Short Stories / Рассказы. О. Генри

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СКАЧАТЬ young tenant in the chair allowed these thoughts to file, soft-shod, through his mind, while there drifted into the room furnished sounds and furnished scents. He heard in one room a tittering and incontinent, slack laughter; in others the monologue of a scold, the rattling of dice, a lullaby, and one crying dully; above him a banjo tinkled with spirit. Doors banged somewhere; the elevated trains roared intermittently; a cat yowled miserably upon a back fence. And he breathed the breath of the house – a dank savour rather than a smell – a cold, musty effluvium as from underground vaults mingled with the reeking exhalations of linoleum and mildewed and rotten woodwork.

      Then, suddenly, as he rested there, the room was filled with the strong, sweet odour of mignonette. It came as upon a single buffet of wind with such sureness and fragrance and emphasis that it almost seemed a living visitant. And the man cried aloud: “What, dear?” as if he had been called, and sprang up and faced about. The rich odour clung to him and wrapped him around. He reached out his arms for it, all his senses for the time confused and commingled. How could one be peremptorily called by an odour? Surely it must have been a sound. But, was it not the sound that had touched, that had caressed him?

      “She has been in this room,” he cried, and he sprang to wrest from it a token, for he knew he would recognize the smallest thing that had belonged to her or that she had touched. This enveloping scent of mignonette, the odour that she had loved and made her own – whence came it?

      The room had been but carelessly set in order. Scattered upon the flimsy dresser scarf were half a dozen hairpins – those discreet, indistinguishable friends of womankind, feminine of gender, infinite of mood and uncommunicative of tense. These he ignored, conscious of their triumphant lack of identity. Ransacking the drawers of the dresser he came upon a discarded, tiny, ragged handkerchief. He pressed it to his face. It was racy and insolent with heliotrope; he hurled it to the floor. In another drawer he found odd buttons, a theatre programme, a pawnbroker’s card, two lost marshmallows, a book on the divination of dreams. In the last was a woman’s black satin hair bow, which halted him, poised between ice and fire. But the black satin hair-bow also is femininity’s demure, impersonal, common ornament, and tells no tales.

      And then he traversed the room like a hound on the scent, skimming the walls, considering the corners of the bulging matting on his hands and knees, rummaging mantel and tables, the curtains and hangings, the drunken cabinet in the corner, for a visible sign, unable to perceive that she was there beside, around, against, within, above him, clinging to him, wooing him, calling him so poignantly through the finer senses that even his grosser ones became cognisant of the call. Once again he answered loudly: “Yes, dear!” and turned, wild-eyed, to gaze on vacancy, for he could not yet discern form and colour and love and outstretched arms in the odour of mignonette. Oh, God! whence that odour, and since when have odours had a voice to call? Thus he groped.

      He burrowed in crevices and corners, and found corks and cigarettes. These he passed in passive contempt. But once he found in a fold of the matting a half-smoked cigar, and this he ground beneath his heel with a green and trenchant oath. He sifted the room from end to end. He found dreary and ignoble small records of many a peripatetic tenant; but of her whom he sought, and who may have lodged there, and whose spirit seemed to hover there, he found no trace.

      And then he thought of the housekeeper.

      He ran from the haunted room downstairs and to a door that showed a crack of light. She came out to his knock. He smothered his excitement as best he could.

      “Will you tell me, madam,” he besought her, “who occupied the room I have before I came?”

      “Yes, sir. I can tell you again. ’Twas Sprowls and Mooney, as I said. Miss Bretta Sprowls it was in the theatres, but Missis Mooney she was. My house is well known for respectability. The marriage certificate hung, framed, on a nail over – ”

      “What kind of a lady was Miss Sprowls – in looks, I mean?”

      “Why, black-haired, sir, short, and stout, with a comical face. They left a week ago Tuesday.”

      “And before they occupied it?”

      “Why, there was a single gentleman connected with the draying business. He left owing me a week. Before him was Missis Crowder and her two children, that stayed four months; and back of them was old Mr Doyle, whose sons paid for him. He kept the room six months. That goes back a year, sir, and further I do not remember.”

      He thanked her and crept back to his room. The room was dead. The essence that had vivified it was gone. The perfume of mignonette had departed. In its place was the old, stale odour of mouldy house furniture, of atmosphere in storage.

      The ebbing of his hope drained his faith. He sat staring at the yellow, singing gaslight. Soon he walked to the bed and began to tear the sheets into strips. With the blade of his knife he drove them tightly into every crevice around windows and door. When all was snug and taut he turned out the light, turned the gas full on again and laid himself gratefully upon the bed.

* * *

      It was Mrs McCool’s night to go with the can for beer. So she fetched it and sat with Mrs Purdy in one of those subterranean retreats where house-keepers foregather and the worm diets seldom.

      “I rented out my third floor, back, this evening,” said Mrs Purdy, across a fine circle of foam. “A young man took it. He went up to bed two hours ago.”

      “Now, did ye, Mrs Purdy, ma’am?” said Mrs McCool, with intense admiration. “You do be a wonder for rentin’ rooms of that kind. And did ye tell him, then?” she concluded in a husky whisper, laden with mystery.

      “Rooms,” said Mrs Purdy, in her furriest tones, “are furnished for to rent. I did not tell him, Mrs McCool.”

      “’Tis right ye are, ma’am; ’tis by renting rooms we kape alive. Ye have the rale sense for business, ma’am. There be many people will rayjict the rentin’ of a room if they be tould a suicide has been after dyin’ in the bed of it.”

      “As you say, we has our living to be making,” remarked Mrs Purdy.

      “Yis, ma’am; ’tis true. ’Tis just one wake ago this day I helped ye lay out the third floor, back. A pretty slip of a colleen she was to be killin’ herself wid the gas – a swate little face she had, Mrs Purdy, ma’am.”

      “She’d a-been called handsome, as you say,” said Mrs Purdy, assenting but critical, “but for that mole she had a-growin’ by her left eyebrow. Do fill up your glass again, Mrs McCool.”

      The Trimmed Lamp

      Of course there are two sides to the question. Let us look at the other. We often hear “shop-girls” spoken of. No such persons exist. There are girls who work in shops. They make their living that way. But why turn their occupation into an adjective? Let us be fair. We do not refer to the girls who live on Fifth Avenue as “marriage-girls.”

      Lou and Nancy were chums. They came to the big city to find work because there was not enough to eat at their homes to go around. Nancy was nineteen; Lou was twenty. Both were pretty, active, country girls who had no ambition to go on the stage.

      The little cherub that sits up aloft guided them to a cheap and respectable boarding-house. Both found positions and became wage-earners. They remained chums. It is at the end of six months that I would beg you to step forward and be introduced to them. Meddlesome Reader: My Lady friends, Miss Nancy and Miss Lou. While you are shaking hands please take notice – cautiously – of their attire. Yes, cautiously; for they are as quick to resent a stare as a lady in a box at the horse show is.

      Lou is a piece-work СКАЧАТЬ