The River House. Margaret Leroy

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       Acclaim for Margaret Leroy’s The River House

      “In some ways The River House reads like a suspense novel written by Richard Yates. Leroy handles marriage and domestic life with the same graceful, precise, rueful style as the late novelist did, though with a warmer, more hopeful intelligence… Leroy elucidates Ginnie’s moral conundrum beautifully. Although there is never much doubt as to what Ginnie will do, it’s how she does it that provides considerable suspense.” — Washington Post

      “Leroy delineates Ginnie’s diffidence in a deliberately hypnotic, masterly fashion. Her quiet, self-assured narrative voice delivers tremendous psychological depth and emotional resonance.”

      —Kirkus Reviews

      “Leroy’s sensuously ethereal, subtly electric drama discerningly probes the affective fragility of a woman struggling to preserve all she holds dear, without losing herself in the process.”

      —Booklist

      “Margaret Leroy, who also wrote the excellent Postcards from Berlin, makes you care about her characters, who feel so real that you know they must be out there leading the lives she talks about… Settle down in a deep armchair or hammock with The River House, and make sure you’re comfortable—you won’t want to get up for a while.” —BookLoons

      “This gripping suspense novel by British author Margaret Leroy is more about the complex relationships between people than it is about crime. Leroy expertly draws a picture of a woman and a family in crisis and the moral questions one sometimes has to face.”

      — Toronto Sun

       Acclaim for Margaret Leroy’s The Perfect Mother A New York Times Notable Book of the Year

      “It’s a premise familiar from some of Hitchcock’s best movies: seemingly upright people, through no fault of their own, see their lives unravel before their eyes. Margaret Leroy’s [The Perfect Mother] taps the compelling emotions inherent in that storyline.” —Seattle Times

      “Written with a wonderfully convincing authority… I was eager to find out what happened next. I dreaded the worst and I hoped for the best—and I won’t tell you which happens.”

      —New York Times

      “The novel reads like a thriller and is brilliant at portraying the slow, steady disintegration of a seemingly ordinary life when secrets are unearthed and dark suspicions spread.”

      —Baltimore Sun

       Acclaim for Margaret Leroy’s The Drowning Girl

      “Margaret Leroy’s eerily lovely novel [The Drowning Girl] is one of those rare books you’ll sit with till your bones ache.” —Oprah Magazine

      “This is a really special book. Sylvie’s vulnerability is so powerfully drawn, so flesh-and-blood real, that you want to reach into the pages and protect her yourself.”

      —Louise Candlish

      “Every once in a blue moon, a masterful writer dives into Gothic waters and emerges with a novel that—like Daphne du Maurier’s Rebecca, Henry James’s The Turn of the Screw, or, more recently, Patrick McGrath’s Asylum—simultaneously celebrates and transcends the genre. Welcome Margaret Leroy to the clan. Haunted and haunting, [The Drowning Girl] is a wonderfully original, deliciously suspenseful mystery.” —Publishers Weekly

      “This book is perfect for anyone wanting an intriguing story which is also well-written and moving.”

      —Adele Geras

      “This book was compelling from the first chapter. Margaret Leroy’s twists are carefully orchestrated so Grace had my sympathy and understanding. It is a book I will never forget. Read it—it is such a refreshing change from the usual frothy stories.”

      —Candis

       The

      River

       House

      MARGARET LEROY