The Works of Aphra Behn. Behn Aphra

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СКАЧАТЬ Diggs, and Mrs. Gifford sustained the parts which had been created by Lacy, Mohun, Hart, and Mrs. Corey.

      THE FAIR JILT

      INTRODUCTION

      Although The Fair Jilt was published in 1688, it is interesting to note that ten years earlier, Michaelmas Term, 1678, there is advertised for R. Tonson The Amorous Convert; being a true Relation of what happened in Holland, which may very well be the first sketch of Mrs. Behn’s maturer novel. The fact that she does not ‘pretend here to entertain you with a feign’d story,’ but on the contrary, ‘every circumstance to a tittle is truth’, and that she expressly asserts, ‘To a great part of the main I myself was an eye-witness’, aroused considerable suspicion in Bernbaum as to the veracity of her narration, a suspicion which, when he gravely discovers history to know no such person as her ‘Prince Tarpuin of the race of the last Kings of Rome’, is resolved into a certainty that she is romancing fully and freely throughout. It is surely obvious that such a point does not so much demonstrate Mrs. Behn’s untruthfulness as her consummate art. With all the nice skill of a born novelist she has so mingled fact and fancy, what did occur and what might have been, that any attempt to disentangle the twain would be idle indeed. The passages where she is most insistent upon the due sequence of events, most detailed in observation are not impossibly purely fictional, the incidents related without stress or emphatic assertions are probably enough the plain unvarnished happenings as she witnessed them. That the history is mainly true admits of little question; that Mrs. Behn has heightened and coloured the interest is equally certain.

      The Fair Jilt must be allowed to stand in the very first rank amongst her novels. It has been aptly compared to a novella by Bandello, and is indeed more than worthy of the pen of the good Dominican Bishop of Agen. In all its incidents and motives the story is eternally true. The fateful beauty, playing now the part of Potiphar’s wife, and now the yet commoner rôle of an enchantress whose charms drive men to madness and crime, men who adore her even from their prison cell and are glad to go to a shameful death for her sake, appears in all history, in all literature, nay, in the very newspaper scandals and police courts of to-day. As a picture of untrammelled passion, culpable and corrupt, but yet terribly fascinating in her very recklessness and abandon, Miranda is indeed a powerful study. Always guilty, she is always excused, or if punished but sparingly and little, whilst the friar languishes in a foul dungeon, the page-boy is hanged, her husband stands upon the public scaffold. And then in the end, ‘very penitent for her life past’, she is received with open arms by Tarquin’s old father, who looks upon her as a very angel, and retiring to the tranquility of a country-house she passes her days in ‘as perfect a state of happiness as this troublesome world can afford’.

      TO2

      HENRY PAIN, ESQ;

      Sir,

      Dedications are like Love, and no Man of Wit or Eminence escapes them; early or late, the Affliction of the Poet’s Complement falls upon him; and Men are oblig’d to receive ’em as they do their Wives; For better, for worse; at least with a feign’d Civility.

      It was not Want of Respect, but Fear, that has hitherto made us keep clear of your Judgment, too piercing to be favourable to what is not nicely valuable. We durst not awaken your Criticism; and by begging your Protection in the Front of a Book, give you an Occasion to find nothing to deserve it. Nor can this little History lay a better Claim to that Honour, than those that have not pretended to it; which has but this Merit to recommend it, That it is Truth: Truth, which you so much admire. But ’tis a Truth that entertains you with so many Accidents diverting and moving, that they will need both a Patron, and an Assertor in this incredulous World. For however it may be imagin’d that Poetry (my Talent) has so greatly the Ascendant over me, that all I write must pass for Fiction, I now desire to have it understood that this is Reality, and Matter of Fact, and acted in this our latter Age: And that in the person of Tarquin, I bring a Prince to kiss your Hands, who own’d himself, and was receiv’d, as the last of the Race of the Roman Kings; whom I have often seen, and you have heard of; and whose Story is so well known to your self, and many Hundreds more: Part of which I had from the Mouth of this unhappy great Man, and was an Eye-Witness to the rest.

      ’Tis true, Sir, I present you with a Prince unfortunate, but still the more noble Object for your Goodness and Pity; who never valu’d a brave Man the less for being unhappy. And whither shou’d the Afflicted flee for Refuge but to the Generous? Amongst all the Race, he cannot find a better Man, or more certain Friend: Nor amongst all his Ancestors, match your greater Soul, and Magnificence of Mind. He will behold in one English Subject, a Spirit as illustrious, a Heart as fearless, a Wit and Eloquence as excellent, as Rome it self cou’d produce. Its Senate scarce boasted of a better States-man, nor Augustus of a more faithful Subject; as your Imprisonment and Sufferings, through all the Course of our late National Distractions, have sufficiently manifested; But nothing cou’d press or deject your great Heart; you were the same Man still, unmov’d in all Turns, easie and innocent; no Persecution being able to abate your constant good Humour, or wonted Gallantry.

      If, Sir, you find here a Prince of less Fortitude and Vertue than your self, charge his Miscarriages on Love: a Weakness of that Nature you will easily excuse, (being so great a Friend to the Fair;) though possibly, he gave a Proof of it too Fatal to his Honour. Had I been to have form’d his Character, perhaps I had made him something more worthy of the Honour of your Protection: But I was oblig’d to pursue the Matter of Fact, and give a just Relation of that part of his Life which, possibly, was the only reproachful part of it. If he be so happy, as to entertain a Man of Wit and Business, I shall not fear his Welcome to the rest of the World: And ’tis only with your Passport he can hope to be so.

      The particular Obligations I have to your Bounty and Goodness, O Noble Friend, and Patron of the Muses! I do not so much as pretend to acknowledge in this little Present; those being above the Poet’s Pay, which is a sort of Coin, not currant in this Age: though perhaps may be esteem’d as Medals in the Cabinets of Men of Wit. If this be so happy to be of that Number, I desire no more lasting a Fame, that it may bear this Inscription, that I am,

SIR,Your most Obliged, andMost Humble Servant,A. BEHN.

      THE FAIR JILT:3

      or,

      The Amours of Prince Tarquin and Miranda

      As Love is the most noble and divine Passion of the Soul, so it is that to which we may justly attribute all the real Satisfactions of Life; and without it Man is unfinish’d and unhappy.

There are a thousand things to be said of the Advantages this generous Passion brings to those, whose Hearts are capable of receiving its soft Impressions; for ’tis not every one that can be sensible of its tender Touches. How many Examples, from History and Observation, could I give of its wondrous Power; nay, even to a Degree of Transmigration! How many Idiots has it made wise! How many Fools eloquent! How many home-bred Squires accomplish’d! How many Cowards brave! And there is no sort of Species of Mankind on whom it cannot work some Change and Miracle, if it be a noble well-grounded Passion, except on the Fop in Fashion, the harden’d incorrigible Fop; so often wounded, but never reclaim’d: For still, by a dire Mistake, conducted by vast Opiniatrety, and a greater Portion of Self-love, than the rest of the Race of Man, he believes that Affectation in his Mein and Dress, that Mathematical Movement, that Formality in every Action, that a Face manag’d with Care, and soften’d into Ridicule, the languishing Turn, the Toss, and the Back-shake of the Periwig, is the direct Way to the Heart of the fine Person he adores; and instead of curing Love in his Soul, serves only to advance his Folly; and the more he is enamour’d, the more industriously he assumes (every Hour) the Coxcomb. These are Love’s Play-things, a sort of Animals with whom he СКАЧАТЬ