The Other Boleyn Girl. Philippa Gregory
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Название: The Other Boleyn Girl

Автор: Philippa Gregory

Издательство: HarperCollins

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isbn: 9780007370146

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       Christmas 1530

       Spring 1531

       Summer 1531

       Autumn 1531

       Spring 1532

       Summer 1532

       Autumn 1532

       Winter 1532

       Spring 1533

       Summer 1533

       Autumn 1533

       Winter 1533

       Spring 1534

       Summer 1534

       Winter 1535

       Spring 1535

       Summer 1535

       Autumn 1535

       Winter 1536

       Spring 1536

       May 1536

       Bonus Audio Content

       Author’s Note

       Discover More of Philippa Gregory’s Tudor Novels

       Gardens for The Gambia

       About the Author

       Also by Philippa Gregory

       About the Publisher

      

       Spring 1521

      I could hear a roll of muffled drums. But I could see nothing but the lacing on the bodice of the lady standing in front of me, blocking my view of the scaffold. I had been at this court for more than a year and attended hundreds of festivities; but never before one like this.

      By stepping to one side a little and craning my neck, I could see the condemned man, accompanied by his priest, walk slowly from the Tower towards the green where the wooden platform was waiting, the block of wood placed centre stage, the executioner dressed all ready for work in his shirtsleeves with a black hood over his head. It looked more like a masque than a real event, and I watched it as if it were a court entertainment. The king, seated on his throne, looked distracted, as if he was running through his speech of forgiveness in his head. Behind him stood my husband of one year, William Carey, my brother, George, and my father, Sir Thomas Boleyn, all looking grave. I wriggled my toes inside my silk slippers and wished the king would hurry up and grant clemency so that we could all go to breakfast. I was only thirteen years old, I was always hungry.

      The Duke of Buckinghamshire, far away on the scaffold, put off his thick coat. He was close enough kin for me to call him uncle. He had come to my wedding and given me a gilt bracelet. My father told me that he had offended the king a dozen ways: he had royal blood in his veins and he kept too large a retinue of armed men for the comfort of a king not yet wholly secure on his throne; worst of all he was supposed to have said that the king had no son and heir now, could get no son and heir, and that he would likely die without a son to succeed him to the throne.

      Such a thought must not be said out loud. The king, the court, the whole country knew that a boy must be born to the queen, and born soon. To suggest otherwise was to take the first step on the path that led to the wooden steps of the scaffold which the duke, my uncle, now climbed, firmly and without fear. A good courtier never refers to any unpalatable truths. The life of a court should always be merry.

      Uncle Stafford came to the front of the stage to say his final words. I was too far from him to hear, and in any case I was watching the king, waiting for his cue to step forward and offer the royal pardon. This man standing on the scaffold, in the sunlight of the early morning, had been the king’s partner at tennis, his rival on the jousting field, his friend at a hundred bouts of drinking and gambling, they had been comrades since the king was a boy. The king was teaching him a lesson, a powerful public lesson, and then he would forgive him and we could all go to breakfast.

      The little faraway figure turned to his confessor. He bowed his head for a blessing and kissed the rosary. He knelt before the block and clasped it in both hands. I wondered what it must be like, to put one’s cheek to the smooth waxed wood, to smell the warm wind coming off the river, to hear, overhead, the cry of seagulls. Even knowing as he did that this was a masque and not the real thing, it must be odd for Uncle to put his head down and know that the executioner was standing behind.

      The executioner raised his axe. I looked towards the king. He was leaving his intervention very late. I glanced back at the stage. My uncle, head down, flung wide his arms, a sign of his consent, the signal that the axe could fall. I looked back to the king, he must rise to his feet now. But he still sat, his handsome face grim. And while I was still looking towards him there was another roll of drums, suddenly silenced, and then the thud of the axe, first once, then again and a third time: a sound as domestic as chopping wood. Disbelievingly, I saw the head of my uncle bounce into the straw and a scarlet gush of blood from the strangely stumpy neck. The black-hooded axeman put the great stained axe to one side and lifted the head by the thick curly hair, so that we could all see the strange mask-like thing: black with the blindfold from forehead to nose, and the teeth bared in a last defiant grin.

      The king rose slowly from his seat and I thought, childishly, ‘Dear God, how awfully embarrassing this is going to be. He has left it too late. It has all gone wrong. He forgot to speak in time.’

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