A Prairie Infanta. Brodhead Eva Wilder

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      CHAPTER ONE

      THE POWER OF CONSOLATION

      At the first glance there appeared to be nothing unusual in the scene confronting Miss Jane Combs as she stood, broad and heavy, in her doorway that May morning, looking up and down the single street of the little Colorado mining-town.

      Jane's house was broad and heavy also – a rough, paintless "shack," which she had built after her own ideals on a treeless "forty" just beyond the limits of Aguilar. It was like herself in having nothing about it calculated to win the eye.

      Jane, with her rugged, middle-aged face, baggy blouse, hob-nailed shoes and man's hat, was so unfeminine a figure as she plowed and planted her little vega, that some village wag had once referred to her as "Annie Laurie." Because of its happy absurdity the name long clung to Jane; but despite such small jests every one respected her sterling traits, – every one, that is, except Señora Vigil, who lived hard by in a mud house like a bird's nest, and who cherished a grudge against her neighbor.

      For, years before, when Jane's "forty" was measured off by the surveyor, it had been developed that the Vigil homestead was out of bounds, and that a small strip of its back yard belonged in the Combs tract. Jane would have waived her right, but the surveyor said that the land office could not "muddle up" the records in any such way; she must take her land. And Jane had taken it, knowing, however, that thereafter even the youngest Vigil, aged about ten months, would regard her as an enemy.

      Just now, too, as Alejandro Vigil, a ragged lad with a scarlet cap on his black head, went by, driving his goats to pasture, he had said "rogue!" under his breath. Jane sighed at the word, and her eyes followed him sadly up the road, little thinking her glance was to take in something which should print itself forever in her memory, and make this day different from all other days.

      In the clear sun everything was sharply defined. From the Mexican end of town, – the old "plaza," – which antedated coal-mines and Americanisms, gleamed the little gold cross of the adobe Church of San Antonio. Around it were green, tall cottonwoods and the straggling mud-houses and pungent goat-corrals of its people. Toward the cañon rose the tipple and fans of the Dauntless colliery, banked in slack and slate, and surrounded by paintless mine-houses, while to the right swept the ugly shape of the company's store. The mine end of the town was not pretty, nor was it quiet, like the plaza. Just at present the whistle was blowing, and throngs of miners were gathering at the mouth of the slope. From above clamored the first "trip" of cars. Day and its work had begun.

      Alejandro's red cap was a mere speck in the cañon, and his herd was sprinkled, like bread-crumbs, over the slaty hills. But over in the Vigil yard the numberless other little Vigils were to be seen, and Jane, as she looked, began to see that some sort of excitement was stirring them. The señora herself stood staring, wide-eyed and curious. Ana Vigil, her eldest girl, was pointing. Attention seemed to be directed toward something at the foot of the hill behind Jane's house, and she turned to see what was going on there.

      A covered wagon, of the prairie-schooner type, was drawn up at the foot of the rise. Three horses were hobbled near by, and a little fire smoked itself out, untended. The whole thing meant merely the night halt of some farer to the mountains. Jane, about to turn away, saw something, however, which held her. In the shadow of the wagon the doctor's buggy disclosed itself. Some one lay ill under the tunnel of canvas.

      She had just said this to herself when out upon the sunny stillness rang a sharp, lamentable cry, such as a child might utter in an extremity of fear or pain. The sound seemed to strike a sudden horror upon the day's bright face, and Jane shivered. She made an impulsive step out into her corn-field, hardly knowing what she meant to do. And then she saw the doctor alighting from the wagon, and pausing to speak to a man who followed him.

      This man wore a broad felt hat, whose peaked crown was bound in a silver cord which glittered gaily above the startled whiteness of his face. He had on buckskin trousers, and there was a dash of color at his waist, like a girdle, which gave a sort of theatric air to his gesture as he threw up his arms wildly and turned away.

      The doctor seemed perplexed. He looked distractedly about, and seeing Jane Combs in her field, called to her and came running. He reached the fence breathless, for he was neither so young nor so slim as the man leaning weeping against the wagon-step.

      "Will you go over there, Miss Combs?" he panted. "There's a poor woman in that wagon breathing her last. They were on their way from Taos to Cripple Creek – been camping along the way for some time. Probably they struck bad water somewhere. She's had a low fever. The husband – Keene, his name is – came for me at daybreak, but it was too late. She seems to be a Mexican, though the man isn't. What I want you to do is to look after a child – a little girl of ten or twelve – who is there with her mother. She must be brought away. Did you hear her cry out just now? – that desperate wail? We'd just told her!"

      "I guess everybody heard it," said Jane. Mechanically she withdrew the bolt of the gate, which forthwith collapsed in a tangle of barbed wire. Tramping over this snare, Jane faced the doctor as he wiped his brows. "I aint much hand with children," she reminded him. "You better send Señora Vigil, too."

      As she strode toward the wagon, the man in the sombrero looked up. He was good-looking, in a girlish sort of way, with a fair skin and blue eyes. A lock of damp, yellow hair fell over his forehead, and he kept pushing it back as if it confused and blinded him.

      "Go in, ma'am – go in!" he said, brokenly. "Though I do not reckon any one can do much for her. Poor Margarita! I wish I'd made her life easier – but luck was against me! Go in, ma'am!"

      As Jane, clutching the iron brace, clambered up the step and pulled back the canvas curtain, the inner darkness struck blank upon her sun-blinded eyes. Then presently a stretch of red stuff, zigzagged with arrow-heads of white and orange and green, grew distinct, and under the thick sweep of the Navajo blanket, the impression of a long, still shape. The face on the flat pillow was also still, with closed eyes whose lashes lay dark upon the lucid brown of the cheek. A braid of black hair, shining like a rope of silk, hung over the Indian rug. Heavy it hung, in a lifeless fall, which told Jane that she was too late for any last service to the stranger lying before her under the scarlet cover.

      Neither human kindness nor anything could touch her farther. "The tale of what we are" was ended for her; and from the peace of the quiet lips it seemed as if the close had been entirely free of bitterness or pain. Jane moved toward the sleeper. She meant to lay the hands together, as she remembered her mother's had been laid long ago in the stricken gloom of the Kansas farmhouse which had been her home; but suddenly there was a movement at her feet, and she stopped, having stumbled over some living thing in the shadows of the couch, something that stirred and struggled and gasped passionately, "Vamos! Vamos!"

      Such was the wrathful force of this voice which, with so little courtesy, bade the intruder begone, as fairly to stagger the well-meaning visitor.

      "I want to help you, my poor child!" Jane said. And her bosom throbbed at the sight of the little, stony face now lifted upon her from the dusk of the floor – a face with a fierce gleam in its dark eyes, and clouded with a wild array of black hair in which was knotted and twisted a fantastic faja of green wool, narrowly woven.

      "I ask no help!" said the child, in very good English. "Only that you go away! We – we want to be by ourselves, here – " suddenly she broke off, glancing piteously toward the couch, and crying out in a changed, husky voice, "Madre mia! muerta! muerta!"

      A ray of sunshine sped into the wagon as some hand outside withdrew the rear curtain a little. It shot a sharp radiance through the red and orange of the Indian blanket, and flashed across the array of tin and copper cooking things hung against one of the arching ribs of the canvas hood. Also it disclosed how slight and СКАЧАТЬ