Raising their little hands when grace is said;
Whilst she who taught them to lift up their hearts
In prayer, and to "remember, in their youth,"
God, "their Creator," mistress of the scene
(Whom I remember once as young), looks on,
Blessing them in the silence of her heart.
And we too bless them. Oh! away, away!
Cant, heartless cant, and that economy,
Cold, and miscalled "political," away!
Let the bells ring – a Puritan turns pale
To hear the festive sound: let the bells ring —
A Christian loves them; and this holiday
Remembers him, while sighs unbidden steal,
Of life's departing and departed days,
When he himself was young, and heard the bells,
In unison with feelings of his heart —
His first pure Christian feelings, hallowing
The harmonious sound!
And, children, now rejoice, —
Now, for the holidays of life are few;
Nor let the rustic minstrel tune, in vain,
The cracked church-viol, resonant to-day
Of mirth, though humble! Let the fiddle scrape
Its merriment, and let the joyous group
Dance in a round, for soon the ills of life
Will come! Enough, if one day in the year,
If one brief day, of this brief life, be given
To mirth as innocent as yours! But, lo!
That ancient woman, leaning on her staff!
Pale, on her crutch she rests one withered hand;
One withered hand, which Gerard Dow might paint,
Even its blue veins! And who is she? The nurse
Of the fair mistress of the scene: she led
Her tottering steps in infancy – she spelt
Her earliest lesson to her; and she now
Leans from that open window, while she thinks —
When summer comes again, the turf will lie
On my cold breast; but I rejoice to see
My child thus leading on the progeny
Of her poor neighbours in the peaceful path
Of humble virtue! I shall be at rest,
Perhaps, when next they meet; but my last prayer
Is with them, and the mistress of this home.
"The innocent are gay,"36 gay as the lark
That sings in morn's first sunshine; and why not?
But may they ne'er forget, as life steals on,
In age, the lessons they have learned in youth!
How false the charge, how foul the calumny
On England's generous aristocracy,
That, wrapped in sordid, selfish apathy,
They feel not for the poor!
Ask, is it true?
Lord of the whirling wheels, the charge is false!37
Ten thousand charities adorn the land,
Beyond thy cold conception, from this source.
What cottage child but has been neatly clad,
And taught its earliest lesson, from their care?
Witness that schoolhouse, mantled with festoon
Of various plants, which fancifully wreath
Its window-mullions, and that rustic porch,
Whence the low hum of infant voices blend
With airs of spring, without. Now, all alive,
The green sward rings with play, among the shrubs —
Hushed the long murmur of the morning task,
Before the pensive matron's desk!
But turn,
And mark that aged widow! By her side
Is God's own Word; and, lo! the spectacles
Are yet upon the page. Her daughter kneels
And prays beside her! Many years have shed
Their snow so silently and softly down
Upon her head, that Time, as if to gaze,
Seems for a moment to suspend his flight
Onward, in reverence to those few gray hairs,
That steal beneath her cap, white as its snow.
Whilst the expiring lamp is kept alive,
Thus feebly, by a duteous daughter's love,
Her last faint prayer, ere all is dark on earth,
Will to the God of heaven ascend, for those
Whose comforts smoothed her silent bed.
And thou,
Witness Elysian Tempe of Stourhead!
Oh, not because, with bland and gentle smile,
Adding a radiance to the look of age,
Like eve's still light, thy liberal master spreads
His lettered treasures; – not because his search
Has dived the Druid mound, illustrating
His country's annals, and the monuments
Of darkest ages; – not because his woods
Wave o'er the dripping cavern of Old Stour,
Where classic temples gleam along the edge
Of the clear waters, winding beautiful; —
Oh! not because the works of breathing art,
Of Poussin, Rubens, Rembrandt, Gainsborough,
Start, like creations, from the silent walls;
To thee, this tribute of respect and love,
Beloved, benevolent, and generous Hoare,
Grateful I pay; – but that, when thou art dead
(Late may it be!) the poor man's tear will fall,
And his voice falter, when he speaks of thee.38
And witness thou, magnificent abode,
Where virtuous Ken,39 with his gray hairs and shroud,
Came, for a shelter from the world's rude storm,
In his old age, leaving his palace-throne,
Having no spot where he might lay his head,
In all the earth! Oh, witness thou, the seat
Of his first friend, his friend from schoolboy days!
Oh! witness thou, if one who wanted bread
Has not found shelter there; if one poor man
Has been deserted in his hour of need;
Or one poor child been left without a guide,
A father, an instructor, and a friend;
In him, the pastor, and distributor40
Of СКАЧАТЬ
36
Cowper.
37
The English landlord has been held up to obloquy, as endeavouring to keep up the price of corn, for his own sordid interest; but rent never leads, it only follows, and the utmost a landlord can get for his capital is three per cent., whereas the lord of whirling wheels gains thirty per cent.
38
These lines were written at Stourhead.
39
The Bishop of Bath and Wells. Ken was one of the seven bishops sent to the Tower by James. He had character, patronage, wealth, station, eminence: he resigned all, at the accession of King William, for the sake of that conscience which, in a former reign, sent him a prisoner to the Tower. He had no home in the world; but he found an asylum with the generous nobleman who had been his old schoolfellow at Winchester. Here, it is said, he brought with him his shroud, in which he was buried at Frome; and here he chiefly composed his four volumes of poems.
40
The Rev. Mr Skurray.