Название: Passenger to Frankfurt
Автор: Агата Кристи
Издательство: HarperCollins
isbn: 9780007422685
isbn:
‘Anything you want, sir?’
‘Yes,’ said Sir Stafford Nye. ‘If anyone said Hungerford Bridge to you, where would you go?’
‘Where should I go?’ Mrs Worrit considered. ‘You mean if I wanted to go, do you?’
‘We can proceed on that assumption.’
‘Well, then, I suppose I’d go to Hungerford Bridge, wouldn’t I?’
‘You mean you would go to Hungerford in Berkshire?’
‘Where is that?’ said Mrs Worrit.
‘Eight miles beyond Newbury.’
‘I’ve heard of Newbury. My old man backed a horse there last year. Did well, too.’
‘So you’d go to Hungerford near Newbury?’
‘No, of course I wouldn’t,’ said Mrs Worrit. ‘Go all that way—what for? I’d go to Hungerford Bridge, of course.’
‘You mean—?’
‘Well, it’s near Charing Cross. You know where it is. Over the Thames.’
‘Yes,’ said Sir Stafford Nye. ‘Yes, I do know where it is quite well. Thank you, Mrs Worrit.’
It had been, he felt, rather like tossing a penny heads or tails. An advertisement in a morning paper in London meant Hungerford Railway Bridge in London. Presumably therefore that is what the advertiser meant, although about this particular advertiser Sir Stafford Nye was not at all sure. Her ideas, from the brief experience he had had of her, were original ideas. They were not the normal responses to be expected. But still, what else could one do. Besides, there were probably other Hungerfords, and possibly they would also have bridges, in various parts of England. But today, well, today he would see.
It was a cold windy evening with occasional bursts of thin misty rain. Sir Stafford Nye turned up the collar of his mackintosh and plodded on. It was not the first time he had gone across Hungerford Bridge, but it had never seemed to him a walk to take for pleasure. Beneath him was the river and crossing the bridge were large quantities of hurrying figures like himself. Their mackintoshes pulled round them, their hats pulled down and on the part of one and all of them an earnest desire to get home and out of the wind and rain as soon as possible. It would be, thought Sir Stafford Nye, very difficult to recognize anybody in this scurrying crowd. 7.20. Not a good moment to choose for a rendezvous of any kind. Perhaps it was Hungerford Bridge in Berkshire. Anyway, it seemed very odd.
He plodded on. He kept an even pace, not overtaking those ahead of him, pushing past those coming the opposite way. He went fast enough not to be overtaken by the others behind him, though it would be possible for them to do so if they wanted to. A joke, perhaps, thought Stafford Nye. Not quite his kind of joke, but someone else’s.
And yet—not her brand of humour either, he would have thought. Hurrying figures passed him again, pushing him slightly aside. A woman in a mackintosh was coming along, walking heavily. She collided with him, slipped, dropped to her knees. He assisted her up.
‘All right?’
‘Yes, thanks.’
She hurried on, but as she passed him, her wet hand, by which he had held her as he pulled her to her feet, slipped something into the palm of his hand, closing the fingers over it. Then she was gone, vanishing behind him, mingling with the crowd. Stafford Nye went on. He couldn’t overtake her. She did not wish to be overtaken, either. He hurried on and his hand held something firmly. And so, at long last it seemed, he came to the end of the bridge on the Surrey side.
A few minutes later he had turned into a small café and sat there behind a table, ordering coffee. Then he looked at what was in his hand. It was a very thin oilskin envelope. Inside it was a cheap quality white envelope. That too he opened. What was inside surprised him. It was a ticket.
A ticket for the Festival Hall for the following evening.
Sir Stafford Nye adjusted himself more comfortably in his seat and listened to the persistent hammering of the Nibelungen, with which the programme began.
Though he enjoyed Wagnerian opera, Siegfried was by no means his favourite of the operas composing the Ring. Rheingold and Götterdämmerung were his two preferences. The music of the young Siegfried, listening to the songs of the birds, had always for some strange reason irritated him instead of filling him with melodic satisfaction. It might have been because he went to a performance in Munich in his young days which had displayed a magnificent tenor of unfortunately over-magnificent proportions, and he had been too young to divorce the joy of music from the visual joy of seeing a young Siegfried that looked even passably young. The fact of an outsized tenor rolling about on the ground in an access of boyishness had revolted him. He was also not particularly fond of birds and forest murmurs. No, give him the Rhine Maidens every time, although in Munich even the Rhine Maidens in those days had been of fairly solid proportions. But that mattered less. Carried away by the melodic flow of water and the joyous impersonal song, he had not allowed visual appreciation to matter.
From time to time he looked about him casually. He had taken his seat fairly early. It was a full house, as it usually was. The intermission came. Sir Stafford rose and looked about him. The seat beside his had remained empty. Someone who was supposed to have arrived had not arrived. Was that the answer, or was it merely a case of being excluded because someone had arrived late, which practice still held on the occasions when Wagnerian music was listened to?
He went out, strolled about, drank a cup of coffee, smoked a cigarette, and returned when the summons came. This time, as he drew near, he saw that the seat next to his was filled. Immediately his excitement returned. He regained his seat and sat down. Yes, it was the woman of the Frankfurt Air Lounge. She did not look at him, she was looking straight ahead. Her face in profile was as clean-cut and pure as he remembered it. Her head turned slightly, and her eyes passed over him but without recognition. So intent was that non-recognition that it was as good as a word spoken. This was a meeting that was not to be acknowledged. Not now, at any event. The lights began to dim. The woman beside him turned.
‘Excuse me, could I look at your programme? I have dropped mine, I’m afraid, coming to my seat.’
‘Of course,’ he said.
He handed over the programme and she took it from him. She opened it, studied the items. The lights went lower. The second half of the programme began. It started with the overture to Lohengrin. At the end of it she handed back the programme to him with a few words of thanks.
‘Thank you so much. It was very kind of you.’
The next item was the Siegfried forest murmur music. He consulted the programme she had returned to him. It was then that he noticed something faintly pencilled at the СКАЧАТЬ