Louisa May Alcott : Her Life, Letters, and Journals. Alcott Louisa May

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СКАЧАТЬ had long looked forward. She found that she could be independent, could help her family, and even indulge some of her own tastes.

      About this time Miss Alcott mentions a young friend who died in her arms, and speaks of going to console the sister in her loneliness. This shows how warmly her heart beat for others while her head was so busy with her ambitious plans. She speaks also of the hint of a new story called "The Cost of an Idea." She never lost sight of this plan, but did not carry it out. Her father's life and character were in her mind, and she longed to portray the conflict between his high ideal and the practical difficulties of his life; but it was an impossible subject. The Fruitlands episode was told in "Transcendental Wild Oats," and his early life in "Elis's Education." But although her admiration and affection for him are abundantly shown in her journals, she never perhaps understood him so thoroughly that she could adequately portray his personality; neither could she do justice to all related to him without trenching upon the privacy due to sacred feelings.

      A great shadow fell over Louisa's heart and life from the increasing illness of her dear younger sister Elizabeth. This young girl was tenderly beloved by all the family, and was indeed as pure, refined, and holy as she is represented as Beth in "Little Women." Her decay was very gradual, and she was so patient and sweet that the sad time of anxiety was a very precious one in remembrance.

      This sickness added to the pecuniary burdens of the family, and eight years afterward Louisa paid the bill of the physician who attended her sister.

      In October, 1857, the family removed again to Concord, and Louisa remained at home to assist in the care of the beloved invalid. They lived a few months in a part of a house which they hired until the Orchard House, which they had bought, was ready for them. Here the dear sister's life came to a close.

      This was the first break in the household, and the mother's heart never fully recovered from it. Louisa accepted death with strong, sweet wisdom. It never seemed to have any terror for her.

      In July they took possession of the Orchard House, which was hereafter the permanent residence of the family. This was a picturesque old house on the side of a hill, with an orchard of apple-trees. It was not far from Mr. Emerson's, and within walking distance of the village, yet very quiet and rural. Mr. Alcott had his library, and was always very happy there; but Louisa's heart never clung to it.

      The engagement of the elder sister was a very exciting event to Louisa, who did not like having the old sisterly relation broken in upon; but everything was so genuine and true in the love of the newly betrothed pair that she could not help accepting the change as a blessing to her sister and taking the new brother into her heart. The entries in her journal show that the picture she has drawn in "Little Women" of this noble man is from life, and not exaggerated.

      Louisa went to Boston for a visit, and again had hopes of going on to the stage; but an accident prevented it; and she returned to Concord and her writing, working off her disappointment in a story called "Only an Actress."

      Among her experiences at this time was an offer of marriage, about which she consulted her mother, telling her that she did not care for the lover very much. The wise mother saved her from the impulse to self-sacrifice, which might have led her to accept a position which would have given help to the family.

      Although this was not the only instance of offers of marriage, more or less advantageous, made to her, Louisa had no inclination toward matrimony. Her heart was bound up in her family, and she could hardly contemplate her own interests as separate from theirs. She loved activity, freedom, and independence. She could not cherish illusions tenderly; and she always said that she got tired of everybody, and felt sure that she should of her husband if she married. She never wished to make her heroines marry, and the love story is the part of her books for which she cared least. She yielded to the desire of the public, who will not accept life without a recognition of this great joy in it. Still it must be acknowledged that she has sometimes painted very sweet and natural love scenes, although more often in quaint and homely guise than in the fashion of ancient romance. "King of Clubs and Queen of Hearts" is very prettily told; and "Mrs. Todger's Teapot" is true to that quiet, earnest affection which does not pass away with youth.

      The writing went on, and she received five, six, or ten dollars apiece for her stories; but she did not yet venture to give up the sewing and teaching, which was still the sure reliance.

      Her younger sister now began to exercise her talent, and illustrated a little book of Louisa's called "Christmas Elves," which she says is better than "Flower Fables."

Journal

      Read Charlotte Bronté's life. A very interesting, but sad one. So full of talent; and after working long, just as success, love, and happiness come, she dies.

      Wonder if I shall ever be famous enough for people to care to read my story and struggles. I can't be a C. B., but I may do a little something yet.

      July.– Grandma Alcott came to visit us. A sweet old lady; and I am glad to know her, and see where Father got his nature. Eighty-four; yet very smart, industrious, and wise. A house needs a grandma in it.

      As we sat talking over Father's boyhood, I never realized so plainly before how much he has done for himself. His early life sounded like a pretty old romance, and Mother added the love passages.

      I got a hint for a story; and some day will do it, and call it "The Cost of an Idea." Spindle Hill, Temple School, Fruitlands, Boston, and Concord, would make fine chapters. The trials and triumphs of the Pathetic Family would make a capital book; may I live to do it.

      August.– A sad, anxious month. Betty worse; Mother takes her to the seashore. Father decides to go back to Concord; he is never happy far from Emerson, the one true friend who loves and understands and helps him.

      September.– An old house near R. W. E.'s is bought with Mother's money, and we propose to move. Mother in Boston with poor Betty, who is failing fast. Anna and I have a hard time breaking up.

      October.– Move to Concord. Take half a house in town till spring, when the old one is to be made ready.

      Find dear Betty a shadow, but sweet and patient always. Fit up a nice room for her, and hope home and love and care may keep her.

      People kind and friendly, and the old place looks pleasant, though I never want to live in it.

      November.– Father goes West, taking Grandma home. We settle down to our winter, whatever it is to be. Lizzie seems better, and we have some plays. Sanborn's school makes things lively, and we act a good deal.

      Twenty-five this month. I feel my quarter of a century rather heavy on my shoulders just now. I lead two lives. One seems gay with plays, etc., the other very sad,–in Betty's room; for though she wishes us to act, and loves to see us get ready, the shadow is there, and Mother and I see it. Betty loves to have me with her; and I am with her at night, for Mother needs rest. Betty says she feels "strong" when I am near. So glad to be of use.

      December.– Some fine plays for charity.

      January, 1858.– Lizzie much worse; Dr. G. says there is no hope. A hard thing to hear; but if she is only to suffer, I pray she may go soon. She was glad to know she was to "get well," as she called it, and we tried to bear it bravely for her sake. We gave up plays; Father came home; and Anna took the housekeeping, so that Mother and I could devote ourselves to her. Sad, quiet days in her room, and strange nights keeping up the fire and watching the dear little shadow try to wile away the long sleepless hours without troubling me. She sews, reads, sings softly, and lies looking at the fire,–so sweet and patient and so worn, my heart is broken to see the change. I wrote some lines one night on "Our Angel in the House."

      [Jo СКАЧАТЬ