Название: Puppet on a Chain
Автор: Alistair MacLean
Издательство: HarperCollins
isbn: 9780007289370
isbn:
I was being followed.
The Amsterdamers, so remarkably hospitable in every other way, are strangely neglectful when it comes to providing benches for their weary visitors – or their weary citizens, if it comes to that – along the banks of their canals. If you want to peer out soulfully and restfully over the darkly gleaming waters of their night-time canals the best thing to do is to lean against a tree, so I leaned against a convenient tree and lit a cigarette.
I stood there for several minutes, communing, so I hoped it would seem, with myself, lifting the cigarette occasionally, but otherwise immobile. Nobody fired silenced pistols at me, nobody approached me with a sandbag preparatory to lowering me reverently into the canal. I’d given him every chance but he’d taken no advantage of it. And the dark man in Schiphol had had me in his sights but hadn’t pulled the trigger. Nobody wanted to do away with me. Correction. Nobody wanted to do away with me yet. It was a crumb of comfort, at least.
I straightened, stretched and yawned, glancing idly about me, a man awakening from a romantic reverie. He was there all right, not leaning as I was with my back to the tree but with his shoulder to it so that the tree stood between him and myself, but it was a very thin tree and I could clearly distinguish his front and rear elevations.
I moved on and turned right into the Leidestraat and dawdled along this doing some inconsequential window-shopping as I went. At one point I stepped into a shop doorway and gazed at some pictorial exhibits of so highly intrinsic an artistic nature that, back in England, they’d have had the shop-owner behind bars in nothing flat. Even more interestingly, the window formed a near perfect mirror. He was about twenty yards away now, peering earnestly into the shuttered window of what might have been a fruit shop. He wore a grey suit and a grey sweater and that was all that could be said about him: a grey nondescript anonymity of a man.
At the next corner I turned right again, past the flower market on the banks of the Singel canal. Half-way along I stopped at a stall, inspected the contents, and bought a carnation: thirty yards away the grey man was similarly inspecting a stall but either he was mean-souled or hadn’t an expense account like mine, for he bought nothing, just stood and looked.
I had thirty yards on him and when I turned right again into the Vijzelstraat I strode along very briskly indeed until I came to the entrance of an Indonesian restaurant. I turned in, closing the door behind me. The doorman, obviously a pensioner, greeted me civilly enough but made no attempt to rise from his stool.
I looked through the door and within just a few seconds the grey man came by. I could see now that he was more elderly than I had thought, easily in his sixties, and I must admit that for a man of his years he was putting up a remarkable turn of speed. He looked unhappy.
I put on my coat and mumbled an apology to the doorman. He smiled and said ‘Good night’ as civilly as he had said ‘Good evening’. They were probably full up anyway. I went outside, stood in the doorway, took a folded trilby from one pocket and a pair of wire spectacles from the other and put them both on. Sherman, I hoped, transformed.
He was about thirty yards distant now, proceeding with a curious scuttling action, stopping every now and again to peer into a doorway. I took life and limb in hand, launched myself across the street and arrived at the other side intact but unpopular. Keeping a little way behind, I paralleled the grey man for about another hundred yards when he stopped. He hesitated, then abruptly began to retrace his steps, almost running now, but this time stopping to go inside every place that was open to him. He went into the restaurant I’d so briefly visited and came out in ten seconds. He went in the side entrance of the Hotel Carlton and emerged from the front entrance, a detour that could not have made him very popular as the Hotel Carlton does not care overmuch for shabby old men with roll-neck sweaters using their foyer as a short cut. He went into another Indonesian restaurant at the end of the block and reappeared wearing the chastened expression of a man who has been thrown out. He dived into a telephone-box and when he emerged he looked more chastened than ever. From there he took up his stance on the central reservation tram stop on the Muntplein. I joined the queue.
The first tram along, a three-coach affair, bore the number ‘16’ and the destination board ‘Central Station’. The grey man boarded the first coach. I entered the second and moved to the front seat where I could keep a watchful eye on him, at the same time positioning myself so as to present as little as possible of myself to his view should he begin to interest himself in his fellow passengers. But I needn’t have worried; his lack of interest in his fellow passengers was absolute. From the continual shift and play of expression, all unhappy, on his face, and the clasping and unclasping of his hands, here clearly was a man with other and more important things on his mind, not least of which was the degree of sympathetic understanding he could expect from his employers.
The man in grey got off at the Dam. The Dam, the main square in Amsterdam, is full of historical landmarks such as the Royal Palace and the New Church which is so old that they have to keep shoring it up to prevent it from collapsing entirely, but neither received as much as a glance from the grey man that night. He scuttled down a side-street by the Hotel Krasnapolsky, turned left, in the direction of the docks, along the Oudezijds Voorburgwal canal, then turned right again and dipped into a maze of side-streets that obviously penetrated more and more deeply into the warehouse area of the town, one of the few areas not listed among the tourist attractions of Amsterdam. He was the easiest man to follow I’d ever come across. He looked neither to left nor right, far less behind him. I could have been riding an elephant ten paces behind him and he’d never have noticed.
I stopped at a corner and watched him make his way along a narrow, ill-lit and singularly unlovely street, lined exclusively by warehouses on both sides, tall five-storey buildings whose gabled roofs leaned out towards those on the other side of the street, lending an air of claustrophobic menace, of dark foreboding and brooding watchfulness which I didn’t much care for at all.
From the fact that the grey man had now broken into a shambling run I concluded that this excessive demonstration of zeal could only mean that he was near journey’s end, and I was right. Half-way along the street he ran up a set of handrailed steps, produced a key, opened a door and disappeared inside a warehouse. I followed at my leisure, but not too slowly, and glanced incuriously at the nameplate above the door of the warehouse: ‘Morgenstern and Muggenthaler’, the legend read. I’d never heard of the firm, but it was a name I’d be unlikely to forget. I passed on without breaking step.
It wasn’t much of an hotel room, I had to admit, but then it wasn’t much of an hotel to begin with. Just as the outside of the hotel was small and drab and paint-peeling and unprepossessing, so was the interior of the room. The few articles of furniture the room contained, which included a single bed and a sofa which obviously converted into a bed, had been sadly overtaken by the years since the long-dead days of their prime, if they’d ever had a prime. The carpet was threadbare, but nowhere near as threadbare as the curtains and bed coverlet: the tiny bathroom leading off the room had the floor space of a telephone-box. But the room was saved from complete disaster by a pair of redeeming features that would have lent a certain aura of desirability to even the bleakest of prison cells. Maggie and Belinda, perched side by side on the edge of the bed, looked at me without enthusiasm as I lowered myself wearily on to the couch.
‘Tweedledum and Tweedledee.’ I said. ‘All alone in wicked Amsterdam. Everything all right?’
‘No.’ There was a positive note in Belinda’s voice.
‘No?’ СКАЧАТЬ