The Garden of Eden. Max Brand

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СКАЧАТЬ style="font-size:15px;">      Jack Townsend blinked. "You know her?" he asked.

      The other shook his head.

      "Well, damn my soul!" breathed the hotel proprietor. "This beats me. Maybe you read a hoss's mind, partner?"

      Connor shrugged his shoulders, but Townsend no longer took offense at the taciturnity of his companion; he spoke now in a lower confiding voice which indicated an admission of equality.

      "You're right. They said she was good, and she was good! I seen her run; I saddled her up and rode her thirty miles through sand that would of broke the heart of anything but a Steeldust, and she come through without battin' an eye. But when I got her up here she didn't do no good. But" – he reverted suddenly to his original surprise – "how'd you know her? Recognize the brand, maybe?"

      "By her trot," said the other, and he looked across the hills.

      They had turned an angle of the gulch, and on a shelf of level ground, dishing out from the side of the mountain, stretched the town.

      "Isn't it rather odd," said Connor, "for people to build a town over here when they could have it on the railroad?"

      "Maybe it looks queer to some," nodded Townsend.

      He closed his lips firmly, determined to imitate the terseness of his guest; but when he observed with a side-glance that Connor would not press the inquiry, talk suddenly overflowed. Indeed, Townsend was a running well of good nature, continually washing all bad temper over the brim.

      "I'll show you how it was," he went on. "You see that shoulder of the mountain away off up there? If the light was clearer you'd be able to make out some old shacks up there, half standin' up and half fallin' down. That's where Lukin used to be. Well, the railroad come along and says: 'We're goin' to run a spur into the valley, here. You move down and build your town at the end of the track and we'll give you a hand bringing up new timber for the houses.' That's the way with railroads; they want to dictate; they're too used to handlin' folks back East that'll let capital walk right over their backs."

      Here Townsend sent a glance at Connor to see if he stirred under the spur, but there was no sign of irritation.

      "Out here we're different; nobody can't step in here and run us unless he's asked. See? We said, you build the railroad halfway and we'll come the other half, but we won't come clear down into the valley."

      "Why?" asked Connor. "Isn't Lukin Junction a good place for a village?"

      "Fine. None better. But it's the principle of the thing, you see? Them railroad magnates says to us: 'Come all the way.' 'Go to the devil,' says we. And so we come halfway to the new railroad and built our town; it'd be a pile more agreeable to have Lukin over where the railroad ends – look at the way I have to drive back and forth for my trade? But just the same, we showed that railroad that it couldn't talk us down."

      He struck his horses savagely with the lines; they sprang from the jog-trot into a canter, and the buckboard went bumping down the main street of Lukin.

      CHAPTER TWO

      Ben Connor sat in his room overlooking the crossing of the streets. It was by no means the ramshackle huddle of lean-to's that he had expected, for Lukin was built to withstand a siege of January snows and storm-winds which were scooped by the mountains into a funnel that focused straight on the village. Besides, Lukin was no accidental, crossroads town, but the bank, store, and amusement center of a big country. The timber was being swept from the Black Mountain; there were fairly prosperous mines in the vicinity; and cattlemen were ranging their cows over the plateaus more and more during the spring and summer. Therefore, Lukin boasted two parallel main streets, and a cross street, looking forward to the day when it should be incorporated and have a mayor of its own. At present it had a moving-picture house and a dance hall where a hundred and fifty couples could take the floor at once; above all, it had Jack Townsend's hotel. This was a stout, timber building of two stories, the lower portion of which was occupied by the restaurant, the drug store, the former saloon now transformed into an ice-cream parlor, and other public places.

      It was dark, but the night winds had not yet commenced, and Lukin sweltered with a heat more unbearable than full noon.

      It was nothing to Ben Connor, however, for he was fresh from the choking summer nights of Manhattan, and in Lukin, no matter how hot it became, the eye could always find a cool prospect. It had been unpleasant enough when the light was burning, for the room was done in a hot, orange-colored paper, but when he blew out the lamp and sat down before the window he forgot the room and let his glance go out among the mountains. A young moon drifted across the corner of his window, a sickle of light with a dim, phosphorescent line around the rest of the circle. It was bright enough to throw the peaks into strong relief, and dull enough to let the stars live.

      His upward vision had as a rule been limited by the higher stories of some skyscraper, and now his eye wandered with a pleasant sense of freedom over the snow summits where he could imagine a cold wind blowing through reach after reach of the blue-gray sky. It pleased and troubled Ben Connor very much as one is pleased and troubled by the first study of a foreign language, with new prospects opening, strange turns of thought, and great unknown names like stars. But after a time Ben Connor relaxed. The first cool puff moved across his forehead and carried him halfway to a dreamless sleep.

      Here a chorus of mirth burst up at him from the street, men's voices pitched high and wild, the almost hysterical laughter of people who are much alone. In Manhattan only drunken men laughed like this. Among the mountains it did not irritate Ben Connor; in tune with the rest, it was full of freedom. He looked down to the street, and seeing half a dozen bearded fellows frolic in the shaft of light from a window, he decided that people kept their youth longer in Lukin.

      All things seemed in order to Connor, this night. He rolled his sleeves higher to let all the air that stirred get at his bulky forearms, and then lighted a cigar. It was a dark, oily Havana – it had cost him a great deal in money and nerves to acquire that habit – and he breathed the scent deep while he waited for the steady wind which Jack Townsend had promised. There was just enough noise to give the silence that waiting quality which cannot be described; below him voices murmured, and lifted now and then, rhythmically. Ben Connor thought the sounds strangely musical, and he began to brim with the same good nature which puffed the cheeks of Jack Townsend. There was a substantial basis for that content in the broiled trout which he had had for dinner. It was while his thoughts drifted back to those browned fish that the first wind struck him. Dust with an acrid scent whirled up from the street – then a steady stream of air swept his face and arms.

      It was almost as if another personality had stepped into the room. The sounds from the street fell away, and there was the rustling of cloth somewhere, the cool lifting of hair from his forehead, and an odd sense of motion – as if the wind were blowing through him. But something else came with the breeze, and though he noted it at first with only a subconscious discontent, it beat gradually into his mind, a light ticking, very rapid, and faint, and sounding in an irregular rhythm. He wanted to straighten out that rhythm and make the flutter of tapping regular. Then it began to take on a meaning; it framed words.

      "Philip Lord, jailed for embezzlement."

      "Hell!" burst out Ben Connor. "The telegraph!"

      He started up from his chair, feeling betrayed, for that light, irregular tapping was the voice of the world from which he had fled. A hard, cool mind worked behind the gray eyes of Ben Connor, but as he fingered the cigar his brain was fumbling at a large idea. Forty-Second and Broadway was calling him back.

      When he looked out the window, now, the mountains were flat shapes against a flat sky, with no more СКАЧАТЬ