The Sociology of Slavery. Orlando Patterson
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Название: The Sociology of Slavery

Автор: Orlando Patterson

Издательство: John Wiley & Sons Limited

Жанр: Социология

Серия:

isbn: 9781509550999

isbn:

СКАЧАТЬ

      Copyright © Orlando Patterson 1967, 2022

      The right of Orlando Patterson to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

      First published in 1967 by MacGibbon & Kee Ltd

      This edition published in 2022 by Polity Press

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      All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

      ISBN-13: 978-1-5095-5099-9

      A catalogue record for this book is available from the British Library.

      Library of Congress Control Number: 2021951461

      The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate.

      Every effort has been made to trace all copyright holders, but if any have been overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition.

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      Formerly Enslaved Jamaicans (c 1870s)

      There were, however, other forces that pulled me to an engagement with European thought and culture, both in my study of slavery and on the development of Europe’s culture of freedom. I arrived in London to begin my research on slavery in 1962, in what was to be the most exciting decade in the modern cultural history of Britain. I soon became deeply immersed in three networks of friends and fellow intellectuals: the West Indian student community, focused on the West Indian Student Centre in Collingham Gardens, Earls Court; the newly emerged New Left Review group that had broken off from the old Oxford New Left; and the literary group of West Indian writers and artists that came to be known as the Caribbean Artists’ Movement, founded mainly by the poet-historian Edward Kamau Brathwaite, its first meeting being held at my flat in London.2 My involvement with the West Indian Students’ Union mainly kept alive my engagement with the broader West Indian society, in much the same way that the University of the West Indies (UWI) had earlier done, and my commitment to return to Jamaica to give back and help in its post-colonial development, a necessary pull, in view of the nearly irresistible temptations of intellectual and cultural life in Britain of the sixties.