The Turning Point: A gripping love story, keep the tissues close.... Freya North

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СКАЧАТЬ you’re not,’ said Frankie quietly.

      ‘No?’

      ‘Not at all,’ she said. ‘I spend most of my evenings with people who don’t exist – my characters – so this is welcome. Can I ask you, how do you write, how do you compose?’

      He sipped thoughtfully. Usually when he told people what he did they pretty quickly steered the conversation to wanting autographs, even phone numbers, of actors. No one had ever asked him how do you do it, how do you come up with the music, yet it was such an intrinsic part of his life.

      ‘Well,’ he said, ‘I’ll read the script and see what comes to me – like images or scenes come to you, so tunes come to me. Then, near the final cut, I’ll have a spotting session with the director and producer and we’ll discuss the various cues, then off I go. At that point, it’s probably not dissimilar to you – though the process and the output are different. You probably go about your day with a head full of words and dialogue, eh? So – my head’s full of disparate notes which tumble into melodies, feelings for rhythm, phrasing, which start to steady. Soon as I read a script – I hear it. It’s weird sometimes. Like the music’s already written, already exists out there in the ether, waiting for me to harness it. When I read dialogue something happens – I hear tone of voice in terms of musical tone, a conversation between characters carries melody, cacophony, harmony, dissonance. And I just take it from there, really. I play, I write, I’ll record.’ Surely he was talking too much, surely. But Frankie was alert, her face animated. ‘But like I said, I only play guitar, keyboard – so then my music and my directions are passed on to an orchestrator or an arranger and finally the fixer organizes professional musicians to really spin the magic and give gravitas and meaning to my simple notes.’

      ‘I never met one of you before,’ Frankie said quietly, with a shy smile.

      ‘Well, you’re my first children’s author,’ said Scott.

      Their eyes locked and silently, they marvelled. Of all the places. It’s here. It’s now.

      ‘You don’t like your food?’ He noticed she’d hardly touched it.

      ‘Olives,’ she said darkly, giving an emphatic shudder. ‘It’s full of olives.’

      ‘Here.’ He loaded his fork with his own food and passed it to her, insisting she try it.

      ‘You’re right,’ she said, ‘that’s the best steak and fries.’

      ‘You have mine,’ he said. ‘Please.’ And the creature of habit that’s Scott let his favourite dish go, happy enough to have to eat around the olives himself, happier still to watch Frankie tuck in.

      What was that feeling, that zip sensation? A heady chemical misfiring of excitement and unbalance, desire and calm. Chatting girls up in hotels was something he used to do so efficiently he could switch off part of himself in the process. It was a routine, motions, a set pattern that was self-centred and greedy. But the end product was never in doubt. He came, he went. Was that what he wanted tonight? In an hour, or two hours? No, strangely, no. Tonight wasn’t about edging towards something; it was about being in the moment. This wasn’t chatting up some girl, this was talking to a person he wanted to get to know. It was different and new and he wasn’t sure if he was doing it right. What he did know was that he liked her.

      ‘Norfolk?’ he said, clearing his throat and downing a glass of water. ‘But you once lived here, in the city?’

      Frankie dabbed her mouth with the napkin. She’d still missed the little smudge of sauce that Scott had been so taken with earlier. It felt natural, now, to take his napkin and wipe her cheek, smile at the way she was both grateful and a little embarrassed. She called herself a mucky pup.

      ‘It was a fresh start,’ she said. ‘I wanted a house, not a flat. I wanted space and the sea. I wanted peace, quiet. For my writing. For my children and me. I have two children. Sam – my son – is thirteen. Annabel – my daughter – she’s nine.’ There. That’s me. ‘But actually, it wasn’t just about geography and logistics. I wanted to be gone from what I knew.’ She thought how she’d put into words for Scott something she’d never expressed to anyone else. ‘I’d felt like I was stagnating, time tumbling on with me just rooted to a spot that wasn’t letting me grow. It was like being planted in a barren place.’

      Frankie saw him glance at her finger, note there was no ring.

      ‘I’m a single mum,’ she pre-empted.

      ‘So that’s a brave thing you did,’ he said and his voice was gentle, ‘finding a new place for you, your kids, on your own?’

      She shrugged. ‘Or mad – if you asked my sister Peta.’

      ‘Frank and Peter?’

      ‘Peta. Our mother wanted boys.’ She rolled her eyes and Scott really laughed.

      ‘They see their dad?’

      Again, the bluntness, the straightforward question unembellished. It could have sounded impertinent but it didn’t, it came across as thoughtful.

      ‘Sporadically,’ said Frankie. ‘He’s – unreliable. He’s mostly abroad.’

      Scott thought about this and looked steadily at Frankie. ‘Hard on you, hey?’

      She laughed that one off. ‘I’m used to it. It’s been a long time. I have a friend who summed up Miles as little more than an annoying fly on the windowpane of my life.’

      Scott nodded. They both nodded quietly, then he looked up at her quizzically. ‘She said what?’

      Frankie giggled. ‘My friend Kirsty talks a load of old bollocks sometimes.’

      Their laughter ebbed away but it left its vestige, like the reprise of a melody remaining in the air long after the song has faded out. Frankie thought, how do we keep this evening going?

      ‘Room for pudding?’ she said.

      ‘You betcha,’ he said. ‘Any idea where the washrooms are?’

      ‘Probably hidden inside a huge column of bamboo.’

      She watched him as he went, suddenly surprised by all the action in the busy foyer beyond; guests and their guests and bellboys and bags, the scents and the sounds and the comings and goings amplified by mood lighting and mirrors at strange angles. I am tingling, Frankie thought. It’s all mad and wonderful. A sudden recall of Ruth’s hairdresser randomly telling her it’s the time when you’re not looking that love finds you. Frankie hadn’t looked for ages, years really, because she truly believed the landscape of her life lacked nothing. But tonight? It felt as though her blood was infused with colour and sound and an energy she couldn’t believe was hers.

      Just then, in between their plates, on top of a napkin, Scott’s phone beamed into life and right there, between her drink and his, Jenna arrived on the scene like an unwanted guest.

      Who’s Jenna?

      Frankie deflated. The caller ID photo showed Scott and Jenna, cheek by cheek, cosy in woolly hats and snowy smiles, bathed in togetherness against a stunning winter landscape.

      And Frankie thought you stupid idiot – why wouldn’t there be a Jenna? СКАЧАТЬ