The Venus of Milo: an archeological study of the goddess of womanhood. Paul Carus

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      Published by Good Press, 2019

       [email protected]

      EAN 4064066247232

Table of Contents

       THE DISCOVERY OF A RARE ART TREASURE.

       DUMONT D’URVILLE’S REPORT.

       VISCOUNT MARCELLUS ON HIS “SOUVENIRS.”

       DEBAY’S DRAWING.

       A DESCRIPTION OF THE STATUE.

       RESTORATIONS.

       RECENT THEORIES.

       WHAT THE FACTS REVEAL.

       THE MEANING OF “APHRODITE.”

       THE CULT OF APHRODITE.

       THE GODDESS OF WAR.

       THE DESCENT INTO HADES.

       THE MAGNA DEA OF THE NATIONS.

       THE ORIGIN OF WOMAN.

       APHRODITE IN ART.

       CLASSICAL HYMNS.

       INDEX.

THE DISCOVERY OF A RARE ART TREASURE.

       Table of Contents

      MELOS (Italian Milo), one of the smallest Greek islands, would scarcely be known at all except to specialists in geography or ancient history, had not a happy accident brought to light on one of its hillsides that most beautiful piece of sculpture which ever since its discovery has been known as the Venus of Milo.

      Melon means apple, and the island of Melos (the “apple island”) belongs to the Cyclades, being the most southern and western member of that group. It lies almost straight west from the southern tip of the Peloponnesus and in a direction south to south-west from Athens.

      Melos was inhabited in ancient times by Dorians who sympathized with Sparta against Athens, but when the Athenians conquered it after a most stubborn resistance they slaughtered the entire Dorian male population and replaced them by Athenian colonists. Since then the island remained absolutely faithful to Athens, in fact it was the last possession which still belonged to Athens when the Ionian confederacy broke up, and the friendly relations between Melos and her metropolis continued even after Greece had become a Roman province.