THE EXPLOITS OF ELAINE (& Its Sequel The Romance of Elaine). Arthur B. Reeve

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      Chapter I

      The Clutching Hand

       Table of Contents

      “Jameson, here’s a story I wish you’d follow up,” remarked the managing editor of the Star to me one evening after I had turned in an assignment of the late afternoon.

      He handed me a clipping from the evening edition of the Star and I quickly ran my eye over the headline:

      “THE CLUTCHING HAND” WINS AGAIN

      NEW YORK’S MYSTERIOUS MASTER CRIMINAL

       PERFECTS ANOTHER COUP

      City police completely baffled

      “Here’s this murder of Fletcher, the retired banker and trustee of the University,” he explained. “Not a clue—except a warning letter signed with this mysterious clutching fist. Last week it was the robbery of the Haxworth jewels and the killing of old Haxworth. Again that curious sign of the hand. Then there was the dastardly attempt on Sherburne, the steel magnate. Not a trace of the assailant except this same clutching fist. So it has gone, Jameson—the most alarming and most inexplicable series of murders that has ever happened in this country. And nothing but this uncanny hand to trace them by.”

      The editor paused a moment, then exclaimed, “Why, this fellow seems to take a diabolical—I might almost say pathological— pleasure in crimes of violence, revenge, avarice and self-protection. Sometimes it seems as if he delights in the pure deviltry of the thing. It is weird.”

      He leaned over and spoke in a low, tense tone. “Strangest of all, the tip has just come to us that Fletcher, Haxworth, Sherburne and all the rest of those wealthy men were insured in the Consolidated Mutual Life. Now, Jameson, I want you to find Taylor Dodge, the president, and interview him. Get what you can, at any cost.”

      I had naturally thought first of Kennedy, but there was no time now to call him up and, besides, I must see Dodge immediately.

      Dodge, I discovered over the telephone, was not at home, nor at any of the clubs to which he belonged. Late though it was I concluded that he was at his office. No amount of persuasion could get me past the door, and, though I found out later and shall tell soon what was going on there, I determined, about nine o’clock, that the best way to get at Dodge was to go to his house on Fifth Avenue, if I had to camp on his front doorstep until morning. The harder I found the story to get, the more I wanted it.

      With some misgivings about being admitted, I rang the bell of the splendid, though not very modern, Dodge residence. An English butler, with a nose that must have been his fortune, opened the door and gravely informed me that Mr. Dodge was not at home, but was expected at any moment.

      Once in, I was not going lightly to give up that advantage. I bethought myself of his daughter, Elaine, one of the most popular debutantes of the season, and sent in my card to her, on a chance of interesting her and seeing her father, writing on the bottom of the card: “Would like to interview Mr. Dodge regarding Clutching Hand.”

      Summoning up what assurance I had, which is sometimes considerable, I followed the butler down the hall as he bore my card. As he opened the door of the drawing room I caught a vision of a slip of a girl, in an evening gown.

      Elaine Dodge was both the ingenue and the athlete—the thoroughly modern type of girl—equally at home with tennis and tango, table talk and tea. Vivacious eyes that hinted at a stunning amber brown sparkled beneath masses of the most wonderful auburn hair. Her pearly teeth, when she smiled, were marvellous. And she smiled often, for life to her seemed a continuous film of enjoyment.

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