Hyperculture. Byung-Chul Han
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Название: Hyperculture

Автор: Byung-Chul Han

Издательство: John Wiley & Sons Limited

Жанр: Афоризмы и цитаты

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isbn: 9781509546183

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СКАЧАТЬ

      Culture and Globalization

      Byung-Chul Han

      Translated by Daniel Steuer

      polity

      Originally published in German as Hyperkulturalität: Kultur und Globalisierung © Merve Verlag, 2005

      This English edition © Polity Press, 2022

      Excerpt from: Peter Handke, Am Felsfenster morgens (und andere Ortszeiten 1982–1987) © Suhrkamp Verlag, Berlin, 2019

      Excerpt from: Peter Handke, Phantasien der Wiederholung © Suhrkamp Verlag, Frankfurt am Main, 1983. All rights reserved by and controlled through Suhrkamp Verlag.

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      ISBN-13: 978-1-5095-4618-3

      A catalogue record for this book is available from the British Library.

      Library of Congress Control Number: 2021942107

      Excerpt from: Peter Handke, Phantasien der Wiederholung. © Suhrkamp Verlag Frankfurt am Main

      1983. Alle Rechte bei und vorbehalten durch Suhrkamp Verlag Berlin.

      Excerpt from: Peter Handke, Am Felsfenster morgens (und andere Ortszeiten 1982–1987).

      © Suhrkamp Verlag Berlin 2019.

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      But the fear of the new is often as strong as the fear of the void, even when the new is the overcoming of the void. That explains why the many only see absurd chaos where a new meaning seeks to introduce its order. Indeed, the old nomos is fading away, dragging the whole system of redundant standards, norms, and traditions with it in its fall. But what is coming is not therefore devoid of standards, is not a pure nothingness, inimical to any nomos. Even in the fiercest struggle between old and new forces just standards emerge and meaningful proportions form.

      Here, too, are gods that rule.

      Ample are their bounds.

      Carl Schmitt1

      1 1. Carl Schmitt, Land and Sea, trans. Simona Draghici, Washington, DC: Plutarch Press, 1997, p. 59 (transl. amended).

      Where do you want to go today?

      Microsoft

      The British ethnologist Nigel Barley once expressed the suspicion that ‘the true key to the future’ was ‘that fundamental concepts such as culture will cease to exist’. We are all, Barley said, ‘more or less tourists in Hawaiian shirts’.1 After the end of culture, should the new human being simply be called ‘tourist’? Or are we at long last living in a culture that affords us the freedom to spread into the wide open world? If we are, how might we describe this new culture?

      1 1. See Der Spiegel, 44/2000.

      In his Lectures on the Philosophy of History, Hegel offers the following remark on the genesis of Greek culture: ‘We have just spoken of heterogeneity [Fremdartigkeit] as an element of the Greek Spirit, and it is well known that the rudiments of Greek civilization are connected with the advent of foreigners.’ It was thus the ‘advent of foreigners’ that constituted Greek culture. With ‘grateful recollection’, he says, the Greeks preserved the arrival of the foreigners in their mythology.1 Prometheus, for instance, originates from the Caucasus. The Greek people developed ‘from a colluvies’.2 The original meaning of ‘colluvies’ is mud, filth, hotchpotch, confusion, or muddle.