Sculpture. Victoria Charles
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Название: Sculpture

Автор: Victoria Charles

Издательство: Parkstone International Publishing

Жанр: Иностранные языки

Серия: Mega Square

isbn: 978-1-78160-947-7

isbn:

СКАЧАТЬ ca. 450 B. C.

      Archaeological Museum, Palermo

      In 1802 he became court sculptor to Napoleon I in Paris. He dominated European sculpture around the turn of the century and was of primary importance in the development of the neoclassical style in sculpture. He was not, however, a disciple of Michelangelo’s!

      Doryphorus (Spear-Carrier)

      Polykleitos, 440 B.C

      Marble copy of a Greek original in bronze, height 2.12 m

      National Archaeological Museum, Naples

      Spanish sculpture

      Sculpture in Spain was never as highly regarded as painting. One can hardly find any clue to its existence as Spanish sculpture could never rival the magnificent paintings of Velásquez, Murrilo or Ribera. The Arabs taught the Spanish much about architecture since the Koran speaks against other arts.

      Victory Fastening Her Sandal

      407–410

      Marble, height 1.07 m

      Acropolis Museum, Athens

      It was two foreigners, Florentine Guerardo Starina and Flemish Pierre de Champagne, that would later bring over examples of more impressive sculpture. A disciple of Michelangelo’s, Torrigiano (1472–1528) fled Florence, became a soldier and won the right to teach. He returned to art traveling between Flanders, England, and then Spain.

      Statue from Riace

      5th century B. C.

      Bronze, classical epoque, height 1.96 m

      National Archaeological Museum, Reggio Calabria

      In 1520, he built a terra-cotta statue of Saint Jerome in the convent of Buenavista, near Seville, which Goya considered better than the Moses by Michelangelo. Amongst the Spanish artists who went to Italy under the reign of Ferdinand of Aragon and of Charles V to take art lessons, there were only two who mastered all three arts:

      Pan teaching the Flute to Olympos

      350 B.C

      Marble

      National Archaeological Museum, Reggio Calabria

      Alonzo Berruguete (1488–1561) and Gaspar Becerra (1520–1570). In 1635, Alonzo Cano (1601–1667), worked on the altarpiece in the church of Lebriya, one of the most beautiful works of its kind, where one can admire his statue of the Virgin Mary.

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