The Spirit Stone. Katharine Kerr

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COPYRIGHT

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      HarperVoyager

      An imprint of HarperCollinsPublishers Ltd.

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      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by HarperCollinsPublishers 2007

      Copyright © Katharine Kerr 2007

      Katharine Kerr asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or here in after invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007128730

      Ebook Edition © JULY 2014 ISBN: 9780007371167

      Version: 2017-05-02

DEDICATION

      For all my readers without whom this series would not have existed

      CONTENTS

       Cover

       Title Page

Copyright

Dedication

Prologue: The Northlands Summer, 1159

Part I: Dun Deverry and The Westlands Spring, 983

       Part II: The Westlands 1159

       Keep Reading

       Author’s Note

       Glossary

       Appendices

       About the Author

       Also by the Author

       About the Publisher

PROLOGUE

       The Northlands Summer, 1159

      In some sense, every magician is a weaver, merely one who works with invisible strands of the hidden light. With it we weave our various forms, just as a weaver produces cloth, and then stitch them into the images we desire, just as a tailor sews cloth into a tunic or robe. If we be journeymen in our craft, forces will come to inhabit our forms, just as a person will come to buy the tunic and place it over his body. But if we have plumbed the secret recesses of our art, if we are masters of our craft, then we can both weave the forms and place our own bodies within them.

       The Pseudo-Iamblichos Scroll

      Two men of the Mountain Folk sat on a ledge halfway up a cliff and took the sun. Below them, at the foot of a cascade of stone steps, a grassy park land spread out on either side of a river that emerged from the base of the cliff. Just behind them, a stone landing led to a pair of massive steel-bound doors, open at the moment to let the fresh summer air into the rock-cut city of Lin Serr. Kov, son of Kovolla, was attending upon Chief Envoy Garin, son of Garinna, while this important personage nursed a case of bad bruises and a swollen ankle. A few days previously Garin had been talking to a friend as they hurried down these same steps; a careless engrossment in the conversation had sent him tumbling down two full flights.

      ‘Sunlight’s the best thing for the bruises,’ Kov told him. ‘Or that’s what the healers told me, anyway.’

      Garin muttered a brief oath, then continued blinking and scowling at the brilliant summer light. He’s getting old, Kov thought, ready to stay in the deep city forever, like all the old people do. At a mere eighty-four years, Kov was young for one of the Mountain Folk and still drawn by life above ground.

      ‘Well,’ Kov continued, ‘the sun’s supposed to help strengthen your blood.’

      ‘Doubtless,’ Garin said. ‘I’m out here, aren’t I?’

      Kov let the matter drop. From where they sat, Kov could look across the park land and watch the workmen raising stone blocks into position on the new wall. The city sat in the precise middle of a horseshoe of high cliffs, dug out from the earth and shaped by dwarven labour. Eventually the wall would run from one end of the horseshoe across to the high watchtower СКАЧАТЬ