old tricks again?"
"I don't know what his old tricks are" – and Toby sobbed, the tears coming again because of the sympathy which this man's voice expressed for him – "but I know that he's a mean, ugly thing – that's what I know; an' if I could only get back to Uncle Dan'l, there hain't elephants enough in all the circuses in the world to pull me away again."
"Oh, you run away from home, did you?"
"Yes, I did," sobbed Toby, "an' there hain't any boy in any Sunday-school book that ever I read that was half so sorry he'd been bad as I am. It's awful; an' now I can't have any supper, 'cause I stopped to talk with Mr. Stubbs."
"Is Mr. Stubbs one of your friends?" asked the skeleton as he seated himself in Mr. Lord's own private chair.
"Yes, he is, an' he's the only one in this whole circus who 'pears to be sorry for me. You'd better not let Mr. Lord see you sittin' in that chair, or he'll raise a row."
"Job won't raise any row with me," said the skeleton. "But who is this Mr. Stubbs? I don't seem to know anybody by that name."
"I don't think that is his name. I only call him so, 'cause he looks so much like a feller I know who is named Stubbs."
This satisfied the skeleton that this Mr. Stubbs must be some one attached to the show, and he asked,
"Has Job been whipping you?"
"No; Ben, the driver on the wagon where I ride, told him not to do that again; but he hain't going to let me have any supper, 'cause I was so slow about my work – though I wasn't slow; I only talked to Mr. Stubbs when there wasn't anybody round his cage."
"Sam! Sam! Sam-u-el!"
This name, which was shouted twice in a quick, loud voice, and the third time in a slow manner, ending almost in a screech, did not come from either Toby or the skeleton, but from an enormously large woman, dressed in a gaudy red-and-black dress, cut very short, and with low neck and an apology for sleeves, who had just come out from the tent whereon the picture of the Living Skeleton hung.
"Samuel," she screamed again, "come inside this minute, or you'll catch your death o' cold, an' I shall have you wheezin' around with the phthisic all night. Come in, Sam-u-el."
"That's her," said the skeleton to Toby, as he pointed his thumb in the direction of the fat woman, but paying no attention to the outcry she was making – "that's my wife Lilly, an' she's the Fat Woman of the show. She's always yellin' after me that way the minute I get out for a little fresh air, an' she's always sayin' just the same thing. Bless you, I never have the phthisic, but she does awful; an' I s'pose 'cause she's so large she can't feel all over her, an' thinks it's me that has it."
"Is – is all that – is that your wife?" stammered Toby, in astonishment, as he looked at the enormously fat woman who stood in the tent door, and then at the wonderfully thin man who sat beside him.
"Yes, that's her," said the skeleton. "She weighs pretty nigh four hundred, though of course the show cards says it's over six hundred, an' she earns almost as much money as I do. Of course she can't get so much, for skeletons is much scarcer than fat folks; but we make a pretty good thing travellin' together."
"Sam-u-el!" again came the cry from the fat woman, "are you never coming in?"
"Not yet, my angel," said the skeleton, placidly, as he crossed one thin leg over the other and looked calmly at her. "Come here an' see Job's new boy."
"Your imprudence is wearin' me away so that I sha'n't be worth five dollars a week to any circus," she said, impatiently, at the same time coming toward the candy stand quite as rapidly as her very great size would admit.
"This is my wife Lilly – Mrs. Treat," said the skeleton, with a proud wave of his hand, as he rose from his seat and gazed admiringly at her. "This is my flower – my queen, Mr. – Mr. – "
"Tyler," said Toby, supplying the name which the skeleton – or Mr. Treat, as Toby now learned his name was – did not know; "Tyler is my name – Toby Tyler."
"Why, СКАЧАТЬ