The Sheik and the Dustbin. George Fraser MacDonald
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Название: The Sheik and the Dustbin

Автор: George Fraser MacDonald

Издательство: HarperCollins

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isbn: 9780007396283

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СКАЧАТЬ smashin’. Ah’m jist givin’ yer belt a wee buff - Captain McAlpine asked tae borrow it while ye were away, an’ ye know whit he’s like - Ah think he’s been hingin’ oot a windae in it; a’ scuffed tae hellangone! But the rest o’ yer service dress is a’ ready; Ah bulled it up when Ah heard ye wis back the night.”

      Well, I thought to myself, you’re not John or Hans, thank God, but you’ll do. They can keep the professionals - and they can certainly keep McAuslan, and the farther away the better - and we’ll get by very nicely.

      He was looking at me inquiringly, and I realised I had been letting my thoughts stray.

      “Oh … thanks, McGilvray. I saw your mother and great-uncle; they’re fine. Come and finish the belt in my room and I’ll tell you about them.” I was turning away when a thought struck me, and I paused, hesitating: I could sense that stern shade with her black ebony cane frowning down in disapproval from some immaculate, dusted paradise, but I couldn’t help that. “Oh, yes, and you’d better bring your socks with you.”

      Sorry, Granny MacDonald, I thought, but a man’s got to do what a man’s got to do.

       Captain Errol

      Whenever I see television newsreels of police or troops facing mobs of rioting demonstrators, standing fast under a hail of rocks, bottles, and petrol bombs, my mind goes back forty years to India, when I was understudying John Gielgud and first heard the pregnant phrase “Aid to the civil power”. And from that my thoughts inevitably travel on to Captain Errol, and the Brigadier’s pet hawks, and the great rabble of chanting Arab rioters advancing down the Kantara causeway towards the thin khaki line of 12 Platoon, and my own voice sounding unnaturally loud and hoarse: “Right, Sarn’t Telfer - fix bayonets.”

      Aid to the civil power, you see, is what the British Army used to give when called on to deal with disorder, tumult, and breach of the peace which the police could no longer control. The native constabulary of our former Italian colony being what they were - prone to panic if a drunken bazaar-wallah broke a window - aid to the civil power often amounted to no more than sending Wee Wullie out with a pick handle to shout “Imshi!”; on the other hand, when real political mayhem broke loose, and a raging horde of fellaheen several thousand strong appeared bent on setting the town ablaze and massacring the European population, sterner measures were called for, and unhappy subalterns found themselves faced with the kind of decision which Home Secretaries and Cabinets agonise over for hours, the difference being that the subaltern had thirty seconds, with luck, in which to consider the safety of his men, the defenceless town at his back, and the likelihood that if he gave the order to fire and some agitator caught a bullet, he, the subaltern, would go down in history as the Butcher of Puggle Bazaar, or wherever it happened to be.

      That, as I say, was in the imperial twilight of forty years.ago, long before the days of walkie-talkies, C.S. gas, riot shields, water cannon, and similar modern defences of the public weal - not that they seem to make riot control any easier nowadays, especially when the cameras are present. We didn’t have to worry about television, and our options for dealing with infuriated rioters were limited: do nothing and get murdered, fire over their heads, or let fly in earnest. There are easier decisions, believe me, for a youth not old enough to vote.

      The Army recognised this, and was at pains to instruct its fledgling officers in the techniques of containing civil commotion, so far as it knew how, which wasn’t far, even in India, with three centuries of experience to draw on. Those were the postwar months before independence, when demonstrators were chanting: “Jai Hind!” and “Pakistan zindabad!”, and the Indian police were laying about them with lathis (you really don’t know what police brutality is until you’ve seen a lathi charge going in), while the troops stood by and their officers hoped to God they wouldn’t have to intervene. Quetta and Amritsar were ugly memories of what happened when someone opened fire at the wrong time.

      Bangalore, where I was completing my officers’ training course, was one of the quiet spots, which may have been why the authorities took the eccentric view that instruction in riot control could be imparted through the medium of the theatre. If that sounds unlikely, well, that’s the Army for you. Some genius (and it wasn’t Richard Brinsley Sheridan) had written a play about aid to the civil power, showing the right and wrong ways of coping with unrest; it was to be enacted at the garrison theatre, and I found myself dragooned into taking part.

      That’s what comes of understudying Gielgud, which is what I like to think I had been doing, although he didn’t know it. In the last relaxed weeks of our officers’ training, a few of us cadets had been taking part in a production of The Harbour Called Mulberry for India Radio, with Cadet MacNeill as the Prussian general riveting the audience with his impersonation of Conrad Veidt; it was natural that when Gielgud’s touring company arrived in town with a double bill of Hamlet and Blithe Spirit, and some of his cast went down with Bangalore Belly, our amatuer group should be asked to provide replacements in case they needed a couple of extra spear-carriers. I was fool enough to volunteer, and while we were never required even to change into costume, let alone go on stage, we convinced ourselves that we were, technically, understudying the lead players - I mean to say, Bangalore Belly can go through unacclimatised systems like wildfire, and in our backstage dreams we could imagine being out there tearing the Soliloquy to shreds while Gielgud was carted off to the sick-bay. He wasn’t, as it happened, but no doubt he would have been reassured if he’d known that we were ready to step in.

      That by the way; the upshot was that, having drawn attention to ourselves, my associates and I were prime targets when it came to choosing the cast for the aid-to-the-civil-power play, a knavish piece of work entitled Nowall and Chancit. I played Colonel Nowall, an elderly and incompetent garrison commander, which meant that I had to wear a white wig and whiskers and make like a doddering Aubrey Smith in front of a military audience whose behaviour would have disgraced the Circus Maximus. The script was abysmal, my moustache kept coming loose, the prop telephone didn’t ring on cue, one of the cast who took acting seriously dried up and fainted, and in the last act I had to order my troops to open fire on a rioting crowd played by a platoon of Indian sepoys in loin-cloths who giggled throughout and went right over the top when shot with blank cartridges. The entire theatre was dense with cordite smoke, there seemed to be about seven hundred people on stage, and when I stood knee-deep in hysterical corpses and spoke my deathless closing line: “Well, that’s that!” it stopped the show. I have not trod the boards since, and it can stay that way.

      My excuse for that reminiscence is that it describes the only instruction we ever got in dealing with civil disorder. Considering that we were destined, as young second-lieutenants, to lead troops in various parts of the Far and Middle East when empires were breaking up and independence movements were in full spate, with accompanying bloodshed, it was barely adequate. Not that any amount of training, including my months as an infantry section leader in Burma, could have prepared me for the Palestine troubles of ‘46, when Arab and Jew were at each other’s throats with the British caught in the middle, as usual; the Irgun and Stern Gang were waging their campaign of terror (or freedom-fighting, depending on your point of view), raid, ambush, murder, and explosion were commonplace, the Argyll and Sutherlands had barbed wire strung across the inside corridors of their Jerusalem barracks, and you took your revolver into the shower. It was a nerve-racked, bloody business which you learned as you went along; commanding the Cairo-Jerusalem night train and conducting a security stake-out at the Armistice Day service on the Mount of Olives added years to my education in a matter of days, and by the time I was posted back to my Highland battalion far away along the North African coast I felt I knew something about lending aid to the civil power. Of course, I didn’t know the half of it - but then, I hadn’t met Captain Errol.

      That wasn’t his real name, but it was what the Jocks called him because of his resemblance to Flynn, СКАЧАТЬ