Linnet: A Romance. Allen Grant

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СКАЧАТЬ they paid comparatively little heed to what most of us regard as by far the most striking characteristic of Innsbruck – the great limestone crags that seem on every side to tower and overhang the very roofs of the city. They were accustomed, indeed, to crags, and made very small case of them. It was the houses, the shops, the noise, the crowd, the gaiety, that chiefly struck them. Innsbruck to Linnet was as a little Paris. But as they went on their way through the bustling streets, they came at last to a church door, which Linnet’s profound religious nature could hardly pass by without one minute’s prayer for Our Lady’s aid at this critical turning-point of her artistic history.

      Philippina, nothing loth, for her part, opined it could do them no harm to make favour above with the blessed saints for this evening’s work by a little Pater Noster. The blessed saints dearly love attentions: much may be done with them by a small wax candle! So they opened the door, and stepped into the Hofkirche.

      Even those of us who know well the world and its art, can remember vividly the strange start of surprise with which we gazed round for the first time on that oddest and most bizarre of Christian temples. It isn’t so much beautiful, indeed, as unexpected and startling. To push open the church door and find oneself at once ringed round and guarded close, as it were, by that great circle of mailed knights and bronze-wimpled ladies, who watch the long sleep of the kneeling Maximilian on his cenotaph in the centre, gives one a thrill of a novel sort from which some tinge of dim awe can hardly ever be wholly absent. There they stand, on their low pedestals, a congregation of bronze ancestors round their descendant’s tomb – Theodoric the Ostrogoth and King Arthur the Briton, Mary of Burgundy and Eleonora of Portugal – strange efforts of struggling art in its first faint steps towards the attainment of the beautiful – naïf, ungainly, crude, rising only once or twice within measurable distance of the ideal in the few figures cast in metal by Peter Vischer of Nuremberg. But to Linnet, a woman grown, instinct with the innate artistic taste of her countrymen, yet innocent till then of all forms of art save the saints and purgatories of her mountain chapels, the Hofkirche was a glimpse of some new and unseen world of infinite possibilities. She went through it all piecemeal with open-mouthed interest. Philippina could only laugh at the quaint vizors of the knights, the quainter dresses of the ladies. But Linnet was almost shocked Philippina should laugh at them. She herself half forgot her intended prayer to Our Lady in her delight and surprise at those wonderful figures and those beautiful bas-reliefs. She read all the names on the bases conscientiously; they didn’t mean much to her, to be sure – her historical ideas didn’t get as far as “Clovis, King of the Franks,” or even as “Count Frederick of Tyrol with the Empty Pockets”; but in a vague sort of way she gathered for herself that these were statues of archdukes and mighty heroes, keeping watch and ward silently round the great dead emperor who knelt in the centre on his marble sarcophagus. Good luck, too, attended them. The little hump-backed sacristan, seeing two pretty girls looking through the grating at the reliefs on its sides, relaxed his stony heart without the customary kreuzers, and admitted them within the railing to inspect at their leisure those exquisite pictures in marble which Thorwaldsen declared the most perfect work of their kind in the whole of Christendom. Philippina found the dresses quite grotesquely old-fashioned; but Linnet, hardly knowing why she lingered so long, gazed at each scene in detail with the profoundest interest.

      While down in the town Linnet was thus engaged, high up in the hills Will Deverill sat alone by Mrs Palmer’s side on an outcrop of rock near the summit of the Lanser Kopf. Florian had gone off for a minute or two round the corner by the mountain indicator, with the giggling inarticulates. Mrs Palmer, pointing her moral with the ferrule of her parasol on the grass in front of her, was discoursing to Will earnestly of his work and his prospects. “I want to see you do something really great, Mr Deverill,” she said, with genuine fervour, looking deep into his eyes; “something larger in scale and more worthy of your genius – something that gives full scope to your dramatic element. I don’t like to see you frittering away your talents on these exquisite little lyrics – beautiful gems in their way, to be sure, but that way not the highest. I want to see you settled down for a long spell of hard work at some big undertaking – an epic, a play, a grand opera, a masterpiece. I know you could do it if only you took the time. You should go to some quiet place where there’s nothing to distract you, and make your mind up to work, to write something more lasting than even that lovely Gwyn, or that exquisite Ossian!”

      Will looked down and sighed. ’Tis pleasant to be appreciated by a beautiful woman. And every man thinks, if he had but the chance, he could show the world yet the sort of stuff that’s in him. “I only wish I could,” he answered, regretfully. “But I’ve my living to earn. That ties me down still to the treadmill of journalism. When my holiday’s over – the first for two years – I must get back once more, well content, to Fleet Street and drudgery.”

      Mrs Palmer sighed too. She felt his difficulty. Her parasol played more nervously on the grass than before. She answered nothing, but she thought a great deal. How small a matter for her to secure this young poet whom she admired so much, six months of leisure for an immortal work – and yet, how impossible! There was only one way, she knew that very well; and the first step towards that way must come, not from her, but from this modest Will Deverill.

      ’Twas a passing thought, half formed, or scarce half formed, in the pretty widow’s mind. But nothing came of it. As she paused, and sighed, and played trembling with her parasol, and doubted what to answer him, Florian came up once more with the giggling inarticulates, “Well, Mr Wood?” she said, looking up, just by way of saying something, for the pause was an awkward one.

      “Pardon me,” the mannikin of culture answered in his impressive way; “my name is Florian.”

      “But I can’t call you so,” Mrs Palmer answered, recovering herself, with a merry little laugh.

      “It’s usual in Society,” Florian responded with truth. “Just ask Will Deverill.”

      Will nodded assent. “Quite true,” he admitted. “Men and women alike in London know him only as Florian. It’s a sort of privilege he has, an attribute of his own. He’s arrogated it to himself, and the world at large acquiesces in his whim, and grants it.”

      “It makes things seem so much more real and agreeable, you see, as Dick Swiveller said to the marchioness,” Florian continued blandly. “Now suppose we five form an elective family, a little brotherhood of our own, a freemasonry of culture, and call one another, like brothers and sisters, by our Christian names only! Wouldn’t that be delightful! I’ve just been explaining to Ethel and Eva that I mean henceforth to Ethel and Eva them. Soul gets nearer to soul without these flimsy barriers. I’m Florian; this is Will; and you, Mrs Palmer, your Christian name is – ?”

      The pretty widow drew back with a little look of alarm. “Oh no,” she said, shortly; “I never could tell you my given name for anything. It’s much too dreadful.” She pulled out a pencil from the pocket at her side. “See here,” she said to Will, writing down one word for him on the silver-cased tablets that hung pendant from her delicate Oriental chatelaine, “there’s a name, if you like, for two Puritan parents to burden the life of their poor innocent child with! Don’t tell Mr Wood – or Florian if he wishes it; he’d make fun of it behind my back, I’m perfectly certain. I know his way. To him nothing, not even a woman’s name, is sacred.”

      Will glanced at the word curiously. He couldn’t forbear a quiet smile. “It’s bad enough, I must admit,” he answered, perforce. The Vision of Beauty had been christened Jerusha!

      “But I make it Rue for short,” she added, after a moment, with a deprecating smile.

      Florian caught at the word, enraptured. “The very thing!” he cried, eagerly. “Capital, capital, capital! ‘There’s rue for you, and here’s some for me: we may call it herb-o’-grace o’ Sundays.’ But Rue shall be your weekday name for the Brotherhood. Let’s read the roll-call! Florian, Will, Rue, Ethel, Eva! Those are our СКАЧАТЬ