The Life of the Author: John Milton. Richard Bradford
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Название: The Life of the Author: John Milton

Автор: Richard Bradford

Издательство: John Wiley & Sons Limited

Жанр: Биографии и Мемуары

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isbn: 9781119621621

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СКАЧАТЬ and Sweden, which would form itself into a pan-Protestant league. Nothing came of Grotius’s scheme and nothing is known of Milton’s views on it. His stay in Paris was brief, no more than five days, and according to Cyriack Skinner he had ‘no admiration’ for the kingdom’s ‘manners and Genius’ (Darbishire, 1932, p. 19), a rather cryptic observation which might be taken to reflect Milton’s probable opinions on the authoritarian Catholic regime of Louis XIII and Cardinal Richelieu, the latter having become legendary in his persecution of Huguenots. Later in Of Education (1644) Milton commented that educational reform in England would spare the moneyed classes the once fashionable habit of sending their young to ‘the Mounsieurs of Paris [who] take our hopefull youth into their slight and prodigall custodies and send them over back again transform’d into mimics, apes and kicshoes’ (CPW, II, p. 414). He was not so much deriding the competence of French educators as rebuking their culture of inflexible religious doctrine. After Paris he went south to Nice and this would have been the most taxing part of his expedition. Rural France of the early seventeenth century had changed little since the Middle Ages. The only individuals who regularly travelled great distances were members of the gentry and aristocracy who were either accompanied by a small army of servants or found hospitality in the chateaux of their peers. Carriages for the ordinary traveller and inns providing meals and overnight accommodation were almost non-existent. It is likely that Milton and his servant traversed almost the whole of France on horseback and between substantial towns they would often have slept and prepared food in the open air. From Nice they took a boat to Genoa. It should be pointed out that, at this time, Italy as a single political entity did not exist. It was a region made up of principalities and city-states, most, to varying degrees, influenced and controlled by Spain.

      For Milton it involved refractions and exaggerations of his life in England. He had already become something of a polymath, an archetypal Renaissance man, and now he found himself in the crucible of the Renaissance. In Rome, Naples and Florence he attended concerts, viewed private collections of pictures and sculpture and marvelled at the assembly of gothic, neoclassical and baroque styles that made these cities in themselves works of art. At Naples he stayed with Giovanni Manso, who kept a villa just outside the city. Arguably the most eminent Italian poet of the age, Manso had known Tasso and Marini, Italy’s finest sixteenth-century writers whose English equivalents would have been, respectively, Spenser and Donne. More significantly Manso, Tasso and Marini were part of a lineage which originated in the fourteenth century with Petrarch. They were the embodiments and inheritors of the essential Renaissance. (Before his visit to Italy Milton had become intimately familiar with the works of Dante Aligheri (1265–1321) whose Divine Comedy was the only major Christian epic prior to Paradise Lost with Spenser’s The Faerie Queene coming a close second for Protestant Englishmen.) It is certain that he would also have been aware of Tasso’s Gerusallemme liberate (Jerusalem Delivered, 1581) which purported to be an accurate record of Christian successes during the crusades of the eleventh and twelfth centuries. It was a piece of pro-Christian propaganda but it should not be treated as a rewriting of long distant history. At beginning of the sixteenth century what remained of the Moorish population of Spain was still organising rebellions against the regime of Ferdinand and Isabella and when Milton arrived in Italy it was celebrated, at least in Catholic Europe, as one of the finest works of post-Classical literature. It was, like Spenser’s Faerie Queene, a political epic and Milton had entered an environment in which the purpose of poetic writing – was it only art or could it be the instrument of polemic and ideology? – was intensely debated. Within a decade he would address this question and his own role as a writer in his pamphlets.

      Surprisingly, given Milton’s age and slightness of works in print, his own reputation went before him. He was received in the houses of the nobility and in private academies as a figure of coming greatness. During March 1639, for example, he was invited on two occasions to give readings of his Latin and English poems in the celebrated Svogliati Academy in Florence.

      It is more than likely that Milton’s period abroad served to complicate – sometimes undermine, often refresh – his views of the Continent acquired during his years of retirement and research outside London. Some of the figures and institutions he encountered, particularly Catholics, reinforced the stereotypes of the Puritan pamphlets but more often he came across a spectrum of unpredictabilities where indulgence and free thinking predominated. He wrote later:

      I could recount what I have seen and heard in other Countries, where this kind of inquisition tyrannizes; when I have sat among their lerned men, for that honour I had, and bin counted happy to be born in such a place of Philosophic freedom, as they suppos’d England was, while themselvs did nothing but bemoan the servil condition into which lerning amongst them was brought; that this was it which had dampt the glory of Italian wits; that nothing had bin there writt’n now these many years but Flattery and fustian. There it was that I found and visited the famous Galileo … And though I knew that England then was groaning loudest under the Prelaticall yoak, neverthelesse I took it as a pledge of future happines, that other Nations were so perswaded of her liberty.

      (CPW, II, pp. 537–8)

      Despite enjoying the hospitality and erudition of many he was aware that exchanges on such fundamental issues as religious belief were sometimes a dangerous undertaking, especially in Rome. ‘I would not indeed СКАЧАТЬ