The Expositor's Bible: The Book of Daniel. Farrar Frederic William

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СКАЧАТЬ lappid, "a torch" (λαμπάς), and a few others, may indicate some early intercourse between Greece and the East, and that some commercial relations of a rudimentary kind were existent even in prehistoric days.63

      But what are we to say of the two other words? Both are derivatives. Psalterion does not occur in Greek before Aristotle (d. 322); nor sumphonia before Plato (d. 347). In relation to music, and probably as the name of a musical instrument, sumphonia is first used by Polybius (xxvi. 10, § 5, xxxi. 4, § 8), and in express connexion with the festivities of the very king with whom the apocalyptic section of Daniel is mainly occupied – Antiochus Epiphanes.64 The attempts of Professor Fuller and others to derive these words from Semitic roots are a desperate resource, and cannot win the assent of a single trained philologist. "These words," says Professor Driver, "could not have been used in the Book of Daniel, unless it had been written after the dissemination of Greek influence in Asia through the conquest of Alexander the Great."65

      2. The Unity of the Book

      The Unity of the Book of Daniel is now generally admitted. No one thought of questioning it in days before the dawn of criticism, but in 1772 Eichhorn and Corrodi doubted the genuineness of the Book. J. D. Michaelis endeavoured to prove that it was "a collection of fugitive pieces," consisting of six historic pictures, followed by four prophetic visions.66 Bertholdt, followed the erroneous tendency of criticism which found a foremost exponent in Ewald, and imagined the possibility of detecting the work of many different hands. He divided the Book into fragments by nine different authors.67

      Zöckler, in Lange's Bibelwerk, persuaded himself that the old "orthodox" views of Hengstenberg and Auberlen were right; but he could only do this by sacrificing the authenticity of parts of the Book, and assuming more than one redaction. Thus he supposes that xi. 5-39 are an interpolation by a writer in the days of Antiochus Epiphanes. Similarly, Lenormant admits interpolations in the first half of the Book. But to concede this is practically to give up the Book of Daniel as it now stands.

      The unity of the Book of Daniel is still admitted or assumed by most critics.68 It has only been recently questioned in two directions.

      Meinhold thinks that the Aramaic and historic sections are older than the rest of the Book, and were written about b. c. 300 to convert the Gentiles to monotheism.69 He argues that the apocalyptic section was written later, and was subsequently incorporated with the Book. A somewhat similar view is held by Zöckler,70 and some have thought that Daniel could never have written of himself in such highly favourable terms as, e. g., in Dan. vi. 4.71 The first chapter, which is essential as an introduction to the Book, and the seventh, which is apocalyptic, and is yet in Aramaic, create objections to the acceptance of this theory. Further, it is impossible not to observe a certain unity of style and parallelism of treatment between the two parts. Thus, if the prophetic section is mainly devoted to Antiochus Epiphanes, the historic section seems to have an allusive bearing on his impious madness. In ii. 10, 11, and vi. 8, we have descriptions of daring Pagan edicts, which might be intended to furnish a contrast with the attempts of Antiochus to suppress the worship of God. The feast of Belshazzar may well be a "reference to the Syrian despot's revelries at Daphne." Again, in ii. 43 – where the mixture of iron and clay is explained by "they shall mingle themselves with the seed of men" – it seems far from improbable that there is a reference to the unhappy intermarriages of Ptolemies and Seleucidæ. Berenice, daughter of Ptolemy II. (Philadelphus), married Antiochus II. (Theos), and this is alluded to in the vision of xi. 6. Cleopatra, daughter of Antiochus III. (the Great), married Ptolemy V. (Epiphanes), which is alluded to in xi. 17.72 The style seems to be stamped throughout with the characteristics of an individual mind, and the most cursory glance suffices to show that the historic and prophetic parts are united by many points of connexion and resemblance. Meinhold is quite unsuccessful in the attempt to prove a sharp contrast of views between the sections. The interchange of persons – the third person being mainly used in the first seven chapters, and the first person in the last five – may be partly due to the final editor; but in any case it may easily be paralleled, and is found in other writers, as in Isaiah (vii. 3, xx. 2) and the Book of Enoch (xii.).

      But it may be said in general that the authenticity of the Book is now rarely defended by any competent critic, except at the cost of abandoning certain sections of it as interpolated additions; and as Mr. Bevan somewhat caustically remarks, "the defenders of Daniel have, during the last few years, been employed chiefly in cutting Daniel to pieces."73

      3. The General Tone of the Book

      The general tone of the Book marks a new era in the education and progress of the Jews. The lessons of the Exile uplifted them from a too narrow and absorbing particularism to a wider interest in the destinies of humanity. They were led to recognise that God "has made of one every nation of men for to dwell on all the face of the earth, having determined their appointed seasons, and the bounds of their habitation; that they should seek God, if haply they might feel after Him, and find Him, though He is not far from each one of us."74 The standpoint of the Book of Daniel is larger and more cosmopolitan in this respect than that of earlier prophecy. Israel had begun to mingle more closely with other nations, and to be a sharer in their destinies. Politically the Hebrew race no longer formed a small though independent kingdom, but was reduced to the position of an entirely insignificant sub-province in a mighty empire. The Messiah is no longer the Son of David, but the Son of Man; no longer only the King of Israel, but of the world. Mankind – not only the seed of Jacob – fills the field of prophetic vision. Amid widening horizons of thought the Jews turned their eyes upon a great past, rich in events, and crowded with the figures of heroes, saints, and sages. At the same time the world seemed to be growing old, and its ever-deepening wickedness seemed to call for some final judgment. We begin to trace in the Hebrew writings the colossal conceptions, the monstrous imagery, the daring conjectures, the more complex religious ideas, of an exotic fancy.75

      "The giant forms of Empires on their way

      To ruin, dim and vast,"

      begin to fling their weird and sombre shadows over the page of sacred history and prophetic anticipation.

      4. The Style of the Book

      The style of the Book of Daniel is new, and has very marked characteristics, indicating its late position in the Canon. It is rhetorical rather than poetic. "Totum Danielis librum," says Lowth, "e poetarum censu excludo."76 How widely does the style differ from the rapt passion and glowing picturesqueness of Isaiah, from the elegiac tenderness of Jeremiah, from the lyrical sweetness of many of the Psalms! How very little does it correspond to the three great requirements of poetry, that it should be, as Milton so finely said, "simple, sensuous, passionate"! A certain artificiality of diction, a sounding oratorical stateliness, enhanced by dignified periphrases and leisurely repetitions, must strike the most casual reader; and this is sometimes carried so far as to make the movement of the narrative heavy and pompous.77 This peculiarity is not found to the same extent in any other book of the Old Testament Canon, but it recurs in the Jewish writings of a later age. From the apocryphal books, for instance, the poetical element is with trifling exceptions, such as the Song of the Three Children, entirely СКАЧАТЬ