Contempory Netsuke. Miriam Kinsey
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Название: Contempory Netsuke

Автор: Miriam Kinsey

Издательство: Ingram

Жанр: Сделай Сам

Серия:

isbn: 9781462908912

isbn:

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      Contemporary Netsuke

      1 (Frontispiece). INRO, OJIME, AND NETSUKE. Inro by Koma Yasu-masa (also known as Koma Ankyo; d. 1715). Netsuke and ojime unsigned, c. 18th century. Courtesy of Virginia Atchley. (Enlargement: 1.7 times)

      with a Foreword by Hans Conried

      Photographs by Tomo-o Ogita

       and Tsune Sugimura

      Sketches by Adelheid Roth Roscher

      CHARLES E. TUTTLE COMPANY

       Rutland • Vermont : Tokyo • Japan

      REPRESENTATIVES

      For Continental Europe:

       BOXERBOOKS, INC., Zurich

      For the British Isles:

       PRENTICE-HALL INTERNATIONAL, Inc., London

      For Canada:

       HURTIG PUBLISHERS, Edmonton

      For Australasia:

       BOOK WISE (AUSTRALIA) PTY. LTD.

       104-108 Sussex Street, Sydney

      Published by the Charles E. Tuttle Company, Inc.

       of Rutland, Vermont & Tokyo, Japan

       with editorial offices at

       Osaki Shinagawa-ku, Tokyo 141-0032

      Copyright in Japan, 1977

       by Charles E. Tuttle Co., Inc.

      All rights reserved

      Library of Congress Catalog Card No. 77-072596

       ISBN: 978-1-4629-0891-2 (ebook)

      Book design, typography, and layout

       by F. Sakade and H. Doki

      First printing, 1977

      PRINTED IN JAPAN

      To my husband Bob

       and

       To all who are keeping

       the art of netsuke carving alive

      Table of Contents

List of Illustrations 13
Foreword by Hans Conried 17
Acknowledgments 19
Photographers' Notes 22
Introduction 25
PART ONE
CHAPTER 1: Background 29
Netsuke and Sculptural Art 29
Early Period (c. 157-1780) 29
The Golden Age (c. 1780-1850) 31
Decline (c. 1850-75) 32
The Beginning of the Collecting Era (c. 1875) 32
The Post-Restoration Period (c. 1875-1925) 34
The Contemporary Period (c. 1925-present) 35
CHAPTER 2: Contemporary Netsuke 36
Evaluation 36
Types of Netsuke 59
Marketing 59
Carvers 61
CHAPTER 3: Subject Matter 64
Subjects 64
Sources 65
Expression 66
Individuality 66
Favorite Folktales Illustrated 83
CHAPTER 4: Collecting Contemporary Netsuke 94
Collectors 94
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