Expositor's Bible: The Gospel of St Luke. Henry Burton

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      Expositor's Bible: The Gospel of St Luke

      CHAPTER I.

       THE GENESIS OF THE GOSPEL

      The four walls and the twelve gates of the Seer looked in different directions, but together they guarded, and opened into, one City of God. So the four Gospels look in different directions; each has its own peculiar aspect and inscription; but together they lead towards, and unveil, one Christ, "which is, and which was, and which is to come, the Almighty." They are the successive quarterings of the one Light. We call them "four" Gospels, though in reality they form but one, just as the seven arches of colour weave one bow; and that there should be four, and not three or five, was the purpose and design of the Mind which is above all minds. There are "diversities of operations" even in making Testaments, New or Old; but it is one Spirit who is "over all, and in all;" and back of all diversity is a heavenly unity – a unity that is not broken, but rather beautified, by the variety of its component parts.

      Turning to the third Gospel, its opening sentences strike a key-note unlike the tone of the other three. Matthew, the Levite Apostle, schooled in the receipt of custom – where parleying and preambling were not allowed – goes to his subject with sharp abruptness, beginning his story with a "genesis," "the book of the generation of Jesus Christ." Mark, too, and John, without staying for any prelude, proceed at once to their portrayals of the Divine Life, each starting with the same word "beginning" – though between the "beginning" of St. Mark and that of St. John there is room for an eternity. St. Luke, on the other hand, stays to give to his Gospel a somewhat lengthy preface, a kind of vestibule, where we become acquainted with the presence and personality of the verger, before passing within the temple proper.

      It is true the Evangelist does not here inscribe his name; it is true that after inserting these lines of explanation, he loses sight of himself completely, with a "sublime repressing of himself" such as John did not know; but that he here throws the shadow of himself upon the page of Scripture, calling the attention of all people and ages to the "me also," shows clearly that the personal element cannot be eliminated from the question of inspiration. Light is the same in its nature; it moves only in straight lines; it is governed by fixed laws; but in its reflections it is infinitely varied, turning to purple, blue, or gold, according to the nature of the medium and reflecting substance. And what, indeed, is beauty, what the harmony of colours, but the visible music as the same light plays upon the diverse keys? Exactly the same law rules in inspiration. As the Divine Love needed an incarnation, an enshrining in human flesh, that the Divine Word might be vocal, so the Divine Light needs its incarnation too. Indeed, we can scarcely conceive of any revelation of the Divine Mind but as coming through a human mind. It needs the human element to analyze and to throw it forward, just as the electric spark needs the dull carbon-point to make it visible. Heaven and earth are here, as elsewhere, "threads of the same loom," and if we take out one, even the earthly woof of the humanities, we leave only a tangle; and if it is true of works of art that "to know them we must know the man who produced them," it is equally important, if we would know the Scripture, that we have some knowledge of the scribe. And especially important is it here, for there are few books of Scripture on which the writer's own personality is more deeply impressed than on the Gospel of St. Luke. The "me also" is only legible in the third verse, but we may read it, between the lines, through the whole Gospel.

      Concerning the life of St. Luke the facts are few. It has been thought by some that he was one of the "certain Greeks" who came to Jerusalem to worship; while others, again, suppose him to be the nameless one of the two Emmaus travellers. But both these suppositions are set aside by the fact that the Evangelist carefully separates himself from those who were "eye-witnesses," which he could not well have done had he taken part in those closing scenes of the Lord's life, or had he been honoured with that "infallible proof" of the Lord's resurrection. That he was a Gentile is evident; his speech bewrayeth him; for he speaks with a Grecian accent, while Greek idioms are sprinkled over his pages. Indeed, St. Paul speaks of him as not being of the "circumcision" (Col. iv. 11, 14), and he himself, in Acts i. 19, speaks of the dwellers at Jerusalem, and the Aceldama of "their" proper tongue. Tradition, with unanimous voice, represents him as a native of Antioch, in Syria.

      Responding to the Divine Voice that bids him "write," St. Luke brings to the task new and special qualifications. Familiar with the Old Testament Scriptures – at least in their Septuagint form, as his many quotations show – intimately acquainted with the Hebrew faith and ritual, he yet brings to his work a mind unwarped by its traditions. He knows nothing of that narrowness of spirit that Hebraism unconsciously engendered, with its insulation from the great outer world. His mount of vision was not Mount Zion, but a new Pisgah, lying outside the sacred borders, and showing him "all the kingdoms of the world," as the Divine thought of humanity took possession of him. And not only so, we must remember that his connection with Christianity has been mainly through St. Paul, who was the Apostle of the "uncircumcision." For months, if not for years, he has been his close companion, reading his innermost thoughts; and so long and so close together have they been, their two hearts have learned to beat in a perfect synchronism. Besides, we must not forget that the Gentile question – their status in the new kingdom, and the conditions demanded of them – had been the burning question of the early Church, and that it was at this same Antioch it had reached its height. It was at Antioch the Apostle Peter had "dissembled," so soon forgetting the lessons of the Cæsarean Pentecost, holding himself aloof from the Gentile converts until Paul felt constrained to rebuke him publicly; and it was to Antioch came the decree of the Jerusalem Council, that Magna Charta which recognized and enfranchised manhood, giving the privileges of the new kingdom to Gentiles, without imposing upon them the Judaic anachronism of circumcision. We can therefore well understand the bent of St. Luke's mind and the drift of his sympathies; and we may expect that his pen – though it is a reed shaken with the breath of a higher inspiration – will at the same time move in the direction of these sympathies.

      And it is exactly this – its "gentility," if we may be allowed to give a new accent and a new meaning to an old word – that is a prominent feature of the third Gospel. Not, however, that St. Luke decries Judaism, or that he denies the "advantage" the Jews have; he cannot do this without erasing Scripture and silencing history; but what he does is to lift up the Son of man in front of their tabernacle of witness. He does not level down Judaism; he levels up Christianity, letting humanity absorb nationality. And so the Gospel of St. Luke is the Gospel of the world, greeting "all nations, and kindreds, and peoples, and tongues" with its "peace on earth." St. Matthew traces the genealogy of Christ back to Abraham; St. Luke goes farther back, to the fountain-head, where all the divergent streams meet and mingle, as he traces the descent to Adam, the Son of God. Matthew shows us the "wise men," lost in Jerusalem, and inquiring, "Where is He that is born King of the Jews?" But St. Luke gives, instead, the "good tidings" to "all people;" and then he repeats the angel song, which is the key-note of his Gospel, "Glory to God in the highest, … goodwill toward men." It is St. Luke only who records the first discourse at Nazareth, showing how in ancient times, even, the mercy of God flowed out towards a Gentile widow and a Gentile leper. St. Luke alone mentions the mission of the Seventy, whose very number was a prophecy of a world-wide Gospel, seventy being the recognized symbol of the Gentile world, as twelve stood for the Hebrew people. St. Luke alone gives us the parable of the Good Samaritan, showing that all the virtues did not reside in Israel, but that there was more of humanity, and so more of Divinity, in the compassionate Samaritan than in their priest and Levite. St. Luke alone records the call of Zacchæus, the Gentile publican, telling how Jesus cancelled their laws of heredity, passing him up among the sons of Abraham. St. Luke alone gives us the twin parables of the lost coin and the lost man, showing how Jesus had come to seek and to save that which was lost, which was humanity, here, and there, and everywhere. And so there breathes all through this Gospel a catholic spirit, more pronounced than in the rest, a spirit whose rhythm and deep meaning have been caught in the lines —

      The only other fact of the Evangelist's life we will here notice СКАЧАТЬ